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Gary Peacock
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Bassist {{m: Gary Peacock = 10182}} played a major role in the development of avant-garde jazz. He has worked with the likes of Miles Davis, {{m: Bill Evans = 6592}}, {{m: Albert Ayler = 3538}}, {{Don Cherry}, {{Barney Kessel}}, {{m: Don Ellis = 6530}}, {{m: Terry Gibbs = 7026}}, {{m: Shorty Rogers = 3888}}, the Paul Bley Trio, {{m: Jimmy Giuffre = 7059}}, {{m: Roland Kirk = 23161}} and {{m: George Russell = 3978}}, among others. His recorded output is enormous — ECM Records alone lists fifty-one CDs on which he is featured. He has collaborated frequently with Ralph Towner in duet format, and since the late '70s has played and recorded in a world-renowned trio with Keith Jarrett and Jack DeJohnette. Peacock was born in Burley, Idaho, on May 12, 1935; He grew up in Yakima, Washington, where he attended Yakima Senior High School
Riccardo Arrighini: Cambio di Marcia
by Thomas Conrad
The first time I heard Riccardo Arrighini was at the Umbria Jazz Melbourne festival in Australia in May of 2005. It seems odd, as I look back on it, that I barely noticed him at the festival. The explanation is not that there were other, more famous Italian piano players there, like Stefano Bollani and Danilo ...
Francois Carrier Ensemble featuring Mat Maneri /Tomasz Stańko / Gary Peacock / Michel Lambert: Openness
by Mark Corroto
Openness waited nearly two decades on a shelf (ok, probably on a hard drive) before being released for our listening pleasure. Recorded on May 5 & 6, 2006 at the Théâtre La Chapelle in Montréal, Canada, these three precious discs document a meeting between Canadian saxophonist François Carrier and Polish trumpeter Tomasz Stańko. It is the ...
The Keith Jarrett Trio: Ten Essential Recordings
by Karl Ackermann
The Keith Jarrett Trio, or The Standards Trio, as it later became known, with Gary Peacock on double bass and Jack DeJohnette on drums, is one of the most celebrated and influential jazz trios of all time. The group was formed in 1983 but Jarrett and DeJohnette had been collaborating since the late 1960s when they ...
Albert Ayler: Summertime To Spiritual Unity Revisited
by Giuseppe Segala
Tra gli anni Cinquanta e Sessanta del Novecento, una vorticosa accelerazione spinse le arti e alimentò la creatività verso esplorazioni audaci, esprimendo personalità e individualità di valore universale. Autentico visionario, tra urlo febbrile e tenera carezza, tra ruvida e profonda adesione alle radici afroamericane e tensione verso il futuro, tra riferimenti tematici trasfigurati, inni religiosi, marce ...
Summertime To Spiritual Unity Revisited
By Albert Ayler
Label: Ezz-thetics
Released: 2023
Track listing: Summertime; C.T.; Ghosts First Variation; The Wizard; Spirits; Ghosts Second Variation; Vibrations.
Duos With Jim Hall & Trios '64 & '65 Revisited
By Bill Evans
Label: Ezz-thetics
Released: 2023
Track listing: CD1: My Funny Valentine; I Hear A Rhapsody; Dream Gypsy; Romain; Skating In Central Park; Darn That Dream; Little Lulu; A Sleeping Bee; Always; Santa Claus Is Coming To Town; I'll See You Again; For Heavens Sake; Dancing In The Dark; Everything Happens To Me. CD2: Israel; Elsa; Round Midnight; Our Love Is Here To Stay; How My Heart Sings; Who Can I Turn To?; Come Rain Or Come Shine; If You Could See Me Now; I've Got You Under My Skin; My Man's Gone Now; Turn Out The Stars; Angel Face; Jazz Samba; All Across The City.
Openness
Label: Fundacja Sluchaj
Released: 2023
Track listing: CD1:. Openness; Recreation; All is All; Void; CD2: Danse; Pathless; Wide Awake; Spirit Of
Connection; CD3: Come And Go; Disapear Over The Crest; Disapear Over The Crest; Birds;
3.5. Journey.
Chris May's Best Albums Of 2023
by Chris May
Another great year for recorded jazz. Fourteen of 2023's most special albums are presented here. Eight are new recordings and six are reissues or previously unreleased archive items. Joint Number One Best New Albums Of 2023 Irreversible Entanglements Protect Your Light Impulse! There are two contendors for the slam-dunk ...
Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited
by Chris May
Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, ...
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