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African-American Music: A retrospective at Jazz at Lincoln Center

Read "African-American Music: A retrospective at Jazz at Lincoln Center" reviewed by Nick Catalano

One of Jazz at Lincoln Center's most thoughtful concert ideas in recent memory came to life at the Appel Room on March 2, 2018. Dubbed “Rags, Strides & Habaneras" the intimate program managed to survey a host of strategic forms from origins in West Africa that shaped the art of music in the Americas.


Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann

The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...


Adam Fairhall: Friendly Ghosts

Read "Friendly Ghosts" reviewed by Roger Farbey

Following undergraduate studies, virtuoso pianist Adam Fairhall took a Master's degree at Leeds College of Music, receiving a MMus in Jazz Studies (Performance) in 2005. Whilst at Leeds he studied with pianist Mark Donlon and took lessons with British jazz composer Matthew Bourne. The title of his album Friendly Ghosts, Fairhall's debut recording as a soloist, ...

Chris Washburne: Rags And Roots

Read "Rags And Roots" reviewed by James Nadal

The year 1917 stands out in music history, for that was the year of the first jazz recording, (Livery Stable Blues by Original Dixieland Jass Band) and marks the death of ragtime pianist/composer Scott Joplin. To commemorate these events, and the century that ensued, trombonist Chris Washburne takes a musical exploration back through time on Rags ...


The Freexielanders: Looking Back Playing Forward

Read "Looking Back Playing Forward" reviewed by Alberto Bazzurro

Due pezzi da novanta dell'avanguardia storica come Eugenio Colombo e Giancarlo Schiaffini, uno che da un po' di anni nel ramo si distingue a sua volta come Alberto Popolla, più altri cinque colleghi di età ed estrazione varia, hanno deciso di ribattezzarsi The Freexielanders (nome eloquentissimo che non ci attardiamo a illustrare) e lanciarsi in un ...


Umbria Jazz Winter a Orvieto

Read "Umbria Jazz Winter a Orvieto" reviewed by Libero Farnè

Umbria Jazz Winter 24
Varie sedi

In questa ventiquattresima edizione di Umbria Jazz Winter, come in altre precedenti, non è mancata la qualità, con alcuni concerti che non sarebbe facile ascoltare altrove, fra cui molte proposte replicate in più sedi e in orari diversi. Quasi tutti i gruppi ...


Peter Saltzman: Blues, Preludes and Feuds

Read "Blues, Preludes and Feuds" reviewed by Geannine Reid

Solo piano albums have the special place in the cannon of improvised music as a mode of presentation and holds an honored place in jazz; the history could even be traced to music predating the origins of the genre. In mechanical terms, it has not changed, one musical artist sitting at the piano for well over ...


Euopean Jazz Conference 2016: Polish Jazz Showcases

Read "Euopean Jazz Conference 2016: Polish Jazz Showcases" reviewed by Ian Patterson

European Jazz Conference: Polish Jazz Showcases
National Forum Of Music
jny:Wroclaw, Poland
September 22-24, 2016

One of the great things about returning to Poland each time is the exposure to new jazz talent, because beyond the internationally renowned marquee names--the historic Polish greats--are a great number of outstanding artists. How ...

AACM - The Association of the Advancement of Creative Music

Read "AACM - The Association of the Advancement of Creative Music" reviewed by Hrayr Attarian

The Association of the Advancement of Creative Music (AACM) was created 50 years ago in jny: Chicago to give voice to adventurous African American musicians and to express the political turmoil of the era. As this is the anniversary year of this revolutionary collective here are ten essential classic AACM recordings that belong in any collection, ...

Maro Marconi Trio: Nordik

Read "Nordik" reviewed by Sammy Stein

From the opening of Nordik and the first track “Too High Don't Fry" the prodigious talent of Marco Marconi is clear. The theme is quickly established and then worked on by not only the rapacious delight of the piano but the rhythmic bass line and percussion which underpins the melody. Enzo Zirilli delivers a drum solo ...