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Lucien Johnson: Ancient Relics
by Chris May
The astral jazz of Pharoah Sanders and Alice Coltrane is among the most mimicked jazz to be heard in 2024. Mimicked as in superficial, cynical, clichéd, travesty. So it is a rare pleasure to come across an album as singular and substantial as New Zealand-based tenor saxophonist Lucien Johnson's Ancient Relics. The album is ...
Bokante: History
by Chris May
Snarky Puppy leader Michael League does not like the band being called a jazz ensemble. He describes it as a “a pop band that improvises a lot, without vocals." But anyone listening to jazz through the aural equivalent of a wide-angle lens would likely keep Snarky Puppy in the picture. League's spin-off group ...
Donald Byrd: Donald Byrd Live: Cookin' With Blue Note at Montreux
by Peter Jones
What a treat it must have been in 1973 to attend the Montreux Jazz Festival: the featured artists that year included Dexter Gordon, McCoy Tyner, Chico Hamilton, Sam Rivers, Bobbi Humphrey, Dr John, Marlena Shaw, Bobby Hutcherson... and Donald Byrd with his Tentet, whose July 5 performance is captured on this album. It was ...
Dr John: Things Happen That Way
by Chris May
Interviewing the late Dr John aka The Night Tripper aka Dr John Creaux aka Mac Rebennack was a pleasure. Witty, erudite and b.s. free, he was reliably good copy. On one occasion he was an hour late and obviously, totally and spectacularly off his face. “If I nod out," he said, “kick me on the shin." ...
Pete Brown: White Rooms & Imaginary Westerns, Part 2
by Duncan Heining
Part 1 | Part 2 1966 was an important year in British popular music. Bob Dylan, performing with the Hawks, was booed for “going electric" at Manchester Free Trade Hall. The Rolling Stones topped the charts for the first time with “Paint It Black." The Beatles, fresh from the John Lennon “Bigger than Jesus" ...
Clarence Clemons: Who Do I Think I Am?
by Gareth Thompson
Clarence Clemons Who Do I Think I Am? MVD/Virgil Films 2019 Everyone probably has their favourite Clarence Clemons saxophone solo. Take that fiery blast at the close of Bruce Springsteen's “Thunder Road," for example, where Clemons blows a divine howl like some avenging angel. Clemons's life is documented in this ...
Jazz is Mod: An Introduction to the Mod Jazz Series
by Jakob Baekgaard
In England there is a solid tradition for crate digging and appreciation of American music. In fact, the whole idea of Northern Soul is based on the concept of English hipsters digging out rare soul gems in the sixties and giving them new life on the dance floor. However, the English mod scene, as it was ...
Gina Kronstadt: Come Over
by Bruce Lindsay
Gina Kronstadt has graced recordings by many musical giants, including Dr John, Charlie Haden, Rod Stewart and Aretha Franklin. Most of the time it's her talent as a violinist that's called upon. For her debut release as leader, Come Over, she puts the violin to one side and concentrates on singing: original songs of love, with ...
Graham Bond: Wading in Murky Waters
by Duncan Heining
Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...
Bonerama: Shake It Baby
by Wade Luquet
Bonerama is fun. Bonerama is powerful. And in their first full-length studio CD, they have made a switch from their previous live recordings of brass-infused funk to brass infused-rock. Along with the ever present trio of trombones, the bands guitarist, Bert Cotton, has stepped up to the front line to become a major player with his ...
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