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Juan Tizol

Juan Tizol was born in San Juan Puerto Rico on Jan. 22, 1900, started music lessons early, was trained as a valve trombonist and as a teenager played in the San Juan Municipal Band. Tizol moved to the U.S. in 1920 and became valve trombonist in the pit band of the Howard Theatre in Washington DC, was a member of the Marie Lucas Orchestra, Bobby Lee’s Cottonpickers, and the White Brothers Band. His big break came in August of 1929 when he joined the Duke Ellington Orchestra. He would remain with Duke for fifteen years, and became an integral part of the bands sound. His contribution to the Duke legacy would be in his two compositions “Caravan”, and “Perdido”

ARTICLE: LIVE REVIEWS

Jazztopad 2019

Read "Jazztopad 2019" reviewed by Henning Bolte

Vincent Courtois Trio Witold Lutoslawski National Forum of Music, Mleczarnia Club Jazztopad Wroclaw November 21-24, 2019 On my arrival in Wroclaw, on the way to the reverend National Forum of Music (NFM), the first familiar face I met in the street was Mateusz Rybicki, a musician that has ...

ARTICLE: RADIO

BIG January Birthday Salutes!

Read "BIG January Birthday Salutes!" reviewed by Marc Cohn

BIG, I mean BIG January birthday salutes on Gifts & Messages this week: 120th birth anniversary for trombonists Juan Tizol and Wilbur De Paris; 110th for Django Reinhardt; 100th for vocalist Betty Roché and saxophonist Jimmy Forrest; 90th for saxophonist Jack Nimitz, trumpeter Kenny Wheeler and pianist/vibraphonist Buddy Montgomery. And special birthday greetings to bassist Eberhard ...

ARTICLE: ALBUM REVIEWS

Roger Kellaway: The Many Open Minds Of Roger Kellaway

Read "The Many Open Minds Of Roger Kellaway" reviewed by Jack Bowers

Criticize pianist Roger Kellaway? You must be kidding. Describe Roger Kellaway? That's a fair bet and far more advisable. Kellaway, who is eighty years old as this is being written, embodies the boundless exuberance, creative power and impeccable technique of any player half his age, all of which he displays unfailingly on The Many Open Minds ...

ARTICLE: LIVE REVIEWS

Galway Jazz Festival 2019

Read "Galway Jazz Festival 2019" reviewed by Ian Patterson

Galway Jazz Festival 2019 Various venues Galway, Ireland October 2-6, 2019 Bat song may be a first at a jazz festival, but then they do things differently here in Galway. Bats were in and plastic was out. No plastic laminates or cable ties, no plastic on outdoor advertising, no ...

ARTICLE: ALBUM REVIEWS

Eyal Vilner Big Band: Swing Out!

Read "Swing Out!" reviewed by Jack Bowers

Eyal Vilner's fourth album as leader of his impressive New York-based big band is a throwback to the kind of concert dates audiences no doubt derived great pleasure from during the storied Big-Band Era well over half a century ago when groups not far removed from this one in spirit traveled cross-country by bus, car or ...

ARTICLE: ALBUM REVIEWS

Horace Tapscott with the Pan Afrikan Peoples Arkestra and the Great Voice of UGMAA: Why Don't You Listen? - Live at LACMA, 1998

Read "Why Don't You Listen? - Live at LACMA, 1998" reviewed by Mark Corroto

In every decade since the 1960s, dedicated listeners have called for the world to get hip to the music of Horace Tapscott. In 1963 he formed the Pan-Afrikan Peoples Arkestra in Los Angeles. Like Chicago's Association For The Advancement Of Creative Musicians (AACM) and St. Louis' Black Artists Group (BAG), Tapscott's collective was formed to serve ...

ARTICLE: LIVE REVIEWS

Martin Lesch Band at The Jazz Corner

Read "Martin Lesch Band  at The Jazz Corner" reviewed by Martin McFie

Martin Lesch Band The Jazz Corner Journey through Jazz to Rhapsody in Blue Hilton Head Island, SC November 12, 2018 On a rainy Monday night in South Carolina, people faced a difficult choice: whether or not to leave the house to hear Martin Lesch play piano at The Jazz ...

ARTICLE: ALBUM REVIEWS

University of Toronto 12tet: When Day Slips Into Night

Read "When Day Slips Into Night" reviewed by Jack Bowers

Those who are tasked with monitoring the pulse of intercollegiate jazz, if indeed there are such overseers, will find it beating strongly at the University of Toronto whose well-schooled 12tet, comprised of students in the school's bachelor's, master's and doctoral music programs, has recorded its third admirable CD, When Day Slips Into Night. As before, the ...

ARTICLE: LIVE REVIEWS

Brian Charette Trio with Ed Cherry at The Turning Point Cafe

Read "Brian Charette Trio with Ed Cherry at The Turning Point Cafe" reviewed by David A. Orthmann

Brian Charette Trio with Ed Cherry The Turning Point Cafe Piermont, NY July 15, 2018 Eight selections into an eighty-minute set Brian Charette looked over at Ed Cherry and asked what kind of ballad he wanted to play. In an instant Cherry answered with his guitar, kicking off Duke Ellington's “In ...


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