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ARTICLE: PROFILES

Sonny Buxton: Mid-Day Saturdays and A Radio Master Class With Strayhorn's Last Drummer

Read "Sonny Buxton: Mid-Day Saturdays and A Radio Master Class With Strayhorn's Last Drummer" reviewed by Arthur R George

Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.

ARTICLE: ALBUM REVIEWS

Jay Thomas with the Oliver Groenewald NewNet: I Always Knew

Read "I Always Knew" reviewed by Jack Bowers

There aren't many jazz musicians who play both brass and woodwinds, fewer still who play them as well as the veteran Seattle-based virtuoso Jay Thomas (the word “virtuoso" is used with due care). On I Always Knew, recorded in January 2018 with German-born trumpeter / arranger Oliver Groenewald's NewNet, Thomas traverses the ballad form on a ...

ARTICLE: MULTIPLE REVIEWS

A Selection of Jazz on Sonorama

Read "A Selection of Jazz on Sonorama" reviewed by Jakob Baekgaard

A good record is not just an album, it is a story, and few people understand this better than Ekkehart Fleischhammer, who runs Sonorama. The label specializes in reissues and discoveries of lost jazz classics, library music, funk and soul. Every release is a labor of love and the albums in the following batch all include ...

ARTICLE: ALBUM REVIEWS

The Dan Banks Quintet: Two in a Box

Read "Two in a Box" reviewed by Jack Bowers

On Two in a Box, British pianist Dan Banks' quintet revisits a Golden Age in jazz when hard bop was king and record labels like Prestige and Blue Note delivered the latest sounds to an astute and appreciative audience. Without mimicry, Banks reimagines the indomitable spirit of such masters as Red Garland, Wynton Kelly, Bobby Timmons, ...

NEWS: RECORDING

Lucky Thompson: Paris 1956-59

Lucky Thompson: Paris 1956-59

Eli “Lucky" Thompson was one of jazz's most confident and gifted tenor saxophonists. On recordings, his imagination on solos was so fast and bountiful that he filled virtually every spare space with warm tones. Over the course of his career, Thompson was most at home in Paris, as evidenced by his exhilarating slippery and smokey sound ...

ARTICLE: ALBUM REVIEWS

Eric Ineke: Let There Be Life, Love and Laughter

Read "Let There Be Life, Love and Laughter" reviewed by Victor L. Schermer

Eric Ineke is a long time drummer, residing in the Netherlands, who is one of a coterie of sidemen favored by American expatriate jazz musicians for their European gigs. This fine compilation of his work with nine of the great tenor saxophonists gives the listener a golden opportunity to listen to some of their best workouts ...

ARTICLE: INTERVIEWS

Remembering Milt Jackson

Read "Remembering Milt Jackson" reviewed by Lazaro Vega

This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material.

This interview was conducted prior to a Modern Jazz Quartet performance at Hope College, Holland, Michigan in September of 1989. Broadcast at the time on Blue Lake Public Radio; portions of ...

ARTICLE: LIVE REVIEWS

Erik Friedlander At National Concert Hall, Dublin

Read "Erik Friedlander At National Concert Hall, Dublin" reviewed by Ian Patterson

Erik Friedlander
Kevin Barry Room, National Concert Hall
jny:Dublin, Ireland
February 4, 2017

The sense of privilege was inescapable. To be one of a small number of people present at an intimate performance of music so beautiful felt like a royal invitation.

Cellist Erik Friedlander was born the year ...

ARTICLE: INTERVIEWS

Clarence Becton: Straight Ahead Into Freedom

Read "Clarence Becton: Straight Ahead Into Freedom" reviewed by Barbara Ina Frenz

Clarence Becton is a musicians' musician--meaning, someone well-known in musician circles. He belongs to the generation of American jazz heroes who grew up under economically and socially difficult circumstances, and for that very reason, succeeded in gaining a comprehensive education, emancipating himself, and embodying the history of jazz music by directly learning from and working with ...

NEWS: BOOK / MAGAZINE

Recent Reading: Books About Jazz In Four US Regions

Recent Reading: Books About Jazz In Four US Regions

After jazz emerged—or coalesced—as a distinct form of music in jny: New Orleans in the early twentieth century, it quickly took hold throughout the world. Jazz musicians developed on every continent, even in countries where the spirit of jazz goes against the grain of politics and culture; a jazz community is emerging in China, not an eventuality that ...