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Content by tag "Jelly Roll Morton"

ARTICLE: UNDER THE RADAR

Blue Highways and Sweet Music: The Territory Bands, Part I

Read "Blue Highways and Sweet Music: The Territory Bands, Part I" reviewed by Karl Ackermann

OriginsBy the second half of the 1920s, New York had supplanted jny: Chicago as the center of jazz. The “Jazz Age"--a label incorrectly ascribed to F. Scott Fitzgerald--could rationally have been framed as the “Dance Age." Prohibition, and the speakeasies that it spawned, were packed with wildly enthusiastic patrons of the jny: Charleston, Black Bottom, Shimmy, ...

Bekken and Gjems: Spell

Read "Spell" reviewed by Jim Worsley

Dr. Bekken's last record, Live At Bar Moskus (Blue Mood, 2017), was nominated for a Norwegian Grammy (the Spellemannprisen). That was a hard-driving solo, boogie-woogie upright piano performance.

For Spell, the good doctor writes a new prescription for traditional Norwegian folk infused with New Orleans style jazz. Harmonicist Richard Gjems is co-featured. Bekken and ...

ARTICLE: LIVE REVIEWS

Live From The Jazz Corner in Hilton Head Island - Roundup

Read "Live From The Jazz Corner in Hilton Head Island - Roundup" reviewed by Martin McFie

Joe Gransden & Kenny Banks
The Jazz Corner
Hilton Head Island, SC
February 2, 2018

Joe Gransden returned to The Jazz Corner on Hilton Head-Jazz Island February second and third, accompanied by pianist/composer Kenny Banks. Gransden is well-known on the island for his sixteen-piece big band performances, but there was a special ...

ARTICLE: NEW YORK BEAT

African-American Music: A retrospective at Jazz at Lincoln Center

Read "African-American Music: A retrospective at Jazz at Lincoln Center" reviewed by Nick Catalano

One of Jazz at Lincoln Center's most thoughtful concert ideas in recent memory came to life at the Appel Room on March 2, 2018. Dubbed “Rags, Strides & Habaneras" the intimate program managed to survey a host of strategic forms from origins in West Africa that shaped the art of music in the Americas.

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

Beyond the Hubs

While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...

NEWS: BIRTHDAY

Jazz Musician of the Day: Jelly Roll Morton

Jazz Musician of the Day: Jelly Roll Morton

All About Jazz is celebrating Jelly Roll Morton's birthday today!

The city of New Orleans has the distinction of being the ‘birthplace of jazz’ so its appropriate that in New Orleans in or around 1885 to 1890 would be born the self-proclaimed “inventor of jazz”. Ferdinand Joseph Lemott (Lamothe) and his story is one of ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago" reviewed by Karl Ackermann

Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...

ARTICLE: NEW YORK BEAT

Jelly Roll Morton Front and (Lincoln) Center

Read "Jelly Roll Morton Front and (Lincoln) Center" reviewed by Nick Catalano

With a three-night gala celebrating the music of Jelly Roll Morton, the Jazz at Lincoln Center orchestra marked its 30th season at Rose Hall. Focusing on Morton's pioneer arranging achievements with amplifications of them from Jazz at Lincoln Center performers, the evening offered a penetrating exploration of the Creole legend's multifarious compositional musings and featured a ...

ARTICLE: MULTIPLE REVIEWS

Microscopic Septet: Been Up So Long It Looks Like Down to Me, Jazz Passengers: Still Life with Troube, Papanosh: Chicken in a Bottle

Read "Microscopic Septet: Been Up So Long It Looks Like Down to Me, Jazz Passengers: Still Life with Troube, Papanosh: Chicken in a Bottle" reviewed by Vic Albani

Non credo che i puristi del caso si possano stupire di una recensione tripla che non vuole porre in contrapposizione tre lavori discografici afferenti ad una similare idea di base, bensì presentarli entro un unico pacchetto di “meraviglie contemporanee." Anche perché questi tre dischi potrebbero essere certamente acquistati ad occhi bendati quale brillante testimonianza di alcune ...

ARTICLE: UNDER THE RADAR

Preserving the Cradle of Jazz: The New Orleans Jazz Museum

Read "Preserving the Cradle of Jazz: The New Orleans Jazz Museum" reviewed by Karl Ackermann

The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...