ADVERTISE WITH US

Make a difference: Support jazz online

Support All About Jazz Your friends at All About Jazz are looking for readers to help back our website upgrade project. Of critical importance, this project will result in a vastly improved design across all devices and will make future All About Jazz projects much easier to implement. Click here to learn more about this project including donation rewards.

Content by tag "Posi-Tone Records"

ARTICLE: CD/LP/TRACK REVIEW

Michael Dease: Reaching Out

Read "Reaching Out" reviewed by Mark Corroto

Somebody has to be the keeper of the flame, right? In jazz, an art form that has only recently passed the century mark, that responsibility has seemed to diminish in importance. It's not that music schools aren't churning out graduates versed in the traditional repertory, and post-modern players aren't constantly pushing the envelope of possibilities. It's ...

ARTICLE: CD/LP/TRACK REVIEW

New Faces: Straight Forward

Read "Straight Forward" reviewed by Paul Rauch

The collection of musicians on this record, collectively referred to as “New Faces," is an attempt by Posi-Tone producer Marc Free to create a sampler of the label's mission, utilizing a selection of young leaders to collectively personify their overall musical vision. As stated on the Posi- Tone website, “The entire series of succinct performances included ...

ARTICLE: CD/LP/TRACK REVIEW

Bruce Harris: Beginnings

Read "Beginnings" reviewed by David A. Orthmann

Beginnings sounds as if it's guided by an old hand instead of someone relatively new to the demanding art of leading a band. The debut recording of trumpeter Bruce Harris captures a coherent, homogeneous group sound, while utilizing several different combinations of instruments. Harris ties together material ranging from Harold Arlen, to Bud Powell, to Prince, ...

ARTICLE: CD/LP/TRACK REVIEW

Bruce Harris: Beginnings

Read "Beginnings" reviewed by Dan Bilawsky

Many a debut album receives a largely positive critique before being cut down to size with a qualifier. It's simply a jazz journalist's nature to paint newcomers as nascent talent in need of seasoning, players showing signs of potential, or artists taking a good first step with a first record. But sometimes a debut album is ...

ARTICLE: CD/LP/TRACK REVIEW

Roxy Coss: Chasing the Unicorn

Read "Chasing the Unicorn" reviewed by Paul Rauch

The title of the third, and latest release of New York based saxophonist Roxy Coss, Chasing the Unicorn (Posi-Tone, 2017), enables a vision that all artists embrace-that elusive and mythical state of total expression attained by only an elite few, that which not only presents beauty and passion to the universe, but is integrated into the ...

Jon Davis: Happy Juice

Read "Happy Juice" reviewed by David A. Orthmann

Whitney Balliett once wrote, “good musicians do not copy their elders; they only use them as primers." These are words to keep in mind while listening to Jon Davis' Happy Juice, a ten track recital that acknowledges a number of modern jazz piano masters (Herbie Hancock, Bill Evans, Chick Corea, McCoy Tyner, Keith Jarrett, and Red ...

Walt Weiskopf: Fountain Of Youth

Read "Fountain Of Youth" reviewed by David A. Orthmann

Fountain Of Youth is the latest installment of Walt Weiskopf's mid-career renaissance. In reviews of Weiskopf's three previous Posi-Tone releases, I made the misstep of treating his imposing skills as a tenor saxophonist, composer, arranger, and bandleader as separate, albeit compatible entities; this time around I realized that they are indeed parts of a larger, all-encompassing ...

Jon Davis: Happy Juice

Read "Happy Juice" reviewed by Dan Bilawsky

Everyone has their own version of happy juice. For some, it's the drink; for others, it's literature; for many, it's film; and for a certain breed, it's jazz, that most potent and unpredictable of aural intoxicants. It's the people that fall into that last group who are most likely to quickly uncork this one and take ...

Theo Hill: Promethean

Read "Promethean" reviewed by David A. Orthmann

Promethean captures Theo Hill at a significant juncture in his development. The record is ample evidence that the thirty-something New York City-based artist is rapidly securing a place in the crowded field of noteworthy contemporary jazz pianists. On the one hand--particularly during medium and up-tempo cuts such as “This Here," “Hey, It's Me You're Talking To," ...

Champian Fulton: Speechless

Read "Speechless" reviewed by Dan Bilawsky

Speechless is a date that may be best classified as a centrist statement, but it's far from the norm for Champian Fulton. While many have come to know and admire Fulton for her arresting vocals and piano work, both usually given in service to Great American Songbook classics, she's not conforming to those expectations here. For ...