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ARTICLE: ALBUM REVIEWS

Ahmad Jamal: Ballades

Read "Ballades" reviewed by Mike Jurkovic

None other than Miles Davis cited Ahmad Jamal (born 1930) as a stylistic influence. So, as he was approaching his ninetieth birthday, what did this vibrant upstart do to further shake things up? He released his first ever solo album which isn't really a solo album because on three of the exemplarily graceful tracks on Ballades, ...

ARTICLE: ALBUM REVIEWS

Ahmad Jamal: Ballades

Read "Ballades" reviewed by Dan Bilawsky

At 89, Ahmad Jamal remains a master of space, time, openness and poetics. Never one to add too much, yet always one to mine a song for all its rich natural flavors, Jamal is an artist whose work speaks with a direct and engaging sweep. His early trio classics became a model of sorts, inspiring Miles ...

ARTICLE: ALBUM REVIEWS

Ahmad Jamal: Marseille

Read "Marseille" reviewed by Ian Patterson

Four years between studio albums is a long gap by Ahmad Jamal's standards. Not that the 87-year-old pianist has been idle since the widely acclaimed Saturday Morning (Jazz Village, 2013). He's released two live albums in that time--Live at The Olympia (Jazz Village, 2014) featuring Yusef Lateef and Live in Marciac 2014 (Jazz Village, 2015)--and remains ...

ARTICLE: LIVE REVIEWS

Ahmad Jamal at Vicar Street, Dublin

Read "Ahmad Jamal at Vicar Street, Dublin" reviewed by Ian Patterson

Ahmad Jamal Vicar Street Dublin 24 January, 2014 It's been a banner year for fans of jazz piano in Dublin, with solo concerts by Keith Jarrett and Brad Mehldau bookending 2013. Influential to both these pianists was NEA Jazz Master Ahmad Jamal, so it was fitting in a way that he ...

ARTICLE: YEAR IN REVIEW

2013: The Year In Jazz

Read "2013: The Year In Jazz" reviewed by Ken Franckling

The West Coast now has a jazz edifice of its own with strong roots, International Jazz Day grew in scope during year two, jazz made its mark on (and off) Broadway, and the number of musicians lost during the year was large and painful. Here's a look at significant happenings across the jazz world over the ...

ARTICLE: EXTENDED ANALYSIS

Saturday Morning

Read "Saturday Morning" reviewed by Ian Patterson

Just over a year after Blue Moon (Jazzbook Records, 2012) —Jamal's stellar homage to American cinema and Broadway—the Pittsburgh pianist returns in the same rich vein of form on Saturday Morning. Blue Moon earned a Grammy nomination, and for the second time in recent years Jamal was invited to open the Lincoln Center season in September; ...

ARTICLE: ALBUM REVIEWS

Jeff Holmes Quartet: Of One's Own

Read "Of One's Own" reviewed by Bruce Lindsay

It's not the job of liner notes to critically appraise the recording for which they were written. Liner notes are supposed to be laudatory, occasionally hagiographic, but they're never meant to critique. That's the job of the review. Reviews don't make good liner notes and vice versa. Exceptions prove rules, however. So congratulations must go to ...

ARTICLE: INTERVIEWS

James Cammack: Where You At?

Read "James Cammack: Where You At?" reviewed by Ian Patterson

Oftentimes, it's only the passing of time that can offer true perspective. In years to come, bassist James Cammack may look back on 2012 as the year when--after over 30 years in the business--he truly began his musical adventure in earnest. After 29 years playing bass in the ensembles of piano legend Ahmad Jamal, Cammack was, ...

ARTICLE: ALBUM REVIEWS

James Cammack: Both Sides Of The Coin: Part 1

Read "Both Sides Of The Coin: Part 1" reviewed by Ian Patterson

Though James Cammack began on electric bass in the mid-1970s, he's best known as the double-bassist for legendary pianist Ahmad Jamal, a role that kept him on his toes for a remarkable 29 years. Cammack has graced many of Jamal's best latter-day recordings, but it's really live, locking horns in an improvisational cauldron with Jamal and ...

ARTICLE: ALBUM REVIEWS

Joe Alterman: Give Me The Simple Life

Read "Give Me The Simple Life" reviewed by Bruce Lindsay

There's a tension for many young jazz musicians, between the desire to start recording and the rather contrary need to develop technically and aesthetically before going public. Sometimes there is no tension: Joe Alterman is a case in point. The pianist may be a mere stripling in his early 20s, but he has the technique, the ...


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