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ARTICLE: PROFILES

Rebecca Parris: 1951-2018

Read "Rebecca Parris: 1951-2018" reviewed by C. Michael Bailey

You'll happen my way on some mem'rable day
And the month will be May for a while...

I was never fortunate enough to have met Rebecca Parris in person; but, I was fortunate enough to live in and be a part of the musical universe that surrounded her. That universe was created ...

Sue Sheriff: Better Than Anything

Read "Better Than Anything" reviewed by C. Michael Bailey

It was in one of those art pieces often used to close an hour out on National Public Radio where a jazz vocalist was being interviewed about the durability and longevity of the “Great American Songbook." The singer remarked that as long as listeners age and have life experience, the standards composed between 1920 and 1960 ...

ARTICLE: CD/LP/TRACK REVIEW

Lisa Thorson: Lisa Thorson Quartet - Live

Read "Lisa Thorson Quartet - Live" reviewed by C. Michael Bailey

Lisa Thorson is a Boston-based vocalist and educator (she is a professor of voice at Berklee College of Music). She has release three recordings: From This Moment On (Brownstone, 1994), Resonance (GM Recordings, 1999) and Out to Sea (Self Produced, 2002). Even a dedicated teacher must spread her creative wings from time to time, and Thorson ...

ARTICLE: CD/LP/TRACK REVIEW

Milton Suggs: Lyrical, Volume 1

Read "Lyrical, Volume 1" reviewed by C. Michael Bailey

Vocalist/composer Milton Suggs released Things To Come to certain positive acclaim. In an arid male jazz vocals landscape, Suggs recalls a simpler time ruled by the likes of Joe Williams and Johnny Hartman. His voice is deep and rich, with Betty Carter's pliability and Jon Hendricks' smokiness. On Lyrical, Volume 1 he fronts a larger-than-average band ...

Jazz Singer/Songwriters Part I: Louise Van Aarsen and Rebecka Larsdotter

Read "Jazz Singer/Songwriters Part I: Louise Van Aarsen and Rebecka Larsdotter" reviewed by C. Michael Bailey

We can only hear “My Funny Valentine" so many times presented in so many manners. Writer Scott Yanow, in his book The Jazz Singers: The Ultimate Guide (Backbeat Books, 2008), called for a moratorium on singers recording this and several other songs because, like “Stairway to Heaven" and “Freebird" (for those from behind the Cotton Curtain), ...