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Content by tag "Under the Radar"

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

Beyond the Hubs

While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York" reviewed by Karl Ackermann

Jazz didn't abandon jny: Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago" reviewed by Karl Ackermann

Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...

ARTICLE: UNDER THE RADAR

Preserving the Cradle of Jazz: The New Orleans Jazz Museum

Read "Preserving the Cradle of Jazz: The New Orleans Jazz Museum" reviewed by Karl Ackermann

The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...

ARTICLE: UNDER THE RADAR

Flame Keepers: National Jazz Museum in Harlem

Read "Flame Keepers: National Jazz Museum in Harlem" reviewed by Karl Ackermann

On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...

The Politics of Dancing: Jazz and Protest, Part 2

Read "The Politics of Dancing: Jazz and Protest, Part 2" reviewed by Karl Ackermann

Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...

ARTICLE: UNDER THE RADAR

The Politics of Dancing: Jazz and Protest, Part 1

Read "The Politics of Dancing: Jazz and Protest, Part 1" reviewed by Karl Ackermann

In 1964, Civil Rights workers, known as Freedom Riders, were increasingly becoming the victims of violent attacks from the Ku Klux Klan as they initiated a program to register black voters in the Deep South. As members of the Student Non-Violent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE), the advocates were franticly racing ...

ARTICLE: UNDER THE RADAR

Jazz Education: The Next Generation, Part 2

Read "Jazz Education: The Next Generation, Part 2" reviewed by Karl Ackermann

Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...

ARTICLE: UNDER THE RADAR

Jazz Education: The Next Generation, Part 1

Read "Jazz Education: The Next Generation, Part 1" reviewed by Karl Ackermann

A Protracted Beginning

Ken Prouty, an assistant professor of Musicology and Jazz Studies at Michigan State University and author of Knowing Jazz: Community, Pedagogy, and Canon in the Information Age (University Press of Mississippi, 2013) has written at length about the early history of jazz education in the US. In his writings, he ...

ARTICLE: UNDER THE RADAR

Dai Liang, aka A Bu: Beijing Prodigy

Read "Dai Liang, aka A Bu: Beijing Prodigy" reviewed by Karl Ackermann

In 1950, in the wake of World War II and the early years of the Cold War, the Chinese Communist Party under Mao Zedong founded the Central Conservatory of Music as a consolidation of several musical institutions. Located in Beijing, the school resides on the former site of the seventeenth century residence of one Prince Yixuan. ...