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ARTICLE: LIVE REVIEWS

Buenos Aires International Jazz Festival

Read "Buenos Aires International Jazz Festival" reviewed by Mark Holston

Buenos Aires International Jazz Festival
Buenos Aires, Argentina
November 14-19, 2018

Over the course of its 11-year history, the annual Buenos Aires International Jazz Festival has taken Monk's “Straight, No Chaser" creed to heart. When it comes to programming, few festivals in the world can match the Argentine event for its choice ...

ARTICLE: IN PICTURES

23rd Punta Del Este Jazz Festival In Uruguay (Fourth Night)

Read "23rd Punta Del Este Jazz Festival In Uruguay (Fourth Night)" reviewed by Pablo Reyes

On January 6, the fourth and final night of the 23rd Punta del Este Jazz Festival in Uruguay featured pianist Aaron Diehl's trio including bassist Paul Sikivie and drummer Quincy Davis as well as the duo of vocalist Nnenna Freelon and guitarist Chico Pinheiro. Alto saxophonist and clarinetist Paquito D'Rivera also presented The Music of Chick ...

ARTICLE: IN PICTURES

23rd Punta Del Este Jazz Festival In Uruguay (Second Night)

Read "23rd Punta Del Este Jazz Festival In Uruguay (Second Night)" reviewed by Pablo Reyes

For its second night of music on January 4, the 23rd Punta del Este Jazz Festival in Uruguay welcomed saxophonist Gary Smulyan playing the music of Chet Baker and Gerry Mulligan with bassist David Wong, drummer Rodney Green and trumpeter Diego Urcola. Also onstage were the Aaron Diehl trio with Paul Sikivie and Quincy Davis as ...

ARTICLE: ALBUM REVIEWS

Jay Thomas with the Oliver Groenewald Newnet: I Always Knew

Read "I Always Knew" reviewed by Paul Rauch

Jay Thomas has lived the jazz life. He has endured, overcome, and continued to artistically thrive through all the ruminations of a path chosen by few. While much of his life may form a parallel story to those of many, Thomas' version, his personal adjunct to its litany, is a story of artistic triumph that opened ...

ARTICLE: BIG BAND REPORT

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4" reviewed by Simon Pilbrow

Los Angeles Jazz Institute Festival “Woodchoppers' Ball"
Four Points by Sheraton at LAX
Los Angeles, CA
May 23-27, 2018

Part 1 | Part 2 | Part 3 | Part 4

Concert 8: The Herdsmen -Bobby Shew meets Larry McKenna Trumpeter Bobby Shew is a well- known ...

ARTICLE: ALBUM REVIEWS

Cory Weeds Little Big Band: Explosion

Read "Explosion" reviewed by Jack Bowers

The size and makeup of a “little big band" depend above all on what the leader has in mind. In this case, leader Cory Weeds patterned his ensemble (four brass, four reeds, three rhythm) after similar groups led by tenor saxophonists Eddie “Lockjaw" Davis and Gene Ammons, and what he had in mind was a mid-sized ...

ARTICLE: INTERVIEWS

Riccardo Fassi: Tankio Band, Frank Zappa, Antonello Salis e molto altro

Read "Riccardo Fassi: Tankio Band, Frank Zappa, Antonello Salis e molto altro" reviewed by Angelo Leonardi

Fondatore e leader della Tankio Band, una delle più innovative e longeve orchestre italiane, Riccardo Fassi eccelle anche in veste di pianista e tastierista in piccoli organici e come compositore di colonne sonore. L'occasione per quest'intervista ad ampio raggio e ricca di aneddoti, viene dalla pubblicazione con la Tankio Band del secondo capitolo sulle musiche di ...

NEWS: EVENT

Artists Announced For The Jazz Cruise '18 New Port Of Call In New Orleans Will Capture The Spirit Of NOLA On Board And On Shore

Artists Announced For The Jazz Cruise '18  New Port Of Call In New Orleans Will Capture The Spirit Of NOLA On Board And On Shore

Although it has been barely six weeks since The Jazz Cruise, Entertainment Cruise Productions’ flagship offering, completed its 16th sailing, the line-up of artists who have signed on for 2018 has been finalized. Since 2001, The Jazz Cruise has presented the very best straight-ahead jazz in the world, and with nearly 100 jazz musicians set to ...

NEWS: RECORDING

Gary Smulyan at Le Duc

Gary Smulyan at Le Duc

There's nothing quite like a bad-ass baritone saxophone. Baritones tend to divide into two camps on the leadership side. There's the Gerry Mulligan approach, which sounds muscular and mannered. And there's the Pepper Adams school, an unchained approach that leaps on you like a panther. This low-register, uninhibited and gruff sound has its roots in the ...

ARTICLE: UNDER THE RADAR

Jazz Education: The Next Generation, Part 2

Read "Jazz Education: The Next Generation, Part 2" reviewed by Karl Ackermann

Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...