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MoHa!
MoHa! are boldly leading the way with a sound that encompasses the best of rock, free jazz and electronic music. Despite the enormity and broad spectrum of sounds that constitute their unique style, it is the work of just two musicians, Anders Hana on guitar, obsolete electronics and a palette of effects pedals, and Morten J. Olsen on drums, triggering a multitude of noises from each skin and cymbal using custom built software. Having played together in various projects for close to 10 years, they have developed a high level of control and understanding in their musical communication. They compliment and confront each other, with sharp and mechanical movements on one hand, free flowing and loose gestures on the other.
Since the release of their debut album Raus Aus Stavanger in early 2006 they have done considerable touring, both in Europe and in USA
Rune Grammofon: Mutation and Reevaluation
by David McLean
Since its inception in 1998, Rune Grammofon has been at the forefront of ground breaking new music, heralding a new unprecedented interest in Scandinavian music. Whereas ECM's focus on the region has largely been based around the folk/traditional music explorations of its most prolific artists, including Jan Garbarek, Arild Andersen, Terje Rypdal and Jon Christensen, and ...
One-Way Ticket to Candyland
By MoHa!
Label: Rune Grammofon
Released: 2008
Track listing: It Burns Twice; Karibcore; Sopp Pa Kugen; Prog-o-Rama; Aids of Space; Too Smart Enough to Think; The Shitman; Oh My God It's Rave; # Outro.
MoHa!: One-Way Ticket to Candyland
by John Kelman
Following up the dense mesh of noise improv, outrageous electronics, angry rock rhythms, and occasional ambient relief of Norwegianism (Rune Grammofon, 2007), Norwegian duo MoHa! shifts gears on the more structured One Way Ticket to Candyland. Anders Hana and Morten J. Olsen--who, between the two of them, create a joyous noise on conventional ...
Norwegianism
By MoHa!
Label: Rune Grammofon
Released: 2007
Track listing: Daily Three; Jolly Five; Daily Four; Jolly Four; Gay Two; Gay One; Home Two; Jolly Two; Entry One; Entry Two; Home Four; Jolly Six; Jolly One (While Guilt Fills the Room); Home One; Ibiza One; Ibiza Two.
MoHa!: Norwegianism
by John Kelman
While detractors will suggest that noise improv is nothing but, well, noise, the fact remains that there are significant differences between artists working in this niche genre. In Norway, Supersilent has managed to carve out its own space, where harsh textures and open spaces (lyricism, even) meet. MoHa!, on the other hand, takes a ...
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