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ARTICLE: LIVE REVIEWS

Lee Konitz 90th Birthday Celebration at Regatta Bar

Read "Lee Konitz 90th Birthday Celebration at Regatta Bar" reviewed by Steve Provizer

Lee Konitz
Regatta Bar
90th Birthday Celebration
Boston, MA
January 26, 2018

Not many jazz musicians active in the 1940's are still around, never mind on the road, gigging. Last Friday at the Regatta Bar one of these rare jazz birds, alto saxophonist Lee Konitz, came ...

ARTICLE: INTERVIEWS

Lucia Cadotsch: Whispers Speak Louder than Screams

Read "Lucia Cadotsch: Whispers Speak Louder than Screams" reviewed by Ludovico Granvassu

Speak Low (Enja Records, 2017), the debut release of her current Trio of the same name, catapulted Lucia Cadotsch among the new artists that promise to write original chapters of vocal jazz while showing deference to the artists that preceded them. Playing a compelling brand of music that has been aptly described as “acoustic retrofuturism" --think ...

Lee Konitz: Prisma

Read "Prisma" reviewed by Ian Patterson

Though Lee Konitz has played in a wide variety of settings and styles since his first professional engagement with Teddy Powell in 1945, recordings with full-blown orchestras have been few and far between. Recorded in Frankfurt in 2000, with the Brandenburg State Orchestra conducted by Christoph Campestrini, Prisma captures Konitz interpreting Gunter Buhles' concerto for alto ...

Seven Women 2018 – Part V

Read "Seven Women 2018 – Part V" reviewed by C. Michael Bailey

An embarrassment of riches...

Shirley Crabbe
Bridges
MaiSong Music
2018

Vocalist Shirley Crabbe's 2011 debut recording, Home (Self Produced), was very well received, with critic Edward Blanco noting that the singer has, ..."a warm approach to the music, her smooth vocals seem a perfect fit for voicing ...

ARTICLE: LIVE REVIEWS

Jazzahead! 2018

Read "Jazzahead! 2018" reviewed by Henning Bolte

Bremen Trade Fair Hall
Jazzahead!
Bremen, Germany
April 21-23, 2018

Jazzahead!, the three-day annual jazz marketplace marketplace of/for jazz in the Hanseatic city of Bremen in North-Western Germany with 3,283 participants from 61 countries stood strong and steady again this year. A total of 40 showcases over three ...

Lee Konitz: Frescalalto

Read "Frescalalto" reviewed by Ian Patterson

For over seven decades, since his participation in Miles Davis's 1949-1950 Birth of the Cool sessions, Lee Konitz has carved out a tireless path as one of jazz's most illuminating improvisers. Recorded at the tail end of 2015, when he was already 87 years old, Frescalalto sees Konitz in a straight-ahead session effectively marshalled by the ...

ARTICLE: UNDER THE RADAR

State and Mainstream: The Jazz Ambassadors and the U.S. State Department

Read "State and Mainstream: The Jazz Ambassadors and the U.S. State Department" reviewed by Karl Ackermann

The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...

Christina von Bülow: On The Brink Of A Lovely Song

Read "On The Brink Of A Lovely Song" reviewed by Chris Mosey

American saxophonist Lee Konitz first toured Scandinavia in 1961, his wonderfully original saxophone playing leaving a lasting impression on, among many others, an aspiring Danish alto player, Christina von Bülow.

Konitz, who played on the classic Gil Evans/Miles Davis Birth Of The Cool session, is now in his nineties. It is to be ...

Andrew Dickeson: Is That So?

Read "Is That So?" reviewed by Jerry D'Souza

Growing up in Australia, Andrew Dickeson played several instruments before deciding on the drums when he was 10. Over the years he developed his intuition and sensitivity, the dynamics helping create a wellspring of skills. His artistry took him to the finals of the Thelonious Monk Institute International Jazz Drums Competition in 1992 where he was ...

Jeff Williams: Lifelike

Read "Lifelike" reviewed by Mike Jurkovic

Sounding as real as real gets, Lifelike's forward thinking drummer/composer Jeff Williams' heady sextet sure sound like they're all sitting in on a late night, cramped back room cutting session, with each player challenging, coaxing the other to new heights and horizons.

Williams, an alumni of such name drops as Stan Getz, Dave Liebman, ...