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ARTICLE: LIVE REVIEWS

Savannah Music Festival 2019

Read "Savannah Music Festival 2019" reviewed by Martin Longley

Savannah Music Festival
Savannah, GA
March 28-April 2, 2019

The opening day of this 30th edition of the Savannah Music Festival featured a pronounced bombardment of diverse artists, tearing apart the motor controls of the driven sonic obsessive. If a pair of ears lends equal attention to Louisiana zydeco, Saharan ...

ARTICLE: UNDER THE RADAR

Women in Jazz, Part 1: Early Innovators

Read "Women in Jazz, Part 1: Early Innovators" reviewed by Karl Ackermann

"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...

ARTICLE: LIVE REVIEWS

The Emmet Cohen Trio at The Jazz Corner

Read "The Emmet Cohen Trio at The Jazz Corner" reviewed by Martin McFie

The Emmet Cohen Trio
The Jazz Corner
Hilton Head Island
February 1-2, 2019

The Emmet Cohen Trio have been together for five years and it shows. Dynamic bassist Russell Hall from Kingston, Jamaica hummed along to the bass and ebullient, dramatic drummer Kyle Poole made up the trio.

They ...

ARTICLE: RADIO

Jazz Comes to Records (1917)

Read "Jazz Comes to Records (1917)" reviewed by Russell Perry

This is the first in a series of programs that will play representative music from 100 years of jazz history. We will explore the broad sweep of that narrative; its representative and its idiosyncratic players; its durable movements and dead ends; its popular recordings and rarities. We hope you will join us over the next 100 ...

ARTICLE: ALBUM REVIEWS

Chris Washburne: Rags And Roots

Read "Rags And Roots" reviewed by Angelo Leonardi

Dopo l'intrigante rilettura latina di alcuni classici del rock (Low Ridin', Zoho 2015) il trombonista Chris Washburne rilegge la musica afroamericana degli esordi, prendendo in considerazione il ragtime e il jazz di New Orleans. Washburne non è solo un trombonista e un multistrumentista ma un etnomusicologo laureatosi prima al New England Conservatory e poi alla Columbia ...

ARTICLE: ALBUM REVIEWS

Bekken and Gjems: Spell

Read "Spell" reviewed by Jim Worsley

Dr. Bekken's last record, Live At Bar Moskus (Blue Mood, 2017), was nominated for a Norwegian Grammy (the Spellemannprisen). That was a hard-driving solo, boogie-woogie upright piano performance.

For Spell, the good doctor writes a new prescription for traditional Norwegian folk infused with New Orleans style jazz. Harmonicist Richard Gjems is co-featured. Bekken and ...

ARTICLE: INTERVIEWS

Chad Taylor: Myths and Music Education

Read "Chad Taylor: Myths and Music Education" reviewed by Jakob Baekgaard

Few drummers know how to use rhythms like Chad Taylor. He makes the drum set sing melodies and paints different hues and shades on the cymbals and skins. He can play inside and outside and has performed with musicians like saxophonists Fred Anderson, Pharoah Sanders and James Brandon Lewis, pianists Cooper-Moore and Angelica Sanchez, guitarists Jeff ...

ARTICLE: NEW YORK BEAT

African-American Music: A retrospective at Jazz at Lincoln Center

Read "African-American Music: A retrospective at Jazz at Lincoln Center" reviewed by Nick Catalano

One of Jazz at Lincoln Center's most thoughtful concert ideas in recent memory came to life at the Appel Room on March 2, 2018. Dubbed “Rags, Strides & Habaneras" the intimate program managed to survey a host of strategic forms from origins in West Africa that shaped the art of music in the Americas.

ARTICLE: UNDER THE RADAR

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann

The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

ARTICLE: ALBUM REVIEWS

Adam Fairhall: Friendly Ghosts

Read "Friendly Ghosts" reviewed by Roger Farbey

Following undergraduate studies, virtuoso pianist Adam Fairhall took a Master's degree at Leeds College of Music, receiving a MMus in Jazz Studies (Performance) in 2005. Whilst at Leeds he studied with pianist Mark Donlon and took lessons with British jazz composer Matthew Bourne. The title of his album Friendly Ghosts, Fairhall's debut recording as a soloist, ...