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ARTICLE: ALBUM REVIEWS

Boneshaker: Fake Music

Read "Fake Music" reviewed by Mark Corroto

The trio of saxophonist Mars Williams, bassist Kent Kessler and drummer Paal Nilssen-Love have taken the fitting name Boneshaker--a word coined to describe the early velocipede, what we today the bicycle. The moniker was appropriate because the bike's wheels (before the use of rubber tires) were made of wood, making the ride extremely uncomfortable. So why ...

ARTICLE: LIVE REVIEWS

Belgrade Jazz Festival 2018

Read "Belgrade Jazz Festival 2018" reviewed by Martin Longley

Belgrade Jazz Festival
Dom Omladine/Kombank Dvorana
Belgrade, Serbia
October 25-29, 2018

The 34th edition of the Belgrade Jazz Festival maintained its exciting strategy of diverse programming, from Kurt Elling to The Thing, Marc Ribot to Bobby Shew, Cortex down to The Necks. That's already an enticing blend of ...

ARTICLE: ALBUM REVIEWS

Atomic: Pet Variations

Read "Pet Variations" reviewed by John Eyles

Formed in the spring of 2000, Scandinavian “supergroup" Atomic recorded and released their first album Feet Music (Jazzland) in 2001. The years since have been remarkably stable for the quintet; they have produced albums at an impressive rate of about a disc a year, including two collaborations with Ken Vandermark's School Days group. The only change ...

ARTICLE: ALBUM REVIEWS

Peter Brötzmann, Steve Swell, Paal Nilssen-Love: Live In Tel Aviv

Read "Live In Tel Aviv" reviewed by Enrico Bettinello

Un altro tassello si aggiunge alla già corposa discografia del sassofonista tedesco Peter Brötzmann, il terzo insieme a questo trio con il trombone di Steve Swell e la batteria di Paal Nilssen-Love.

Rigorosamente dal vivo, catturato nel momento in cui questa materia incandescente viene lavorata dai tre musicisti.

Un rituale sonoro ...

ARTICLE: UNDER THE RADAR

Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously

Read "Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously" reviewed by Karl Ackermann

In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...

John Butcher

Read "John Butcher" reviewed by John Eyles

In the Building a Jazz Library article on Evan Parker, it says that seasoned Parker followers would describe him as the finest improvising saxophonist of his generation. Curiously, many of those same people would use exactly that phrase about John Butcher. The simple explanation for this apparent contradiction is that we are talking about two generations; ...

ARTICLE: LIVE REVIEWS

Not Two...But Twenty! Festival

Read "Not Two...But Twenty! Festival" reviewed by John Sharpe

Not Two...But Twenty! Festival
Wlen, Poland
September 21-23, 2018

Intro There are some things worth celebrating in style, one of them being marked persistence in the face of adversity. That pretty much describes the continued existence of any jazz record label in these straitened times. To mark its 20th ...

ARTICLE: LIVE REVIEWS

European Jazz Conference Lisbon 2018: Portuguese showcases

Read "European Jazz Conference Lisbon 2018: Portuguese showcases" reviewed by Henning Bolte

Centro Cultural de Belém (CCB); Livraria Ler Devagar
European Jazz Conference Lisbon 2018
Lisbon, Portugal
September 13-15, 2018

European Jazz Conference Lisbon 2018: Portuguese showcases This year's annual European Jazz Conference, a convention organized by the European Jazz Network, took place at Centro Cultural de Belém (CCB) in the Portuguese capital ...

ARTICLE: ALBUM REVIEWS

Frode Gjerstad: Bop Stop

Read "Bop Stop" reviewed by Giuseppe Segala

A cavallo tra gli anni Settanta e Ottanta, quando nella scena jazz norvegese la presenza dell'etichetta germanica Ecm stimolava e indirizzava le scelte di tanti musicisti, il sassofonista Frode Gjerstad si volgeva a un altro panorama, cercando il contatto con le odissee procellose dell'improvvisazione storica europea, volgendosi soprattutto all'area britannica. Qui collaborò con grandi maestri che ...

ARTICLE: ALBUM REVIEWS

Ken Vandermark / Marker: Roadwork 1/Roadwork2/Homework1 (Box Set)

Read "Roadwork 1/Roadwork2/Homework1 (Box Set)" reviewed by Karl Ackermann

Reed player, composer and improviser Ken Vandermark has led, or been a part of, more than fifty different groups in his prolific twenty-year recording career. Along the way he has played with many of the top talents in experimental, free, and avant-garde jazz, including Joe McPhee, Joe Morris, Paul Lytton, Marcin Oles, Adam Lane, Ab Baars, ...