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MUSICIAN Born:

Paal Nilssen-Love

Paal was born in Molde, Norway, December 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast--and Paal was nationally acknowledged at the age of 20. The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life

Fish & Steel

Label: PNL
Released: 2019
Track listing: Blow Out; Sångbolaget.

ARTICLE: IN PICTURES
ARTICLE: ALBUM REVIEWS

Mats Aleklint/Per-Ake Holmlander/Paal Nilssen-Love: Fish & Steel

Read "Fish & Steel" reviewed by Karl Ackermann

PNL Records was started in 2007 by Norwegian jazz drummer Paal Nilssen-Love to release his recordings as a solo artist, with his big band Large Unit, and in collaborations with other artists. Fish & Steel is the self-titled debut from the trio of trombonist Mats Åleklint, tuba player Per-Äke Holmlander, and Nilssen-Love. All three are part ...

ARTICLE: LIVE REVIEWS

Jazz&Wine of Peace 2019

Read "Jazz&Wine of Peace 2019" reviewed by Neri Pollastri

Jazz & Wine of Peace Festival Teatro Comunale di Cormòns e varie sedi nel Collio e in Slovenia 23-27.10.2017 La ventiduesima edizione del festival Jazz&Wine of Peace di Cormòns si è svolta dal 23 al 27 Ottobre, con la medesima, fortunata formula degli scorsi anni: un concerto serale al Teatro Comunale ...

ARTICLE: ALBUM REVIEWS

Made To Break: F4 Fake

Read "F4 Fake" reviewed by Mark Corroto

If you count their three download-only releases from 2016, F4 Fake by Ken Vandermark's Made To Break is the band's ninth release since forming in 2011. This is significant because like his quintet Vandermark 5, which existed from 1996 until 2010, this quartet and his ensemble Marker are the main drivers for the trailblazing composer. Not ...

Recollections of an Oslo experience

Read "Recollections of an Oslo experience" reviewed by Henning Bolte

Oslo has its week-long Jazz Festival taking place in mid-August at Sentralen and various locations from bar to church to opera house and university auditorium in the Norwegian capital. This already indicates something of the variety of the presented music. This year's edition has been the last one under the thirteen-year aegis of bassist and festival ...

ARTICLE: LIVE REVIEWS

Forlì Open Music 2019

Read "Forlì Open Music 2019" reviewed by Libero Farnè

Forlì Open Music Ex Chiesa di San Giacomo Forlì 11-13 ottobre Per potersi immergere nel modo più vantaggioso nelle cangianti atmosfere di Forlì Open Music, festival senza confini generato dall'esperienza trentennale di Area Sismica, bisogna immedesimarsi nella sua filosofia con orecchie ricettive, mente libera e cuore partecipe. A maggior ragione in ...

ARTICLE: ALBUM REVIEWS

Rodrigo Amado & Chris Corsano: No Place to Fall

Read "No Place to Fall" reviewed by Mark Corroto

Did you know that besides his talents as a saxophonist and composer, Rodrigo Amado is also a professional photographer? His camera captures an instant in time and preserves it for eternity. Now compare his photographs' frozen moments against the seemingly perpetual motion that is this free jazz set with drummer Chris Corsano. This juxtaposition of static ...

ARTICLE: ALBUM REVIEWS

Ken Vandermark with Kris Davis/Hamid Drake/Paul Lytton/Ikue Mori/William Parker: Momentum 4: Consequent Duos 2015>2019 (Box Set)

Read "Momentum 4: Consequent Duos 2015>2019 (Box Set)" reviewed by Karl Ackermann

When reed player and composer Ken Vandermark launched his recording career in 1995, he did so with the deceptively titled Standards (Quinnah Records). Free improvisations with titles like “Rage for Speaking" and “A Sick Man's Dreams" indicated a different view of the agreed-upon definition. And so, it has been and has evolved, over nearly twenty-five years ...


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