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MetJazz 2022
by Neri Pollastri
Metastasio Jazz Teatro Metastasio Prato Tematicamente intitolata a “La voce e altre follie," la ventisettesima edizione di Metastasio Jazz, rassegna pratese diretta da Stefano Zenni, proprio nella follia si è imbattuta in corso di realizzazione, nella forma di molteplici imprevisti, legati anche alla pandemia, che hanno costretto gli organizzatori a rivoluzionare in ...
Craig Taborn: Shadow Plays
by Mike Jurkovic
Recorded with stunning clarity of sound and a brave vision, at Vienna's Mozart-Saal of the Wiener Konzerthaus in March 2020, Craig Taborn's visceral variations on a theme and quixotic poetics rise and fall majestically on Shadow Plays, a bold, fully-rendered successor to his last solo ECM outing Avenging Angel (2011) The rapturously inquisitive Taborn ...
Franco D'Andrea: La sostenibile leggerezza del suonare
by Mario Calvitti
L'occasione è troppo bella per lasciarsela sfuggire: il Maestro Franco D'Andrea è a Roma (siamo nella seconda metà di Settembre) per registrare il suo nuovo disco presso gli studi del Parco della Musica, e siamo stati invitati ad assistere alla sessione. Sono previste due giornate, e il nostro appuntamento è fissato per il primo giorno, nelle ...
Larry Ochs / Nels Cline / Gerald Cleaver: What Is To Be Done
by Mark Corroto
Sandwiched between two epic novels of improvisation--each a track of over twenty minutes of sound--is the respite piece “A Pause, A Rose" by the trio of saxophonist Larry Ochs, guitarist Nels Cline and drummer Gerald Cleaver. Cline, who some may know from his work with the alternative rock band Wilco, opens with a few simple notes ...
Dan Weiss Starebaby Live at BIMHUIS Amsterdam
by BIMHUIS
Alongside jazz and Indian music, Dan Weiss is equally at home in metal and electronica. The stark contrasts, but also the similarities, between these worlds fuel his band Starebaby. On the eponymous album, Weiss and co. have created fascinating works, sometimes dark and complex and sometimes dreamy and cinematic, with for example a track dedicated to ...
Bill Frisell / Thomas Morgan: Small Town
by John Kelman
In Emma Franz's revelatory documentary, Bill Frisell: A Portrait, the guitarist talks about the many guitars he owns, and how he rarely gets to plays them--the consequence, amongst other things, of the plight musicians face when traveling by air these days. Not three months after the film's premiere at South By Southwest this past March, comes ...
Chris Potter Underground Orchestra: Imaginary Cities
by John Kelman
While he is, perhaps, best-known as a reed and woodwind multi-instrumentalist of tremendous power and versatility--the torch-bearer and logical successor, even, to the late, great Michael Brecker--Chris Potter has also demonstrated remarkable breadth as a bandleader and composer. It's hard to imagine that it's been only 23 years since the 44 year-old first came onto the ...
Trio Logic: Phishbacher, Dominic J Marshall, Bob Henschen Trios
by C. Michael Bailey
The traditional jazz piano trio (piano, double bass and drums) remains a robust and productive format for jazz performance and interpretation. Here are three examples supporting this. Phishbacher Trio Dreamcatcher Jazz Sick Records 2014 Pianist and composer Walter Fischbacher with his wife, singer/composer Elisabeth Lohninger ...
Tedeschi Trucks Band at the Vogue Theater
by Lloyd N. Peterson Jr.
Tedeschi Trucks Band Vogue Theater Vancouver, BC November 8, 2013 Jazz has always taken from the pop music of its day and culturalized it, intellectualized it, added some soul or swing and for those who are capable, added the personalized artistic X factor that is unique to that artist's ...
Chris Potter Underground: Ultrahang
by John Kelman
With a consistent line-up since the debut of Underground (Sunnyside, 2006)--where, after alternating between guitarists Wayne Krantz and Adam Rogers, the reed man settled on Rogers as the group's full-timer for Follow the Red Line: Live at the Village Vanguard (Sunnyside, 2007)--Chris Potter has not only created his most personal and identifiable music to date, but ...
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