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Gil Melle
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Gil Melle was an artist, jazz musician and film composer. In the 1950s, Melle's paintings and sculptures were shown in New York galleries and he created the cover art for albums by Miles Davis, Thelonious Monk and Sonny Rollins. Melle played the tenor and baritone saxophone with George Wallington, Max Roach, Tal Farlow, Oscar Pettiford, Ed Thigpen, Kenny Dorham and Zoot Sims. As a film and television composer, Melle was one of the first to use electronic instruments (which he built himself), either alone or as an added voice among the string, wind, brass, and percussion sections of the orchestra
Random Acts of Roach, Knoel Scott, Jimmy Rowles
by David Brown
This week, we'll kick off our celebration of the Max Roach Centennial with a weekly set titled Random Acts of Max Roach; the show will also include a pair of tunes featuring saxophonist Knoel Scott of the Sun Ra Arkestra, jazz interpretations of Neil Young songs, and a set showcasing pianist Jimmy Rowles. Welcome friends and ...
What in the Bag?
by Patrick Burnette
Welcome to “What's in the Bag?," where Pat pulls out a few vinyl discoveries--some reissues, some crate finds--for Mike and him to dissect. It's kind of a continuing feature on the show when we run out of other things to discuss, and is not to be confused with “What's in the Box?" where the contents are ...
Backgrounder: Gil Mellé's 1950s Blue Note Sessions
Last week, following my post on guitarist Lou Mecca, I heard from many readers who were unfamiliar with Gil Mellé and wanted to hear more. The place to start with Mellé are his 1950s recordings for Blue Note. As a foootnote, his first—New Faces, New Sounds: Quintet/Sextet, a 10-inch album—was the first to be recorded on ...
April Songs -Soulful Singles - Lesser known '50s players!
by David Brown
This week on the Jazz Continuum, a set of April themed tunes from Sarah Vaughn to Anthony Braxton, soulful singles from Sugar Pie DeSanto to Irma Thomas, plus a swinging' set of lesser-known jazz men from the '50s and more. Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 01:00 Charlie ...
New Orbits in Sound + Soulful Sides
by David Brown
Today, we have a variety show of sounds for your enjoyment. First, a bit of a brew of mild avant-garde meets lounge music with Lyle Murphy (inventor of his own 12-tone system) and Gil Mellé (Modern Primitive Music). Things get serious with works from George Russell and the MJQ, before we change it up with a ...
Blue Note Records: Lost In Space: 20 Overlooked Classic Albums
by Chris May
For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...
Big Ten Inch Record
by Patrick Burnette
As the great Sigmund Freud said, sometimes an EP is just an EP. In this case, actually, it's six EP's, as the boys look at that chimera of the early LP era, the ten-inch long-playing record, focusing on releases from the early to mid-nineteen fifties on Blue Note and Fantasy, along with a Resonance Records' Record ...
The Giant Legacy of Rudy Van Gelder
by Greg Simmons
Recording Engineer Rudy Van Gelder died at home of natural causes on August 25th at the age of 91. His legacy--and it's a big one--is the countless recordings he made during modern jazz's greatest period of innovation. Almost any jazz musician of note who was making records--especially if they were working on the east coast--was captured ...
In Praise of Liner Notes
by Marc Davis
Joni Mitchell was onto something. You don't miss liner notes until you don't have them. I admit: Many liner notes leave me cold, for two reasons. First, they're way too detailed, especially in jazz. Every take has to be scrupulously annotated. Who played third trumpet in that big band? Was that Bird's second or ...
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