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Eddie Condon
Born:
Eddie Condon was on of the young 'White' Chicagoans who, during the 1920s, were instrumental in creating a new, hard driving type of "Chicago Dixieland Jazz". His career started at just age 17 when he played Banjo (his original instrument) with the 'Hollis Peavey Jazz bandits', and he even played briefly with some members of the now fabled "Austin High School Gang". In 1927 he co-led the McKenzie-Condon Chicagoans on a record that was popular in Chicago. In 1929, after organizing some other recording sessions, Condon switched cities and instruments. He moved to New York, and began playing the guitar
Mary Lou Williams, Sheila Jordan & CeCe Gable
by Joe Dimino
The voice and range of Reno-based veteran jazz singer CeCe Gable kicks off the 760th Episode of Neon Jazz with music from her new album Next Year's Song. We follow that up with music from an inspiration to many in the jazz world, Sheila Jordan and a song from Live at Mezzrow. More music from talents ...
Dick Hyman and Austin High Revisited
In 1922, five white high-school teens started a jazz revolution. All attended Austin High School on Chicago's West Side and were mad about jazz—the jazz that came up to the city from New Orleans in 1920. That's when Prohibition led to bootlegging, organized crime, and speakeasies and clubs run by gangsters who needed exciting music to ...
The Archive of Contemporary Music
by Karl Ackermann
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
Jam Session Coast To Coast/Jammin' at Condon's
by Mark Barnett
Getting Started If you're new to jazz, go to our Getting Into Jazz primer for some hints on how to listen. CD Capsule 1950's straight-ahead jazz, spiced with ad lib commentary by impressario/guitarist Condon. The musicians are laid back and having fun. Kick off your shoes and join them. Background In the ...
Meet Mark Weber
by Tessa Souter and Andrea Wolper
Almost every aspect of Mark Weber's life ends up intersecting with jazz; he just might be the original Renaissance jazz fan. A former wedding photographer, he found himself photographing nearly every jazz musician to pass through Los Angeles and Albuquerque in the past several decades and, without planning to, ended up writing for CODA, deejaying a ...
Wild Bill Davison: The Danish Sessions
by Chris Mosey
Wild Bill Davison was aptly described by Humphrey Lyttelton as the kind of drunken reveller who throws his arms around your neck one moment and tries to knock you down the next. Aside from his drinking, Wild Bill was, more importantly, a white Dixieland cornet player of considerable ability, with a fierce, uninhibited attack, whose heroes ...
Eddie Condon in Color, 1962
In the early 1960's the American Goodyear Tire Co. commissioned a series of short jazz-performance films as part of a promotional campaign. Why Google and Facebook don't do the same today with classic jazz, rock and soul artists is beyond me. Goodyear's jazz movies were filmed in color by multiple cameras on 35mm and the sound ...
The Real Dixieland Book / Tunes Of The Twenties
by Budd Kopman
The Real Dixieland Book Robert Rawlins 378 Pages ISBN: 978-1-4234-7694-8 Hal Leonard 2015 Saxophonist Robert Rawlins, who is also Professor of Music Theory at Rowan University (New Jersey) has done jazz a great service by producing The Real Dixieland Book and Tunes Of The Twenties. While they obviously ...
Condon & Freeman: 1938-1950
On the Arts in Review page of today's Wall Street Journal, I review Eddie Condon & Bud Freeman: Complete Commodore & Decca Sessions, a new 8-CD box from Mosaic Records (go here). I must say, I was floored by the recordings. As most readers know, I've long been a dogmatic, self-proclaimed fan of post-1945 jazz individualists ...
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