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Content by tag "Paul Chambers"

ARTICLE: REASSESSING

Full House

Read "Full House" reviewed by C. Michael Bailey

Wes Montgomery's recording of his June 25, 1962 live performance at the Tsubo Jazz Club in Berkeley, California intersects significantly with two recent Resonance releases. One intersection involves the Wynton Kelly trio, comprised of pianist Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. It was with this same trio that Montgomery would record his essential Wynton ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

Beyond the Hubs

While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...

ARTICLE: CD/LP/TRACK REVIEW

P.J. Perry Quartet: Alto Gusto

Read "Alto Gusto" reviewed by Jack Bowers

Scanning an album that bears the name Alto Gusto, a prospective listener may be forgiven for assuming that it consists of a series of upbeat themes designed to cause toes to tap, fingers to snap and the heart rate to soar. And once it becomes clear that that is not what Canadian alto saxophonist P.J. Perry's ...

Marco Bardoscia

Read "Marco Bardoscia" reviewed by Vincenzo Roggero

1. Johann Sebastian Bach, Glenn Gould, Goldberg Variations (Sony Classical, 1981).
La musica di Bach è per me di grande ispirazione e in particolare questa opera monumentale interpretata da Gould. A volte mi capita di ascoltarne degli estratti prima dei concerti.

2. Miles Davis, Relaxin' with the Miles Davis Quintet (Prestige,1958).

ARTICLE: CD/LP/TRACK REVIEW

Sonny Clark Trio: The 1960 Sessions with George Duvivier and Max Roach

Read "The 1960 Sessions with George Duvivier and Max Roach" reviewed by Jakob Baekgaard

Jazz history tends to favor the great musical innovators whose stylistic leaps have formed the ever-changing vocabulary of jazz: the improvisational wonder of Louis Armstrong, the free flight of Charlie Parker, the chameleon-like transformations of Miles Davis, and the singular piano world of Thelonious Monk. For long a time, Monk, along with Bud Powell, has been ...

ARTICLE: INTERVIEW

Bobby Zankel: The Soul of Jazz - Past, Present, and Future Tense

Read "Bobby Zankel: The Soul of Jazz - Past, Present, and Future Tense" reviewed by Victor L. Schermer

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

[This is the first of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues," in which we will explore the current state of jazz around the world. Jazz has ...

ARTICLE: INTERVIEW

David Finck: The Bass, Scatting Offenses, and the Back Hoe

Read "David Finck: The Bass, Scatting Offenses, and the Back Hoe" reviewed by Dr. Judith Schlesinger

David Finck is not only a first-call bassist with a long resume of high-profile recordings and gigs, but he's one of the most versatile musicians on any instrument. Finck has been in the studio, touring, and/or sharing the world's greatest stages with everyone from Andre Previn to Ivan Lins, Woody Herman to Natalie Cole and Kenny ...

Caroline Davis

Read "Caroline Davis" reviewed by Vincenzo Roggero

After honing her skills on the jny: Chicago scene, Caroline Davis has rapidly established herself as an in-demand musician and educator in jny: New York, where she moved in 2013, and internationally. Her debut album, Live Work & Play, was featured on All About Jazz's best releases. The leader or co-leader of several interesting projects, ranging ...

ARTICLE: INTERVIEW

Joe La Barbera: Experiencing Bill Evans

Read "Joe La Barbera: Experiencing Bill Evans" reviewed by Victor L. Schermer

In his own unassuming way, Bill Evans changed the face of jazz piano trio forever. He made the piano a lyrical, expressive voice for the most subtle and deep emotions, and he transformed the rhythm section from a time-beating, swing-maintaining outfit into an intimate, conversational musical unit. He loved tradition. It was just his grasp of ...

Wes Montgomery with the Wynton Kelly Trio: Smokin’ in Seattle: Live at the Penthouse (1966)

Read "Smokin’ in Seattle: Live at the Penthouse (1966)" reviewed by C. Michael Bailey

In his superb contribution to Bloomsbury Press' 33 & 1/3 series, Bitches Brew (2015), George Grella notes (emphasis mine):

“No style of art can remain static: irrelevance is just as much a risk as the inevitable decadence that comes from a style developing to its last measure. But fans, including critics, of particular movements ...