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Content by tag "Creative Sources Recordings"

ARTICLE: ALBUM REVIEWS

Ernesto Rodrigues / Abdul Moimême / Antez: Magma

Read "Magma" reviewed by Mark Corroto

The question that lingers over Magma, by the trio of violist Ernesto Rodrigues, guitarist Abdul Moimême and percussionist Richard Antez, is whether the artists were conscious of the visual aspects created by their music. Of our five senses—taste, sight, touch, smell and sound—it is, of course, the perception of sound that we attribute to music. This ...

ARTICLE: ALBUM REVIEWS

Patrick Brennan / Abdul Moimême: Terraphonia

Read "Terraphonia" reviewed by Karl Ackermann

Somewhere on a timeline that includes studying guitar in Madrid and architecture in Boston, Portuguese native Abdul Moimême studied saxophone with American artist Patrick Brennan. Moimême has been prolific as part of almost two-dozen leader/co-leader releases since his debut Nekhephthu (Creative Sources, 2008). Brennan is lightly recorded with four leader dates over the past two decades. ...

ARTICLE: ALBUM REVIEWS

Francesco Massaro: Maniera Nera

Read "Maniera Nera" reviewed by Neri Pollastri

La “maniera nera" è una tecnica grafica consistente nell'incisione di superficie annerite dal fumo, così da disegnare figure chiare sullo sfondo scuro. Da questa tecnica prende metaforicamente spunto Francesco Massaro, uno dei nostri musicisti più originali e coraggiosi, per avvicinare due realtà così diverse quali sono la composizione e l'improvvisazione.

Una metafora che può ...

ARTICLE: ALBUM REVIEWS

Dissection Room: Albert Cirera / Abdul Moimême / Alvaro Rosso: Dissection Room

Read "Dissection Room" reviewed by Karl Ackermann

An international trio, based out of Lisbon, Portugal, Dissection Room formed in 2015 with saxophonist Albert Cirera, bassist Alvaro Rosso and guitarist and electronic artist Abdul Moiméme. The three artists share wide-ranging formal training in multiple disciplines as well as an affinity for experimental music. Their self-titled debut, recorded live at Lisbon's O'Culto Da Ajuda in ...

ARTICLE: ALBUM REVIEWS

Miguel Angelo: I Think I'm Going To Eat Dessert

Read "I Think I'm Going To Eat Dessert" reviewed by Jerome Wilson

Miguel Angelo is a Portuguese bassist whose main occupation is keeping the beat going for other musicians in various groups. If playing in bands is his “bread and butter" job, then it follows that a solo bass recording would be his “dessert."

For most of this effort, Angelo plucks and bows with a deep, resonant ...

ARTICLE: ALBUM REVIEWS

Miguel Angelo: I Think I’m Going To Eat Dessert

Read "I Think I’m Going To Eat Dessert" reviewed by Troy Dostert

In addition to his numerous sideman appearances, Portuguese bassist Miguel Ângelo has released a couple quartet albums under his own name: Branco (2013) and A Vida de X (2016), both of which possess a strong tuneful vitality. Although the format is very different, Ângelo's decision to release a solo-bass recording this time around does make sense, ...

ARTICLE: ALBUM REVIEWS

Miguel Angelo: I Think I’m Going To Eat Dessert

Read "I Think I’m Going To Eat Dessert" reviewed by Mark Corroto

We can all agree that music is perceived and enjoyed through the sensory faculty known as hearing. Certainly, but a musical performance is enhanced when an additional sense is summoned, like the visual when attending a production. In the case of this solo performance by bassist Miguel Ângelo, that additional sense is touch. With I Think ...

ARTICLE: ALBUM REVIEWS

Per Gärdin/Pedro Lopes/Rodrigo Pinheiro: History Of The Lisbon Chaplaincy

Read "History Of The Lisbon Chaplaincy" reviewed by Mark Corroto

It's interesting just how much place influences a recording. Was the session captured in a hermetically sealed studio or a noisy jazz club? Is the sound engineered or merely captured? And how does the architecture of the recording space effect the sound? Sound experimentalist Pauline Oliveros often recorded in an empty water cistern, timing notes against ...

ARTICLE: ALBUM REVIEWS

Paulo Chagas/Samuel Hällkvist/Stephan Sieben: Days Are Not Days

Read "Days Are Not Days" reviewed by Mark Corroto

When an improvised recording presents itself as a meteor, some foreign object from another civilization, like Days Are Not Days does, we should rejoice that it has entered our atmosphere and like a bolide, exploded upon contact.

Okay, this recording by Portuguese saxophonist and flutist Paulo Chagas, and guitarists Samuel Hällkvist, from Sweden, and ...

ARTICLE: ALBUM REVIEWS

Nico Chientaroli: Cada Fuego Es El Primero

Read "Cada Fuego Es El Primero" reviewed by Mark Corroto

Argentinian pianist (by way of Amsterdam) Nicolás Chientaroli delivers a solo performance that demonstrates the piano's architectural sound beyond the usual demarcation points of its 88 keys. Cada Fuego Es El Primero opens with plucked strings, then a massage of the prepared insides of the instrument. “Fuego Hipnótico" reminds listeners the corpus of the piano is ...