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The Black Butterflies: Luisa

Read "Luisa" reviewed by Matt Marshall

On their two previous releases, 1 de Mayo (2010) and Rainbows for Ramon (2012), The Black Butterflies built soulful, searching jazz with dense, kinetic layers of Latin and African rhythms. Using both group improvisation and individual statements, they freely, yet unhurriedly, explored the boundaries of their music, often lingering in spots to let the tonal palette ...

The Black Butterflies: Rainbows for Ramon

Read "The Black Butterflies: Rainbows for Ramon" reviewed by Matt Marshall

The Black Butterflies

Rainbows for Ramon

Self Produced

2012

Judging by its title alone, some might expect Rainbows for Ramon, the sophomore release by The Black Butterflies, to be a flighty affair that trills off into flowery musical fields fit for skipping unicorns. It is not this (thankfully), even though joyful melodic ...

The Black Butterflies: Rainbows For Ramon

Read "Rainbows For Ramon" reviewed by Dan Bilawsky

The Black Butterflies' debut, 1 De Mayo (Self Produced, 2010), introduced an ensemble that found beauty in brashness and an all-inclusive recipe for musical creation. The group found its way by liberally mixing free jazz, Latin music, blues, John Coltrane-like spiritualism, primal urges and strong rhythmic elements, giving their music a sense of raw immediacy that's ...

The Black Butterflies: Rainbows for Ramon

Read "Rainbows for Ramon" reviewed by Karl Ackermann

When she was scarcely into her twenties, self-taught saxophonist Mercedes Figueras recorded Elefante (Self Produced, 2007) a duo recording with drummer Martin Visconte. From this initial effort, it was clear that Figueras is as fearless as she is creative. She neither tames her instrument nor lets it run wild and in the process has invented a ...