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ARTICLE: LIVE REVIEWS

Enjoy Jazz 2018

Read "Enjoy Jazz 2018" reviewed by Henning Bolte

Enjoy Jazz International Festival for Jazz and More
Heidelberg/Mannheim/Ludwigshafen
October 13-15, 2018

During fall Enjoy Jazz is a major well-established event running through the metropolitan Rhine-Neckar-region (2, 4 million inhabitants) in southwestern Germany, now in its 20th year. Unlike the fast-forward conveyor belt of musical acts at many jazz festivals, ...

ARTICLE: CD/LP/TRACK REVIEW

Charles Mingus: Jazz In Detroit / Strata Concert Gallery / 46 Selden

Read "Jazz In Detroit / Strata Concert Gallery / 46 Selden" reviewed by Chris May

Summer 2018 saw the general release of privately held recordings by two giants of twentieth century jazz. First up was John Coltrane's Both Directions At Once: The Lost Album (Impulse!). It was followed by Thelonious Monk's Mønk (Gearbox). In autumn 2018, recordings by another totemic figure, Charles Mingus, become the year's third newly revealed archaeological discovery. ...

ARTICLE: CD/LP/TRACK REVIEW

Hamid Drake / Ralph M. Jones / Adam Rudolph: Karuna

Read "Karuna" reviewed by Mark Corroto

Adam Rudolph's music has always been exotic and yet familiar, far-flung, and seemingly nearby. Then again, the same can be said of Hamid Drake and Ralph M. Jones' work. This trio is sort of a dream team of performers. OK, just about every project Rudolph completes is a stellar combination created for a particular purpose. Presently, ...

ARTICLE: CD/LP/TRACK REVIEW

Michael Dessen: Somewhere In The Upstream

Read "Somewhere In The Upstream" reviewed by Giuseppe Segala

L'organico di trio con trombone, contrabbasso e batteria non è particolarmente diffuso, ma può annoverare tra gli esempi più significativi la lunga, formidabile esperienza di Bass Drum Bone, in cui Ray Anderson, Mark Helias e Gerry Hemingway hanno scandagliato modalità espressive e dialogiche ad ampio raggio. Il trio guidato dal trombonista e sperimentatore di suoni Michael ...

ARTICLE: INTERVIEWS

Ron Korb: Pan-Global Flutist

Read "Ron Korb: Pan-Global Flutist" reviewed by Rob Caldwell

In a 20-year career, Grammy nominated flutist Ron Korb has experienced the lows and highs of a touring musician. He's been stuck in the Panamanian jungle when the bus transporting he and his band to their show broke down, leaving them teetering on the top of a hillside for hours in the blazing sun while repairs ...

Yusef Lateef: The Doctor Is In ...And Out

Read "The Doctor Is In ...And Out" reviewed by Chris May

The soul-jazz albums Yusef Lateef recorded for Atlantic between 1967 and 1976, of which The Doctor Is In...And Out is the tenth and final release, may prove to be among his most enduring releases. That suggestion will not chime with the sentiments of many of Lateef's longtime fans, who who dismiss the Atlantics as sell-outs and ...

ARTICLE: INTERVIEWS

Salim Washington: To Be Moved to Speak

Read "Salim Washington: To Be Moved to Speak" reviewed by Seton Hawkins

To audiences in Boston or New York, Salim Washington is not just a great musician, he is a community builder. Having first established the Roxbury Blues Aesthetic, then the Harlem Arts Ensemble, Washington has throughout his career carefully nurtured collectives of musicians who in turn generated irreplaceable music scenes at venues like Connolly's in Boston and ...

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto

Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

Nat Birchall: Cosmic Language

Read "Cosmic Language" reviewed by Chris May

Spiritual jazz resonates most deeply during times of social stress and turmoil. It was, after all, created by African American musicians who were engaged with the civil rights movement in the 1960s. Later given the alternative description Afrofuturist jazz, the music had one foot planted in science fiction-inspired magical realism and the other in black consciousness-inspired ...

Tenderlonious featuring The 22archestra: The Shakedown

Read "The Shakedown" reviewed by Chris May

In Britain, the incidence of self-taught jazz musicians has declined dramatically over recent decades. Jazz-studies programmes have mushroomed in colleges and more and more young players have been signing up to them. Successful stylists of earlier eras, who may have studied informally with an older musician but who learnt most of their art on the bandstand, ...