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ARTICLE: INTERVIEWS

Yakhal' Inkomo: A South African Masterpiece at Fifty

Read "Yakhal' Inkomo: A South African Masterpiece at Fifty" reviewed by Seton Hawkins



On July 23, 1968, a now-legendary recording session took place in Johannesburg, South Africa, one that would ultimately prove a defining moment in the country's Jazz history and development. Led by tenor saxophonist Winston Mankunku Ngozi, a quartet that included pianist Lionel Pillay, bassist Agrippa Magwaza, and drummer Early Mabuza would record the album ...

Massimo Colombo: Powell To The People

Read "Powell To The People" reviewed by Jim Worsley

Powell To The People could certainly be heard as a tribute to jazz pianist Bud Powell. It could just as easily be heard as an introduction to the legend's iconic music. It fulfills both categories with the emotion and virtuosity Powell exuded in his playing.

Powell pioneered a new era of post swing bebop ...

Miles Davis, John Coltrane: The Final Tour: The Bootleg Series, Vol. 6

Read "The Final Tour: The Bootleg Series, Vol. 6" reviewed by Maurizio Comandini

Quante volte avete sentito qualche appassionato affermare che Kind of Blue di Miles Davis è il miglior disco da consigliare ad un amico che vuole iniziare ad ascoltare il jazz? Bene, il consiglio è certamente pertinente, anche se ci sono ovviamente altri mille dischi che possono fungere da entry point. Con questo cofanetto di quattro CD ...

Miles Davis: Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6

Read "Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6" reviewed by Doug Collette

It's a measure of Miles Davis' great respect for John Coltrane that the well-established jazz icon would ask the jazz icon in-the-making to do one more tour (of Europe) as the final component of latter's second stint in a quartet led by the man with the horn. The closure had begun with Coltrane's prior resignation, as ...

ARTICLE: BAILEY'S BUNDLES

Six on Cellar Live

Read "Six on Cellar Live" reviewed by C. Michael Bailey

Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...

George Kahn: Straight Ahead

Read "Straight Ahead" reviewed by Dan McClenaghan

Los Angeles-based pianist George Kahn likes to think of the standard piano trio format as a gateway drug into jazz. He may be right. Think of the classic trios, those of Red Garland, Nat King Cole, Bud Powell. Their sounds are addictive--and distinctively different--but they share the pared-down purity of purpose and relative simplicity of dynamic ...

Miles Davis: Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6

Read "Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6" reviewed by Mike Jurkovic

As discussed at length in the liners by Ashley Kahn, the general consensus at the time (and a theory Miles' held strongly too) was that his landmark Quintet --Miles Davis, John Coltrane, bassist Paul Chambers, drummer Jimmy Cobb and flight fingered pianist Wynton Kelly--was on its last leg, and you could cut the personal and creative ...

ARTICLE: BAILEY'S BUNDLES

Seven Women 2018 - Part I

Read "Seven Women 2018 - Part I" reviewed by C. Michael Bailey

If 2017 taught me anything, it was that my “Five Women" column would need to expand. So, this year, we will enlarge the format to “Seven Women" and be the better for it.

Anat Cohen Tentet
Happy Song
Anzic Records
2017

Anat Cohen's excellent Happy Song was released last ...

ARTICLE: CD/LP/TRACK REVIEW

Wes Montgomery: One Night in Indy

Read "One Night in Indy" reviewed by C. Michael Bailey

In the Resonance Wes Montgomery catalog, One Night in Indy: Featuring the Eddie Higgins Trio (2016) falls in between In The Beginning (Resonance, 2015) and Smokin' in Seattle: Live At the Penthouse 1966 (Resonance, 2017). It is documentation of Montgomery, appearing with the Eddie Higgins Trio at the Indianapolis Jazz Club, January 18, 1959. These performances, ...

ARTICLE: REASSESSING

Full House

Read "Full House" reviewed by C. Michael Bailey

Wes Montgomery's recording of his June 25, 1962 live performance at the Tsubo Jazz Club in Berkeley, California intersects significantly with two recent Resonance releases. One intersection involves the Wynton Kelly trio, comprised of pianist Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. It was with this same trio that Montgomery would record his essential Wynton ...