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ARTICLE: ALBUM REVIEWS

Andy Fusco: Vortex

Read "Vortex" reviewed by David A. Orthmann

Vortex, Andy Fusco's fourth release on the SteepleChase imprint in as many years, is cause for celebration. Until recently, recordings by the veteran alto saxophonist as a leader have been few and far between. The date reunites Fusco with tenor saxophonist Walt Weiskopf, who composed four of the selections and arranged nine of the ten tracks. ...

ARTICLE: NEW YORK BEAT

92nd Street Y Jazz in July: The Music of Clifford Brown

Read "92nd Street Y Jazz in July: The Music of Clifford Brown" reviewed by Nick Catalano

The Y's Jazz in July programing this summer included an evening celebrating the music of Clifford Brown on July 23rd—a treat for me as it was one of the few such tributes I've seen since Oxford U. published my biography of Brownie over a decade ago. The production included a panorama of Brownie photos projected onto ...

ARTICLE: LIVE REVIEWS

The Jazz Orchestra of Philadelphia with Joey DeFrancesco at the Kimmel Center

Read "The Jazz Orchestra of Philadelphia with Joey DeFrancesco at the Kimmel Center" reviewed by Victor L. Schermer

The Jazz Orchestra of Philadelphia with Joey DeFrancesco Kimmel Center for the Performing Arts Philadelphia, PA June 1, 2019 The Jazz Orchestra of Philadelphia (JOP), under the leadership of trumpeter Terell Stafford, has produced a series of action-packed concerts at the Kimmel Center, featuring special guest artists, all ...

ARTICLE: BAILEY'S BUNDLES

Ten on Cellar Live

Read "Ten on Cellar Live" reviewed by C. Michael Bailey

That crafty Canadian Cory Weeds was onto something with the creation of his Cellar Live and now Cellar Music label. He reveals himself as a man for all seasons in being a confident saxophonist, music historian, and archivist with his new label Reel to Real (in cooperation with that maestro of the catalog, Zev Feldman. With ...

ARTICLE: RADIO

A Focus on Mario Pavone & More

Read "A Focus on Mario Pavone & More" reviewed by Bob Osborne

This week a focus on master bassist Mario Pavone who, after a life of partnerships with the likes of Paul Bley, Bill Dixon, Thomas Chapin, Anthony Braxton, Wadada Leo Smith, Marty Ehrlich and others of similar status, has come to the fore in recent years with his own releases as leader. In addition a selection of ...

ARTICLE: ALBUM REVIEWS

James Austin, Jr: Songs in the Key of Wonder

Read "Songs in the Key of Wonder" reviewed by Geannine Reid

Hailing from the windy city of Chicago, James Austin, Jr. has established himself as an accomplished pianist and bandleader. He honed his craft under the tutelage of a number of legendary musicians, including extensive study with renowned jazz educator Barry Harris, receiving numerous accolades and awards along the way, including the honor of being selected as ...

ARTICLE: ALBUM REVIEWS

Cory Weeds Little Big Band: Explosion

Read "Explosion" reviewed by Jack Bowers

The size and makeup of a “little big band" depend above all on what the leader has in mind. In this case, leader Cory Weeds patterned his ensemble (four brass, four reeds, three rhythm) after similar groups led by tenor saxophonists Eddie “Lockjaw" Davis and Gene Ammons, and what he had in mind was a mid-sized ...

ARTICLE: ALBUM REVIEWS

Introducing Phil Stewart: Melodious Drum

Read "Melodious Drum" reviewed by Jack Bowers

Cellar Live Records continues its run of admirable mainstream albums with Melodious Drum, Canadian-born and New York City-based Phil Stewart's debut as leader of his own groups, which range from trio to sextet. It's an interesting title, as Stewart's drums may be congenial but aren't melodious in the manner of, say, Jeff Hamilton, Ed Thigpen, Shelly ...

ARTICLE: ALBUM REVIEWS

Dick Oatts: Use Your Imagination

Read "Use Your Imagination" reviewed by David A. Orthmann

At two adjacent points in this admirable recording, alto saxophonist Dick Oatts makes riveting, emotionally resonant sounds that transcend matters of style, execution and technique. These memorable moments stand apart from the customary pleasures and somewhat cerebral considerations of lending an ear to a jazz record. In both instances, Oatts' isn't intentionally tugging at heartstrings or ...

ARTICLE: ALBUM REVIEWS

Doug Webb: Bright Side

Read "Bright Side" reviewed by David A. Orthmann

From one perspective, Doug Webb's Bright Side is basically twelve tracks clothed in very recognizable forms --a few varieties of soul-jazz, a couple of heartfelt ballads, a taut bossa nova, and an array of middling and up tempo straight- ahead swingers. Although the material is thoroughly enjoyable, it's tempting to succumb to a nagging notion that ...


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