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ARTICLE: MULTIPLE REVIEWS

John Law: The Re-Creations Trilogy

Read "John Law: The Re-Creations Trilogy" reviewed by Jakob Baekgaard

John Law is one of the most prominent pianists on the British jazz scene and he is also a distinctive composer. So far, he has focused primarily on building a substantial compositional body of work, culminating in his ambitious Art of Sound tetralogy (33 Jazz, 2007-2009), followed by strong records like Three Leaps of the Gazelle ...

ARTICLE: MULTIPLE REVIEWS

Lyrical Stories in Music: Jakob Dinesen & Jean-Sebastian Simonoviez, FLOW and Michael Vincent Waller

Read "Lyrical Stories in Music: Jakob Dinesen & Jean-Sebastian Simonoviez, FLOW and Michael Vincent Waller" reviewed by Jakob Baekgaard

Saying that a piece of music is lyrical presupposes a quality that is hard to define. You know what it is until you need to explain it. The Cambridge Dictionary says that it means: “expressing personal thoughts and feelings in a beautiful way," which doesn't really say much. In music, storytelling is just as elusive. It's ...

Ada Rovatti e il Questionario di Proust

Read "Ada Rovatti e il Questionario di Proust" reviewed by Paolo Peviani

Il tratto principale della mia musica
Accessibile ma armonicamente e stilisticamente sofisticata. Così almeno è stata definita in una recensione e penso che mi si addica.

La qualità che desidero nei musicisti che suonano con me
Mentalità musicale aperta e rispetto.

Come musicista, il momento in cui sono ...

ARTICLE: LIVE REVIEWS

Live From Brussels: Orchestre Philharmonique Royal de Liège, Sal La Rocca, Igor Gehenot, Diederniko Kummsels & Makas

Read "Live From Brussels: Orchestre Philharmonique Royal de Liège, Sal La Rocca, Igor Gehenot, Diederniko Kummsels & Makas" reviewed by Martin Longley

Orchestre Philharmonique Royal de Liège
Bozar
January 9, 2019

Much of this evening's programme featured compositions that are probably of interest to jazzers, particularly with the presence of George Gershwin and Leonard Bernstein, although Aaron Copland and Samuel Barber will doubtless have more crossover appeal than most composers. There was ...

ARTICLE: ALBUM REVIEWS

Chris Gall: Room Of Silence

Read "Room Of Silence" reviewed by Don Phipps

Chris Gall's Room of Silence shines best on its original material, and it's a good thing since the album has ten originals and four covers. In keeping with his classical foundation, Gall's compositions feel like ballets. One can picture dancers stepping gently along a brook, underneath a late-afternoon sky on a fall day in Vermont. Like ...

ARTICLE: ALBUM REVIEWS

Bobo Stenson: Contra la indecision

Read "Contra la indecision" reviewed by Mike Jurkovic

Swedish pianist Bobo Stenson could be considered an anomaly amongst the ECM roster of piano players. His work over the past decades has been more controlled and, not to be taken as an insult or affront to Stenson's earthy lyricism, less challenging than the works of past and current label-mates such as Paul Bley, Marilyn Crispell, ...

ARTICLE: ALBUM REVIEWS

Sonic Liberation 8 with Classical Revolution Trio & Oliver Lake: Bombogenic

Read "Bombogenic" reviewed by Dave Wayne

There are a few artists out there who are successfully merging authentic traditional Afro-Cuban and Caribbean rhythms with 21st Century jazz in a way that refers to, but doesn't sound like, typical Latin jazz: Adam Rudolph's Go Organic Orchestra and Kip Hanrahan's various groups immediately come to mind. Taking their cues equally from the early 70s ...

ARTICLE: ALBUM REVIEWS

Lyle Mays Quartet: The Ludwigsburg Concert

Read "The Ludwigsburg Concert" reviewed by Chris M. Slawecki

Intentionally or not, keyboardist Lyle Mays seems to maintain a public profile that's lower than low. His most famous engagement is his tenure in a group named for someone else (The Pat Metheny Group), and The Ludwigsburg Concert is only his sixth solo release since his eponymous solo debut for Warner Bros. Jazz in 1985, and ...

India to Italy, Brazil to Slovenia–Where WON'T Jazz Go?

Read "India to Italy, Brazil to Slovenia–Where WON'T Jazz Go?" reviewed by Chris M. Slawecki

Avataar
Petal
Self-Produced
2016

While growing up in the Northern Ontario mining town of Sunbury, he was known as “Sam." But in his early twenties, Sundar Viswanathan reconnected with his Indian name and heritage, and, through several conservatory courses spanning North Indian classical to Turkish maquam music, ...

ARTICLE: ALBUM REVIEWS

Kenneth Salters Haven: Enter to Exit

Read "Enter to Exit" reviewed by Luca Muchetti

Nove brani per raccontare il proprio mondo musicale, per la prima volta da titolare. Si intitola Enter to Exit il debutto di Kenneth Salters Haven, batterista originario del Connecticut ma dal 2006 stabilmente sui palchi del jazz newyorkese. Dopo una lunga palestra che ha fatto incrociare il compositore e bandleader con Don Byron, Chris Potter, Aretha ...