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ARTICLE: CD/LP/TRACK REVIEW

Peter Brötzmann, Steve Swell, Paal Nilssen-Love: Live In Tel Aviv

Read "Live In Tel Aviv" reviewed by Enrico Bettinello

Un altro tassello si aggiunge alla già corposa discografia del sassofonista tedesco Peter Brötzmann, il terzo insieme a questo trio con il trombone di Steve Swell e la batteria di Paal Nilssen-Love.

Rigorosamente dal vivo, catturato nel momento in cui questa materia incandescente viene lavorata dai tre musicisti.

Un rituale sonoro ...

ARTICLE: LIVE REVIEWS

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

23rd Annual Vision Festival
Roulette
New York, NY
May 23-28, 2018

Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

Yokada: Stillness & Sirens

Read "Stillness & Sirens" reviewed by Karl Ackermann

A new Stockholm-based piano trio, Yokada, has released their debut recording on Lisa Ullén's Disorder label. Though the sparse liner notes give no indication, it is a safe assumption that the trio's name comes from Andrew Hill's “Yokada Yokada" on Judgment! (Blue Note, 1964). This release--Stillness and Sirens--features one composition that is a tribute to Hill. ...

ARTICLE: LIVE REVIEWS

Trondheim Jazzfest 2018

Read "Trondheim Jazzfest 2018" reviewed by Henning Bolte

Olafshallen, Dokhuset and other venues
Trondheim Jazzfest
Trondheim, Norway
May 8-12, 2018

Trondheim, Norway's third largest city, is the country's main center of intelligence in science, engineering and technology. It holds a key place in Norwegian history and identity in general, and in jazz/music specifically.

The ...

The Thing: Again

Read "Again" reviewed by Mark Corroto

Wait for it. Wait. At some point during a performance or recording by the trio known as The Thing, the band attempts to rip your face off, beginning with your ears. It's been that way since they were founded in 2000. The Swedish/Norwegian free jazz/garage band have become a kind of jazz/punk royalty, cutting huge swaths ...

Mars Williams / Tollef Østvang: Painted Pillars

Read "Painted Pillars" reviewed by Mark Corroto

If you only know saxophonist Mars Williams from his gigs with the post-punk band The Psychedelic Furs or the hip-hop/funk band Liquid Soul, you're missing out on a talented and dedicated free-jazz improviser. He scatters himself in many directions, from collaborations with Chicago's Ken Vandermark, Tim Daisy, Jim Baker and Michael Zerang, to work in Europe ...

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto

Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

Jon Rune Strøm Quintet: Fragments

Read "Fragments" reviewed by John Sharpe

Norwegian bassist Jon Rune Strøm, subscribes to none of the self-effacement which sometimes manifests itself on dates led by rhythm section mainstays. That is signaled straight away on the first cut of Fragments, where no other instrument is heard for the first six minutes. With bow in hand, he initially duets with fellow bassist Christian Meaas ...

Johan Lindström Septett: Music For Empty Halls

Read "Music For Empty Halls" reviewed by Mark Corroto

There is an old soul lurking in the body of guitarist Johan Lindström. I mean both the body corporal and his guitar body. His septet recording Music For Empty Halls draws the ear back to a time when music was less rushed and much more thoughtful. He's assembled a collection of compositions in a most considerate ...

ARTICLE: CD/LP/TRACK REVIEW

Angles 9: Disappeared Behind the Sun

Read "Disappeared Behind the Sun" reviewed by John Sharpe

On the sixth release from reedman Martin Küchen's mid-sized Angles ensemble, all the winning traits so evident on previous outings are still present and correct: heart wrenching melodies, huge foot-tapping riffs, sweeping chorales and adventurous raw soloing, not least by the leader himself. Many of the same top notch players remain on board, notably trombonist Mats ...