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ARTICLE: CD/LP/TRACK REVIEW

Adam Berenson / Scott Barnum / Eric Hofbauer: Introverted Cultures

Read "Introverted Cultures" reviewed by Karl Ackermann

On his 21st album, composer/pianist/electronic artist Adam Berenson continues his string of remarkable and unpredictable projects with Introverted Cultures. His early association with Paul Bley and a broad range of influences and interests have resulted in a harvest of creative music that shapes unexpected hybrids. Here we have a drummer-less trio for the first twelve tracks ...

ARTICLE: CD/LP/TRACK REVIEW

Joris Teepe: Conversations

Read "Conversations" reviewed by Angelo Leonardi

Don Braden appartiene a quella schiera di sassofonisti emersi tra gli anni ottanta e novanta sull'onda di un neo bop caratterizzato da forti legami coi maestri degli anni cinquanta e sessanta (Sonny Rollins, John Coltrane, Joe Henderson, Wayne Shorter) e relazioni col modello Blue Note.

In un quarto di secolo ha espresso al ...

ARTICLE: RADIO

Spoken Jazz & New Releases

Read "Spoken Jazz & New Releases" reviewed by Ludovico Granvassu

Spoken word is performance art that goes hand in hand with jazz because words often sound great and notes can speak loud and clear. In this episode we will explore the best of it, together with outstanding new releases that are making our summer even hotter than it already is!

Happy listening!

ARTICLE: RADIO

Jazz & Poetry

Read "Jazz & Poetry" reviewed by Ludovico Granvassu

The best of jazz is aural poetry. The best of poetry swings and grooves. So it's not surprising that jazz and poetry have had a long and fruitful synergy.

We decided to explore intriguing collaborations between jazz musicians and poets, from the icons of the Beat Generation to Amiri Baraka, from Federico Garcia ...

Denny Zeitlin: Wishing On The Moon

Read "Wishing On The Moon" reviewed by Dan McClenaghan

Pianist Denny Zeitlin claimed a spot as a top-tier jazz pianist at the very beginning of his recording career with a sideman slot on flutist Jeremy Steig's Flute Fever (Columbia, 1963), followed by his debut as a leader, Cathexis (Columbia, 1964). After three more excellent sets for Columbia, Zeitlin's career shifted into a smaller label mode, ...

Andrew Rathbun Large Ensemble: Atwood Suites

Read "Atwood Suites" reviewed by Dan Bilawsky

The marriage between jazz and poetry is having a true moment in the present artistic sphere. The two have long mixed and mingled, oft proving sympathetic and symbiotic in their multidirectional moves, unique cadences, and improvisational capacities. But never before has the connection been so strong and centralized. With drummer Matt Wilson's triumphant encounter with the ...

Denny Zeitlin: Wishing On The Moon

Read "Wishing On The Moon" reviewed by Dan Bilawsky

The title of the final cut on this live date--"Signs & Wonders," written by David Friesen--truly homes in on the truth about this trio. For in gestures large and small, guideposts laid out by form and instinct, a time-strengthened sense of equilateral idealism, and an open-minded aesthetic, this outfit continually creates music to marvel at.

ARTICLE: LIVE REVIEWS

Denny Zeitlin, Buster Williams & Matt Wilson at Mezzrow Jazz Club

Read "Denny Zeitlin, Buster Williams & Matt Wilson at Mezzrow Jazz Club" reviewed by Mike Jurkovic

Denny Zeitlin, Buster Williams, Matt Wilson
Mezzrow Jazz Club
New York, NY
May 5, 2018

It was cramped on Cinco de Mayo in Mezzrow. Real cramped. Just as it should be for the last night of Denny Zeitlin's rare, four night residency. A West Coast resident, Zeitlin doesn't get out this ...

Craig Brann: Lineage

Read "Lineage" reviewed by Mark Corroto

The cream always rises to the top. That might sound like a trite statement (and one definitely not applicable to pop music), but is one that consistently holds true in jazz. So it follows that guitarist Craig Brann, in a discipline in which one cannot fake it to make it, would then be the crème de ...

Owen Broder: Heritage

Read "Heritage" reviewed by Jerome Wilson

The cross-pollination of jazz and folk music is nothing new, but saxophonist Owen Broder does push things forward in this exploration of the idea, asking five different composers from varying generations and backgrounds to each write their own take on American folk music for an eight-piece ensemble.

Besides Broder himself, the compositions and arrangements ...