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Gary Foster
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An excellent, cool-toned straight-ahead altoist influenced by Lee Konitz and Warne Marsh, Gary Foster's years in the studios have often been underrated despite his talents. He graduated from the University of Kansas in 1961 and soon settled in the Los Angeles area, where he has been active ever since in the studios, as a woodwind teacher, and in big bands, including those of Clare Fischer (since 1965), Louie Bellson, Toshiko Akiyoshi (in the 1970s), and the Marty Paich Dek-tette. Foster also played often with Warne Marsh, Laurindo Almeida, and Jimmy Rowles; recorded with Cal Tjader, Poncho Sanchez, and Mel Tormé; and led sessions of his own for Revelation (four records during 1968-1985) and Concord.
Bill Anschell / Brent Jensen: We Couldn't Agree More
by Thomas Conrad
Wynton Marsalis recently said, “The hallmark of a first-class jazz musician is the ability to adapt." It is a paradoxical statement. But Marsalis is not using the term “adapt" in the Darwinian context of adaptation and natural selection. He does not mean adapting to, say, bad food on the road. He is referring to listening skills ...
Huracan
By Cal Tjader
Label: Liberation Hall
Released: 2023
Track listing: Ritmo Caliente; Desposado; Bachi; Huracan; Funquiado; Tres Palabras.
Songbirds: An Interview with Singer Judy Niemack
by Peter Rubie
Apart from their mutual respect for each other, and the fact that they are jazz singers, there isn't a lot, superficially, that you would think Judy Niemack and Jay Clayton have in common. But you'd be wrong. Both have a classical music background, Clayton at Miami University in Oxford, Ohio, before moving ...
Old And New Music From Miles Davis, Champian Fulton, Mahavishnu Orchestra & Others
by Jerome Wilson
This show features a wide variety of new and old jazz, including piano music from Dabin Ryu and Marcin Wasilewski, vocals from Marty Elkins and Champian Fulton and a live track from Birth of the Cool-era Miles Davis. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & ...
Take Five with Boaz Marva
by Boaz Marva
Meet Boaz Marva Boaz Marva is a distinctively accomplished jazz and rock guitarist, vocalist and composer. He plays in DOR SAGI band (who recently recorded an EP with keyboardist Jason Lindner as producer), worked with Amir Segall and Ben Silashi in their project Zzajeerf, gigged with Andreas Toftemark, Elam Friedlander, Naama Gheber, Joni Paladin, Sammy Weissberg, ...
Mark Masters: Our Metier
by Angelo Leonardi
Splendido arrangiatore di scuola mainstream, Mark Masters guida formazioni orchestrali fin dai primi anni ottanta e gran parte della sua produzione discografica l'ha incisa per l'etichetta Capri di Thomas Burns. I suoi dischi recenti--compreso l'ultimo Blue Skylight -erano concept album dedicati a grandi nomi del jazz, come Clifford Brown, Duke Ellington, Lee Konitz o ...
Mark Turner + Gary Foster
Seventy years ago, on March 4, 1949, cool jazz was recorded for the first time. Given a mandate to record whatever new jazz was important, Pete Rugolo, Capitol's head of A&R, brought the Lennie Tristano Sextet into the studio to tape two songs—Wow and Crosscurrent. The music by Lee Konitz (as), Warne Marsh (ts), Lennie Tristano ...
Mark Masters: Our Metier
by Jerome Wilson
There are a lot of fine composers writing for large jazz ensembles today, so many that some names can get lost in the shuffle. Mark Masters is a case in point. You don'r hear about him often, possibly because many of his recordings feature his ensembles playing the music of other composers like trombonist Grachan Moncur ...
Mark Masters: Blue Skylight
by Angelo Leonardi
Mark Masters è uno dei massimi esponenti contemporanei dell'orchestrazione mainstream. In trent'anni d'attività professionale ha inciso una decina di dischi, in formazioni comprendenti strumentisti di primo piano come Oliver Lake, Lee Konitz, Billy Harper, Peter Erskine o Steve Kuhn. Come altri suoi lavori anche questo progetto è un concept album dedicato a protagonisti della ...
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