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ARTICLE: PROFILES

Jazz Heritage Radio Broadcasts 2019 Highpoint for USAF Airmen of Note

Read "Jazz Heritage Radio Broadcasts 2019 Highpoint for USAF Airmen of Note" reviewed by Chris M. Slawecki

Part 1 | Part 2 | Part 3

You may be surprised to learn that one of the best big bands on the 2019 jazz circuit in made up of musicians who simultaneously serve in the US Air Force. But as you hear on their Jazz Heritage Series 2019 Radio Broadcasts with guest artists ...

ARTICLE: ALBUM REVIEWS

Judy Niemack: New York Stories

Read "New York Stories" reviewed by Angelo Leonardi

Non è tra le cantanti più celebri del jazz moderno, ma è certamente tra le più brave. A differenza di quanto accade oggi nel mondo delle vocalist, Judy Niemack non fa surfing da uno stile all'altro ma continua a esaltare la tradizione vocale nata dal bop e dal cool jazz. E lo fa in maniera splendida, ...

ARTICLE: SOCAL JAZZ

Peter Erskine: Up Front, In Time, and On Call, Part 1

Read "Peter Erskine: Up Front, In Time, and On Call, Part 1" reviewed by Jim Worsley

Part 1 | Part 2

Peter Erskine is affable, engaging, and humorous. He, of course, is also one of the finest drummers of his generation. He has left his mark on the jazz and fusion world for nearly fifty years now. An icon, whose name is mentioned with the greats of all time, Erskine continues ...

ARTICLE: SOCAL JAZZ

Tom Kennedy: In A New York Minute

Read "Tom Kennedy: In A New York Minute" reviewed by Jim Worsley

Riding high on the low end since arriving in New York City in 1984, premier jazz and fusion bassist Tom Kennedy has shared his groove and innate musicality all over the world. He has shared the stage and recording studio with a long list of varied and talented artists. Names like Michael Brecker, Steve Gadd, Lee ...

ARTICLE: LIVE REVIEWS

Festival International de Jazz de Montréal 2018: Part 1

Read "Festival International de Jazz de Montréal 2018: Part 1" reviewed by John Kelman

Part 1 | Part 2

2018 Festival International de Jazz de Montréal,
Various Venues,
Montréal, Canada
June 29-July 3, 2018

Every return to Montréal for the city's annual Festival International de Jazz de Montréal is much-anticipated. Closing off six square blocks in the downtown core is rare enough; but, over ...

Ricordiamo Michael Brecker

Read "Ricordiamo Michael Brecker" reviewed by Angelo Leonardi

Sono trascorsi più di dieci anni dalla morte di Michael Brecker, avvenuta il 13 gennaio 2007, il giorno dopo quella di Alice Coltrane. Brecker è stato il massimo e più influente sax tenore post-coltraniano ed è quanto mai doveroso ricordarne la vita e il percorso artistico.

Il 25 gennaio di quest'anno la comunità jazzistica ...

L'ultimo hipster. La vita e la musica di Mark Murphy

Read "L'ultimo hipster. La vita e la musica di Mark Murphy" reviewed by Angelo Leonardi

Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica.

Eppure già prima della sua scomparsa -il ...

ARTICLE: ALBUM REVIEWS

Steve Khan: Backlog

Read "Backlog" reviewed by Mark F. Turner

Steve Khan's love affair with Latin music germinated in the 1980's with his stellar Eyewitness recordings and continued to develop in a number of releases including 2011's Parting Shot and 2014's Subtext both on Tone Center Records. Backlog is third in this series and represents some of the esteemed jazz guitarist's finest work to date.

ARTICLE: ALBUM REVIEWS

The 14 Jazz Orchestra: Nothing Hard Is Ever Easy

Read "Nothing Hard Is Ever Easy" reviewed by Angelo Leonardi

Dischi come questo sono indicativi dell'alto livello professionale che il jazz statunitense esprime anche nelle cosiddette zone di periferia, lontane da New York, Chicago o Los Angeles.
Quest'orchestra opera in Florida ed è formata da 13 insegnanti o ex alunni della Miami University diretti dall'arrangiatore Dan Bonsanti e integrati da pregevoli ospiti: Will Lee ...

ARTICLE: EXTENDED ANALYSIS

John Scofield: Country for Old Men

Read "John Scofield: Country for Old Men" reviewed by John Kelman

When guitarist Bill Frisell first began a more decided focus on roots music, bluegrass and country & western music with the release of 1996's Nashville (Nonesuch), despite being largely very well-received, jazz purists rankled when the largely bluegrass/folk-informed album began to garner awards like Downbeat Magazine's Best Jazz Album of the Year. While Frisell's oftentimes Americana-tinged ...