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ARTICLE: JAZZ POETRY

Poetry and Jazz: A Chronology

Read "Poetry and Jazz: A Chronology" reviewed by Duncan Heining

My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...

ARTICLE: THE BIG QUESTION

Presenting Problem

Read "Presenting Problem" reviewed by Duncan Heining

Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...

The Live New Departures Jazz Poetry Septet: Blues For The Hitchhiking Dead

Read "Blues For The Hitchhiking Dead" reviewed by Bruce Lindsay

It's not jazz, it's not poetry, it's jazzpoetry. At least, that's what Jerry Hooker called it in a review of the 12 March 1962 performance at Southampton University that is captured on Blues For The Hitchhiking Dead. Two of the UK's foremost poets combined with five of the country's finest jazz musicians to become The Live ...

ARTICLE: PROFILES

Will The Real Joe Harriott Please Stand Up?

Read "Will The Real Joe Harriott Please Stand Up?" reviewed by Duncan Heining

The Jamaican saxophhonist Joe Harriott was, without doubt, one of the most important and innovative jazz musicians to emerge in Britain in the fifties and early sixties. He arrived in Britain in 1951 with Ozzie Da Costa's band, which was en route for an engagement in Germany playing US army bases. Much to his erstwhile boss's ...