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Basie All Stars: Live At Fabrik Vol. 1
by Chris May
Such are the glories of his band's recorded legacy from the 1930s through the 1950s, that the mere mention of Count Basie's name will trigger a Pavlovian response from his fan base. Like no other, the Count Basie Orchestra epitomised big-band swing at its most sublime; reefer fuelled, riff based, loose and louche Kansas City jazz ...
Red Garland with Eddie "Lockjaw" Davis
One of the greatest pairings of piano and tenor saxophone was pianist Red Garland and saxophonist Eddie “Lockjaw" Davis. Both artists were steeped in the blues and knew how to feed a blues and coax it up on its hind legs. And yet, they only recorded one album together, and only four tracks for that album, ...
Lockjaw and Zoot in France, 1975
Imagine a concert with Dorothy Donegan on piano, Arvell Shaw on bass and Panama Francis on drums. Then add tenor saxophonists Eddie “Lockjaw" Davis and Zoot Sims and trumpeter Harry “Sweets" Edison in the front line. On July 19, 1975, that's exactly what happened at the Nice Jazz Festival, held at Arènes de Cimiez, a Roman ...
Lockjaw Davis Meets the Hammond
Tenor saxophonist Eddie “Lockjaw" Davis was among the first jazz saxophonists who used an organ combo on tour and when recording. Like many horn players who started out in R&B bands along the Chitlin' Circuit in Black communities throughout the upper Midwest in the early 1950s, Davis realized that the Hammond B-3 organ was a moneymaker. ...
Judith & Dave O'Higgins: His 'n' Hers
by Chris May
Here is a great idea for a tough tenors face-off in the tradition of the Johnny Griffin / Eddie “Lockjaw" Davis group... Get hold of a tenor duo comprising a husband and wife who are on the verge of divorce and can barely stand being in the same room together and record them as they try ...
Jay Thomas Quartet: Upside
by Paul Rauch
Seattle-based musician Jay Thomas may be considered the oddest of ducks in the jazz universe. By that, I am referring to his fierce musicality expressed both on trumpet and saxophone, as well as most members of the brass and woodwind families. Inspired early in his career by the like minded veteran Ira Sullivan, Thomas in a ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
A Garland of Red
by C. Michael Bailey
Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from jny: Dallas, Texas, Garland migrated to jny: New York City after a stint with Hot Lips Page ...
Lockjaw Meets the Hawk
To the best of my knowledge, tenor saxophonists Eddie “Lockjaw" Davis and Coleman Hawkins recorded together as a duo only once (Very Saxy was a group session with saxophonists Buddy Tate and Arnett Cobb). Davis—like Sonny Rollins, Don Byas, Lucky Thompson and others— was deeply influenced by Hawkins's gruff, boastful attack. So teaming up with his ...
Cory Weeds, Mugrew Miller, Artie Shaw & More
by Joe Dimino
From the prowess of, This week we open Neon Jazz with a tribute to Rashied Ali, courtesy of Dutch bassist Joris Teepe. We then move on to sample some tasty new tracks by the Pete Coco Trio, Angela Verbrugge and the incredible Cory Weeds. In between, the show is full of legends from Artie ...
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