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Andrew Green

Andrew Green: (choose one) (A) is a guitarist and author of best selling guitar books (in the tiny jazz world sense). (B) has played with such jazz luminaries as Donald Byrd, Billy Hart, Joanne Brackeen, Winard Harper, Mat Maneri, John McNeil, Chip Jackson, Matt Wilson, and Ralph LaLama, among others. (C) plays in projects as diverse as Sound Assembly, My Band Foot Foot, and Numinous. (D) is the co-leader of the legendary underground Shaggs cover band My Band Foot Foot

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Article: Profile

Jazz Honors The Beatles

Read "Jazz Honors The Beatles" reviewed by AAJ Staff


All About Jazz is honoring The Fab Four in the year of the 60th anniversary of the release of their first album (Please Please Me). This collective tribute was originally published in September 2009--as a living document, we'll add more quotes & stories over time (see how-to in comments section). We also compiled a companion playlist ...

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Article: Year in Review

Mark Sullivan's Favorite Recordings of 2021

Read "Mark Sullivan's Favorite Recordings of 2021" reviewed by Mark Sullivan


2021 may have been a year best forgotten in many ways, as the pandemic continued to make “normal life" look like a distant memory. There was a brief bright spot after the introduction of the vaccines, only to be crushed by the emergence of the Delta variant, then the Omicron. Yet somehow there was plenty of ...

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Article: Album Review

Andrew Green: Dime Dancing: The Music Of Steely Dan

Read "Dime Dancing: The Music Of Steely Dan" reviewed by Mark Sullivan


It is not hard to imagine jazz versions of Steely Dan songs, as they are rich in knotty harmonies and dark lyrics that belie their mainstream pop success. But you would probably have to be guitarist Andrew Green to imagine them arranged for chamber ensembles dominated by woodwinds and strings (as well as vocalist Miriam Waks ...

Album

Dime Dancing: The Music Of Steely Dan

Label: Shifting Paradigm Records
Released: 2020
Track listing: Black Cow; Aja; Any World (That I'm Welcome To); Reelin' in the Years; Dirty Work; Daddy Don't Live in That NYC No More; Everything You Did; Rikki Don't Lose That Number.

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Article: Multiple Reviews

Two Pianists Going Their Own Way: Carl Kennedy and Max Petersen

Read "Two Pianists Going Their Own Way: Carl Kennedy and Max Petersen" reviewed by Jerome Wilson


Most contemporary jazz piano players follow well-trodden paths, be it the speed and power of Bud Powell, the romantic clarity of Bill Evans or the complex abstractions of Cecil Taylor. Here are two examples of pianists who go their own ways. Carl Kennedy American Lullaby JeruJazz 2019 ...

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Article: Multiple Reviews

A World of Piano Trios II

Read "A World of Piano Trios II" reviewed by Mark Sullivan


Several parts of the world heard from in this installment: Sweden, Norway, France, and the United States. Esbjorn Svensson Trio (E.S.T.) e.s.t. live in Gothenburg ACT Music 2019 Before Swedish jazz pianist Esbjörn Svensson's untimely death in 2008, e.s.t. was a sensation. They brought an eclecticism and rock-like ...

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Article: Album Review

John Christensen: Dear Friend

Read "Dear Friend" reviewed by Mike Jurkovic


Madison Wisconsin based bassist/composer John Christensen begins his debut, Dear Friend with the namesake track, a quietly rolling, reflective impression that might at first remind one of a backing track for any number of 70's singer-songwriters. It's a pretty piece, a wonderful starting point for a very melodic, almost nostalgic listen. The next composition, ...

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Article: Album Review

John Christensen: Dear Friend

Read "Dear Friend" reviewed by Friedrich Kunzmann


Madison-based double bassist John Christensen is certainly no rookie to jazz, even though Dear Friend would appear to be his debut album. After attending the University of North Texas, Christensen chose to follow a more personalized education and set up camp in San Francisco. It is in the bay area that he committed to extensive gigging ...

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Article: Record Label Profile

ears&eyes Records: From Chicago to the World

Read "ears&eyes Records: From Chicago to the World" reviewed by Jakob Baekgaard


Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...


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