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Content by tag "Eric Dolphy"

ears&eyes Records: From Chicago to the World

Read "ears&eyes Records: From Chicago to the World" reviewed by Jakob Baekgaard

Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...

ARTICLE: CD/LP/TRACK REVIEW

Dave Rempis: Lattice

Read "Lattice" reviewed by John Sharpe

Since the AACM pioneered solo instrumental performance it has become a rite of passage for most creative musicians. In some ways the surprise is that saxophonist Dave Rempis, as one of the most fluent improvisers of his generation, has waited until now to record his first unaccompanied recital. That he rises to the challenge should be ...

NEWS: RECORDING

Pianist, Composer, Arranger Earl MacDonald release new recording “Open Borders”

Pianist, Composer, Arranger Earl MacDonald release  new recording “Open Borders”

Pianist Earl MacDonald, Director of Jazz Studies at the University of Connecticut, is set to release his fifth album as a bandleader—Open Borders. For this project, the two-time JUNO-award nominee assembled a lean and mean 10-piece band, capable of capturing the intimate subtleties of a jazz combo, or packing the walloping punch of a full big ...

Fred Casadei: quello che sto ascoltando

Read "Fred Casadei: quello che sto ascoltando" reviewed by Vincenzo Roggero

1. Charles Mingus, Mingus Plays Piano, (Impulse!, 1964).

Questo è uno dei dischi che amo di più, fonte di ascolto ma, ancora oggi, di studio. Ci sono soluzioni armoniche davvero moderne, ancora oggi, brani come «Myself When I'm Real» potrebbero essere stati scritti oggi... con la differenza che la passione di Mingus è ...

ARTICLE: INTERVIEW

Massimo De Mattia: la libera ricerca musicale

Read "Massimo De Mattia: la libera ricerca musicale" reviewed by Angelo Leonardi

Tra i flautisti italiani dediti alle musiche extracolte, Massimo De Mattia si distingue non solo per l'alta qualità artistica ma per la scelta di operare stabilmente nell'universo della libera improvvisazione. Una definizione che De Mattia trova impropria e che preferisce sostituire semplicemente con «musica contemporanea». Come dice in quest'intervista è una musica: che si rivela, si ...

ARTICLE: CD/LP/TRACK REVIEW

Ned Rothenberg, Hamid Drake: Full Circle – Live in Lodz

Read "Full Circle – Live in Lodz" reviewed by Giuseppe Segala

Full Circle--Live in Lodz è parte di un notevole, ghiotto catalogo di documenti registrati dal vivo in Polonia dall'etichetta Fundacja Sluchaj, in cui figura un ampio ventaglio di musicisti che alloggiano nell'empireo del jazz improvvisato contemporaneo. Nel caso di questo CD siamo di fronte all'accoppiata formidabile di Ned Rothenberg e Hamid Drake. Quello che si può ...

ARTICLE: CD/LP/TRACK REVIEW

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Dan Bilawsky

Politicians might do well to take a few pointers from pianist-arranger Earl MacDonald. As this fine album attests to, it's far better to build bridges than walls, and far more productive to open borders and dialogue than close hearts, minds, and doors.

While MacDonald didn't initially set out to make a political statement ...

ARTICLE: MULTIPLE REVIEWS

Joe Rosenberg's Ensembles

Read "Joe Rosenberg's Ensembles" reviewed by Jerome Wilson

Joe Rosenberg is a soprano saxophonist who, at one time, lived in the Bay Area collaborating with musicians like Dewey Redman and Buddy Collette and recording tributes to Eric Dolphy and Ornette Coleman. For the last several years he has been living in Asia and also collaborating with French musicians. These two CDs, by different configurations ...

ARTICLE: SOCAL JAZZ

Ron Carter: A Clew of Worms

Read "Ron Carter: A Clew of Worms" reviewed by Jim Worsley

So the saying goes, the early bird gets the worm. Occasionally, if one is so fortunate, you can get a whole lot more.

From the beginning just knowing that I was going to have the opportunity to see and hear Ron Carter play was about seeing a legend. Of course you hope to hear some ...

ARTICLE: CD/LP/TRACK REVIEW

Dave Rempis: Lattice

Read "Lattice" reviewed by Mark Corroto

I recall an interview with a lionized baby boomer saxophonist, who told the story of listening to side one, and only side one, of John Coltrane's A Love Supreme (Impulse!, 1965). He was reluctant to turn the LP over (this was in the pre-digital era), thinking side two could never match the majesty of “Acknowledgement" and ...