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Ron Carter

Ron Carter is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music's greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy. He later toured Europe with Cannonball Adderley. From 1963 to 1968, he was a member of the classic and acclaimed Miles Davis Quintet. He was named Outstanding Bassist of the Decade by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences. In 1993 Ron Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for Call 'Sheet Blues', an instrumental composition from the film 'Round Midnight

ARTICLE: ALBUM REVIEWS

Pat Metheny: From This Place

Read "From This Place" reviewed by Emmanuel Di Tommaso

Sono vari i motivi per i quali è difficile trattenere l'entusiasmo di fronte all'uscita di From This Place, ritorno su disco di Pat Metheny. Il piacere dell'attesa, innanzitutto: ben sei anni sono trascorsi dall'uscita del precedente album in studio Kin () (Nonesuch, 2014), un lasso di tempo che ai fans più appassionati sarà sembrato infinito, considerata ...

ARTICLE: RADIO

Sons of Miles – Shorter, Hancock, Williams (1964 - 1968)

Read "Sons of Miles – Shorter, Hancock, Williams (1964 - 1968)" reviewed by Russell Perry

During the five-year tenure of Miles Davis's Second Great Quintet (1963—1968), Wayne Shorter, Herbie Hancock and Tony Williams were very active on their own projects, many of which included Ron Carter. Several of the resulting releases are classics of the period and laid the foundation for their significant careers after the Quintet broke up in 1968. ...

ARTICLE: RADIO

Miles Davis and the Second Great Quintet (1963 - 1968)

Read "Miles Davis and the Second Great Quintet (1963 - 1968)" reviewed by Russell Perry

Miles Davis, through his adoption of modal music, participated in the gradual liberation that resulted in the free music of the jazz avant-garde--liberation from chord changes, from rhythm, from harmony, from melody, from structure. Yet, although he continued to explore broadly, he was public in his discomfort with free jazz. Despite this reluctance, the new quintet ...

ARTICLE: SOCAL JAZZ

Jimmy Haslip: Amperes Beyond the BASSics, Part 2

Read "Jimmy Haslip: Amperes Beyond the BASSics, Part 2" reviewed by Jim Worsley

In case you missed it, Part One of my conversation with Jimmy Haslip covered a lot of ground and had a few good laughs along the way. Although we talked about the Yellowjackets, we delved more deeply into why and how he parted ways with the band some eight years ago. Haslip has been producing records ...

ARTICLE: MULTIPLE REVIEWS

Vintage Dolphy

Read "Vintage Dolphy" reviewed by Duncan Heining

Vintage Dolphy appeared originally in 1986/7 on both vinyl and CD. Featuring recordings from three separate live performances from Eric Dolphy, two at Carnegie Hall, both with his own quartet and in two 'third stream' settings devised by Gunther Schuller, the album provided intriguing insights into Dolphy's improvisational skills and approach. Were this not enough, the ...

ARTICLE: ALBUM REVIEWS

Pat Metheny: From This Place

Read "From This Place" reviewed by John Kelman

It's been a full six years since Pat Metheny last released a studio recording. This, despite the guitarist who has become, in a career now in the midst of its fifth decade, one of the most famous and influential jazz guitarists of his (or, some would argue, any) generation, reportedly having enough material in the can ...

ARTICLE: THE VINYL POST

Summer Solstice

Read "Summer Solstice" reviewed by C. Andrew Hovan

Founded in 1949 by Bob Weinstock, the Prestige label was home to some of the best hard bop, swing, and blues music of the '50s and '60s. The diversity of the catalog through subsidiary labels such as Swingville and Bluesville was nothing short of extraordinary. Be it spoken word albums, Southern blues, or the folk strains ...

ARTICLE: YEAR IN REVIEW

2019: The Year in Jazz

Read "2019: The Year in Jazz" reviewed by Ken Franckling

The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...


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