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Content by tag "Paal Nilssen-Love"

ARTICLE: CD/LP/TRACK REVIEW

Peter Brötzmann, Steve Swell, Paal Nilssen-Love: Live In Tel Aviv

Read "Live In Tel Aviv" reviewed by Enrico Bettinello

Un altro tassello si aggiunge alla già corposa discografia del sassofonista tedesco Peter Brötzmann, il terzo insieme a questo trio con il trombone di Steve Swell e la batteria di Paal Nilssen-Love.

Rigorosamente dal vivo, catturato nel momento in cui questa materia incandescente viene lavorata dai tre musicisti.

Un rituale sonoro ...

ARTICLE: CD/LP/TRACK REVIEW

Ken Vandermark / Marker: Roadwork 1/Roadwork2/Homework1 (Box Set)

Read "Roadwork 1/Roadwork2/Homework1 (Box Set)" reviewed by Karl Ackermann

Reed player, composer and improviser Ken Vandermark has led, or been a part of, more than fifty different groups in his prolific twenty-year recording career. Along the way he has played with many of the top talents in experimental, free, and avant-garde jazz, including Joe McPhee, Joe Morris, Paul Lytton, Marcin Oles, Adam Lane, Ab Baars, ...

ARTICLE: LIVE REVIEWS

Copenhagen Jazz Festival 2018: The Community Series at Koncertkirken

Read "Copenhagen Jazz Festival 2018: The Community Series at Koncertkirken" reviewed by Henning Bolte

Koncertkirken
Copenhagen Jazz Festival
Copenhagen
July 13-14, 2018

It was a flying visit of two days at this year's Copenhagen Jazz Festival with its 1500 concerts during 10 days. But with so many concerts spread over the city even two days demands serious decision-making and crisscrossing town. I was primarily ...

ARTICLE: CD/LP/TRACK REVIEW

Frode Gjerstad Trio + Steve Swell: Bop Stop

Read "Bop Stop" reviewed by John Sharpe

The bones of Norwegian saxophonist Frode Gjerstad's Trio go back a long way. He first co-opted drummer Paal Nilssen-Love into his Circulasione Totale Orchestra when he was still a teenager. Although bassist Jon Rune Strøm is a more recent recruit, he has still been on board since 2011. As such the consistently high quality interplay they ...

ARTICLE: LIVE REVIEWS

Moldejazz Festival 2018

Read "Moldejazz Festival 2018" reviewed by Luca Vitali

Molde Jazz Festival
Molde, Norvegia
15-19.07.2018

Il festival jazz di Molde è il secondo più antico d'Europa --fondato nel 1961, lo precede di un solo anno il festival di Ljubljana la cui prima edizione risale al 1960 --e ancora oggi il più importante in Norvegia. È qui che Keith Jarrett e Jan ...

ARTICLE: LIVE REVIEWS

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

23rd Annual Vision Festival
Roulette
New York, NY
May 23-28, 2018

Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

Yokada: Stillness & Sirens

Read "Stillness & Sirens" reviewed by Karl Ackermann

A new Stockholm-based piano trio, Yokada, has released their debut recording on Lisa Ullén's Disorder label. Though the sparse liner notes give no indication, it is a safe assumption that the trio's name comes from Andrew Hill's “Yokada Yokada" on Judgment! (Blue Note, 1964). This release--Stillness and Sirens--features one composition that is a tribute to Hill. ...

ARTICLE: LIVE REVIEWS

Trondheim Jazzfest 2018

Read "Trondheim Jazzfest 2018" reviewed by Henning Bolte

Olafshallen, Dokhuset and other venues
Trondheim Jazzfest
Trondheim, Norway
May 8-12, 2018

Trondheim, Norway's third largest city, is the country's main center of intelligence in science, engineering and technology. It holds a key place in Norwegian history and identity in general, and in jazz/music specifically.

The ...

The Thing: Again

Read "Again" reviewed by Mark Corroto

Wait for it. Wait. At some point during a performance or recording by the trio known as The Thing, the band attempts to rip your face off, beginning with your ears. It's been that way since they were founded in 2000. The Swedish/Norwegian free jazz/garage band have become a kind of jazz/punk royalty, cutting huge swaths ...

Mars Williams / Tollef Østvang: Painted Pillars

Read "Painted Pillars" reviewed by Mark Corroto

If you only know saxophonist Mars Williams from his gigs with the post-punk band The Psychedelic Furs or the hip-hop/funk band Liquid Soul, you're missing out on a talented and dedicated free-jazz improviser. He scatters himself in many directions, from collaborations with Chicago's Ken Vandermark, Tim Daisy, Jim Baker and Michael Zerang, to work in Europe ...