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Johnny Hodges
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"Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyes, this was Johnny Hodges. Because of this great loss, our band will never sound the same. Johnny Hodges sometimes sounded beautiful, sometimes romantic, and sometimes people spoke of his tone as being sensuous. With the exception of a year or so, almost his entire career was with us. So far as our wonderful listening audience was concerned, there was a great feeling of expectancy when they looked up and saw Johnny Hodges sitting in the middle of the saxophone section, in the front row. I am glad and thankful that I had the privilege of presenting Johnny Hodges for forty years, night after night
Owen Broder: Hodges: Front and Center: Vol. Two
by Pierre Giroux
Owen Broder's Hodges : Front and Center Vol.Two is a respectful yet refreshing tribute to Johnny Hodges, a saxophonist with an iconic sound while injecting a contemporary vitality into the mix. Hodges' influence looms large throughout the album, guiding Broder's approach to the music. In this quintet's musical journey, Broder, on both alto and baritone saxophone, ...
Respect the Rabbit! (Owen Broder Interview)
by Patrick Burnette
For some fans, the story of jazz saxophone begins with John Coltrane. This episode, the boys interview Owen Broder, who gives propers to Coltrane's old boss, Johnny Hodges. Mainstay of the Duke Ellington band and lover of lettuce and tomato sandwiches, the Rabbit (as he was known) possessed the most sumptuous sound ever heard from an ...
Johnny Hodges: 3 Shades of Blue,1970
Yesterday, I posted on Webster's Dictionary, a rare late-career album by tenor saxophonist Ben Webster and arranged by Stan Tracey that is virtually unknown by even ardent jazz fans. To continue my series on great saxophonists and little-known gems in their final years, today I'm looking at Johnny Hodges's 3 Shades of Blue, arranged and conducted ...
Ian Shaw & Tony Kofi: An Adventurous Dream (At PizzaExpress Live In London)
by Chris May
The trouble with live albums recorded in venues that are, essentially, eateries, is that the musicians may have to go large to grab the audience's attention, sometimes too large for the material which they are performing. This is abundantly the case with An Adventurous Dream (At PizzaExpress Live In London): The Music Of Billy Strayhorn And ...
Late-Period Art Pepper Box Sets
by C. Michael Bailey
In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
Fletcher Henderson, Count Basie, Charlie Parker & Ella Fitzgerald
by Joe Dimino
We dedicate the entirety of the 843rd Episode of Neon Jazz to the history and culturally vital institution, Harlem's Apollo Theater. After finding an illustrated book on the history of this landmark institution in the history of African American culture, it was essential to cover the jazz side of things from the book's perspective. We begin ...
Joe Block Christmas Extravaganza at Chris’ Jazz Café
by Victor L. Schermer
Joe Block Christmas Extravaganza Chris' Jazz Café Philadelphia, PA December 17, 2023 Pianist Joe Block is a remarkable pianist and band leader born and bred in Philadelphia and its suburbs. He is a graduate of both Juilliard and Columbia, was mentored by legendary pianists like Tom Lawton ...
Carla Bley Tribute, Bartók Jazz, Hot Sax LPs
by David Brown
This week includes jazz takes on Bela Bartók, a Set of Hot Sax and a look at Philly arranger Lee Lovett. The second half of the show will be dedicated to the compositions of Carla Bley who passed this week. Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes ...
A Tale of Two Jazz Humbugs
by Con Chapman
"Humbug" is a little word of great utility that has unfortunately passed out of general usage. It means, according to Webster's Dictionary, “a person who does not live up to his claims; impostor." While it carries the connotation of deception or trickery, it was more generally applied to what we would today call--with less compactness--a pious ...
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