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ARTICLE: CD/LP/TRACK REVIEW

Per Gärdin / Travassos / Marco Franco: Oblique (trio)

Read "Oblique (trio)" reviewed by Mark Corroto

You've come to expect a music review to direct you to pay close attention to a particular passage or solo in a recording. But what if a commentator suggested the best manner to appreciate a recording was to dissipate one's attention and dissolve it into the ether? How would you then experience the music? Would it ...

Per Gärdin/Pedro Lopes/Rodrigo Pinheiro: History Of The Lisbon Chaplaincy

Read "History Of The Lisbon Chaplaincy" reviewed by Mark Corroto

It's interesting just how much place influences a recording. Was the session captured in a hermetically sealed studio or a noisy jazz club? Is the sound engineered or merely captured? And how does the architecture of the recording space effect the sound? Sound experimentalist Pauline Oliveros often recorded in an empty water cistern, timing notes against ...

Per Gärdin/Rodrigo Pinheiro/Marco Franco/Travassos: Oblique Mirrors

Read "Oblique Mirrors" reviewed by Mark Corroto

Listening to the free improvisation recording, Oblique Mirrors brings to mind a most memorable line from the film The Usual Suspects, where Kevin Spacey as Roger “Verbal" Kint says, “The greatest trick the Devil ever pulled was convincing the world he didn't exist. And like that, poof. He's gone."

Maybe its the evanescent nature ...

ARTICLE: CD/LP/TRACK REVIEW

Per Gärdin: loos

Read "loos" reviewed by Eyal Hareuveni

Swedish, Stockholm-based free improviser, saxophonist Per Gärdin continues to expand his solo art on this, his sophomore album which follows In Situ (released on his own label, Ibn Musik, 2010). This album is a set of improvisations for solo saxophone Gärdin's musical resume includes collaborations with other prominent Swedish improvisers such as the pianist Lisa Ullén, ...