Results for "Myriad3"

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Ernesto Cervini

Drummer Ernesto Cervini is making a name for himself as a consummate bandleader and in-demand sideman. Time Out New York encapsulated Cervini as “a buoyant drummer as well as a sharp composer,” while the jazz bible, Downbeat, described his fluid style as one that “exemplifies `float like a butterfly, sting like a bee’.” The drummer released Abundance, his sixth album as a leader in October, 2018. Modern Drummer magazine said: “Cervini recalls such old-schoolers as Art Blakey and Billy Higgins. . . It’s his robust, magnetic personality that fascinates consistently.” Born in Toronto in 1982, Cervini graduated from Canada’s Royal Conservatory of Music with degrees in classical piano and clarinet performance before focusing his energies behind the drum kit

ARTICLE: ALBUM REVIEWS

Myriad3: Vera

Read "Vera" reviewed by Jerome Wilson

The number of contemporary jazz piano trios that take their inspiration from non-jazz sources seems to grow all the time. To a list that includes The Bad Plus, Phronesis, and E.S.T. add the Canadian group Myriad3 which draws from concepts in classical music and progressive rock. They often begin their pieces with one repeated figure and ...

ARTICLE: ALBUM REVIEWS

Myriad3: Vera

Read "Vera" reviewed by Dan Bilawsky

Vera, the fourth album from the Toronto-based trio collective Myriad3, is a fascinating example of how fastidious design principles and shrewdly executed extemporization can truly complement and even counterpoise one another. There's serious attention to detail in each of these ten pieces, but the music benefits greatly from its embrace of uncertainties and creative expression(s).

ARTICLE: ALBUM REVIEWS

Andrew McAnsh: Illustrations

Read "Illustrations" reviewed by Dave Wayne

Its liner notes, song titles, and cover art liberally peppered with references to Japanese culture and Zen Buddhism, Andrew McAnsh's debut recording, Illustrations was inspired by the young trumpeter / composer's journeys through the Land of the Rising Sun. However, McAnsh's original compositions--far from displaying any direct influences of Japanese ethnic music--are relentlessly hard-hitting modern jazz ...

ARTICLE: ALBUM REVIEWS

Myriad3: Moons

Read "Moons" reviewed by Dave Wayne

Myriad3's third release, Moons follows very much in the vein of their first two, Tell (Alma Records, 2012) and The Where (Alma Records, 2014), yet there are subtle differences both in instrumentation and their approach to their material. In short, a lot of growth is evident when one compares Moons to its predecessors. Tell, recorded a ...

ARTICLE: ALBUM REVIEWS

Myriad3: Moons

Read "Moons" reviewed by Dan McClenaghan

Someone's always trying to take a tried and true format out on a new tangent. Consider the piano trio: Bill Evans introduced deep, classically-influenced harmonics and a democracy of instrumental input in the late fifties and early sixties. The Esbjorn Svennson Trio (e.s.t.) brought in classical, rock, pop and techno elements; The Bad Plus plays with ...

ARTICLE: ALBUM REVIEWS

Rich Brown: Abeng

Read "Abeng" reviewed by Dave Wayne

In jazz, it's all about the company you keep. The press accompanying bass virtuoso Rich Brown's third album, Abeng, specifically calls out Roy Ayers and Weather Report as musical reference points. And while there's a breath of Ayers' silky R&B feel to the slinky “Promessa," and though Brown's use of his fretless electric bass as a ...

ARTICLE: ALBUM REVIEWS

Daniel Fortin: Brinks

Read "Brinks" reviewed by Dave Wayne

Toronto-based bassist Daniel Fortin is best known for his work in MYRIAD3, a dynamic, forward-looking piano trio whose work superficially resembles that of The Bad Plus and the Esbjörn Svensson Trio in that they're young guys in a piano trio who don't play jazz the way most piano trios play jazz. Fortin's solo debut, Brinks is ...

ARTICLE: ALBUM REVIEWS

Myriad3: The Where

Read "The Where" reviewed by Angelo Leonardi

Dopo il notevole debutto di due anni fa con Tell, il piano trio canadese torna con un avventuroso lavoro, che evidenzia personalità in una formula strumentale che sembrava aver espresso ormai tutto, senza lasciare altri margini creativi. Se quell'esordio s'ispirava al trio EST di Esbjörn Svensson ora la ricerca si fa più autonoma, ponendo in essere ...

ARTICLE: YEAR IN REVIEW

Dan Bilawsky's Best Releases of 2014

Read "Dan Bilawsky's Best Releases of 2014" reviewed by Dan Bilawsky

How does an album end up on this list? It really comes down to two things: strength on impact and staying power. Some records hit hard from the start, ultimately losing power with play after play. Other records come on gently, growing on the ear and the mind over time. But it's the truly rare one ...


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