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Evidence Releases Three Long-Overdue Jazz Gems by Pharoah Sanders
by Robert Spencer
From the 1995-2003 archive: This article first appeared at All About Jazz in May 1999. Ferrell Sanders came out of Little Rock, Arkansas and hooked up with Mr. Herman “Sonny" Blount, who preferred to be known as Sun Ra and dubbed Sanders “Pharoah." A little later a guy named Coltrane asked Pharoah to join ...
In Memoriam: A Song for Boris Neisser
by Phillip Woolever
It was over a decade ago when I first encountered jovial Boris Neisser, the late administrative sparkplug of Dusseldorf's schauinsland-reisen Jazz Rally. He was flat on his back on a nicely carpeted opera house floor, grinning up at ornate ceiling chandeliers after a late night Sunday concert by Jan Akkerman and a competent Russian group called ...
In memoriam: Alessandro Giachero
by Francesco Martinelli
Only with a very heavy heart one can write an obituary for a young friend and great musician who left this world suddenly, prematurely and unjustly, leaving his colleagues and pupils, but above all his family, in mourning. It will hopefully be useful to leave a trace of his musical contributions and a lead for future ...
Remembering Turkish pianist and trombonist Elvan Araci
by Francesco Martinelli
As far as I can see only Turkish media published news about the loss of Turkish pianist and trombonist Elvan Aracı, 66, in Stockholm. From 1977 to 1999 Aracı lived in Sweden where he notably collaborated with Muvaffak `Maffy` Falay, Okay Temiz and Bernt Rosengren, notably in Maffy Falay's sextet with Rosengren, Åke Johansson on piano, ...
Unsung Heroes
By Brian Lynch
Label: Hollistic MusicWorks
Released: 2011
Track listing: Terra Firma Irma; I Could Never Forget You; Further Arrivals; Saturday Afternoon At Four; Household of Saud; RoditiSamba; Big Red; Unsung Blues; Wetu.
Brian Lynch: Unsung Heroes
by Bruce Lindsay
Trumpeter extraordinaire Brian Lynch is always willing, quite rightly, to acknowledge the masters who have gone before him. Some of the finest jazz trumpeters never made it big, while others no longer sit as securely in the minds of jazz fans as they once did. Nevertheless, they are all part, as Lynch writes, of “the jazz ...
Brian Lynch: Unsung Heroes
by Dan Bilawsky
Trumpet tribute albums are a tricky business. There are those in jazz, like Miles Davis and Louis Armstrong, who have been endlessly saluted, creating a culture of mass appeal and celebration that's not always a good thing. On the surface, projects that praise these jazz heroes bring well-deserved exposure to their music and might, but they ...
Laurindo Almeida, Charlie Byrd, and Ralph Towner
by Sean Dietrich
The concert guitar is hailed by many as the perfect instrument. After being perfected in the Baroque age, virtuosos believed the wooden torso to posses the variety of an orchestra. The concert guitar produces a wide range of tone, timber, color, and dynamic expression unlike any other stringed instrument, capable of projecting a delicate voice of ...
Sammy Cahn, Vernon Duke, and Earl Zindars
by Sean Dietrich
Standards are the language of jazz. Standards represent music that have withstood the ruthless test of time. Songs built by craftsman, instead of limericks scribbled by American idols adorned in sequins and leather chaps. Music that has been constructed to last, built with the brick and mortar of harmony and melody. And yet, too often, the ...
Vic Damon, 30th Street Studio, Village Vanguard
by Sean Dietrich
The oft forgotten recording studio. It's humble presence remains under-acclaimed. Electric lights suspended high above a giant mess of cables. Omniscient microphones standing tall, appraising the heart of arrogant musicians who approach. Scribbled papers rest on music stands, while heated brawls are incubated among hot headed horn players. This is where music is born. And yet ...
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