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ARTICLE: ALBUM REVIEWS

Arun Ghosh: A South Asian Suite

Read "A South Asian Suite" reviewed by Bruce Lindsay

One second? No. Five seconds? Getting there. Ten? Almost. Fourteen seconds. That's how long it takes. Fourteen seconds into “The Gypsies Of Rajasthan," and the first of A South Asian Suite's irresistibly danceable grooves jumps out of the speakers. The idea that jazz is a music for dancing may sometimes seem a rather alien notion these ...

ARTICLE: ALBUM REVIEWS

Arun Ghosh: A South Asian Suite

Read "A South Asian Suite" reviewed by Ian Patterson

Clarinetist/composer Arun Ghosh's first two albums catapulted him to the forefront of the UK jazz scene. The British-Asian's beguilingly eclectic influences from India, the Middle East and UK urban culture spawned music on Northern Namaste (Camoci Records, 2008) and Primal Odyssey (Camoci Records, 2011) that interwove haunting melodies, groove-driven ensemble play and ecstatic soloing. Ghosh won ...

ARTICLE: ALBUM REVIEWS

Arun Ghosh: Primal Odyssey

Read "Primal Odyssey" reviewed by Ian Patterson

Clarinetist Arun Ghosh's debut, Northern Namaste (Camoci Records, 2008), signaled the arrival of a significant musician/composer on the UK jazz scene. Blending Indian and western instruments, Ghosh drew 12 musicians from Indian folk and jazz traditions to create something utterly fresh sounding; lyrical and highly melodic, celebratory and swinging, Ghosh's obvious virtuosity on clarinet was a ...

ARTICLE: ALBUM REVIEWS

Arun Ghosh: Primal Odyssey

Read "Primal Odyssey" reviewed by Bruce Lindsay

Primal Odyssey, the second album from British/Asian clarinetist and composer Arun Ghosh, is yet more evidence that the Northwest of England is a creative center for some of the most stylish contemporary jazz. Admittedly, Ghosh is now based in London, but the towns of his formative years must take some of the credit for nurturing and ...