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Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto

Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

ARTICLE: LIVE REVIEWS

Jazzahead! 2018

Read "Jazzahead! 2018" reviewed by Henning Bolte

Bremen Trade Fair Hall
Jazzahead!
Bremen, Germany
April 21-23, 2018

Jazzahead!, the three-day annual jazz marketplace marketplace of/for jazz in the Hanseatic city of Bremen in North-Western Germany with 3,283 participants from 61 countries stood strong and steady again this year. A total of 40 showcases over three ...

Stray: Into Darkness

Read "Into Darkness" reviewed by John Sharpe

Two old masters and two younger pretenders unite to produce Into Darkness. Saxophonist John Butcher and guitarist John Russell were both part of the so-called second generation of improvisers, following in the wake of progenitors such as Evan Parker, Derek Bailey and John Stevens. Joining them in a continuous 51-minute live performance from London's Iklektic in ...

Meet Mark Weber

Read "Meet Mark Weber" reviewed by Tessa Souter and Andrea Wolper

Tell us a bit about yourself.
I was born and raised in the Los Angeles metropolitan area and spent my first 32 years there--1953-1986. I'm at that age where friends are retiring and I'm still wondering what my job is supposed to be that I can “retire" from. I'm a career bohemian, I guess. ...

ARTICLE: MIXCLOUD

Erik Friedlander throws a glass of absinthe, and more new releases

Read "Erik Friedlander throws a glass of absinthe, and more new releases" reviewed by Ludovico Granvassu

This week Mondo Jazz chats with cellist Erik Friedlander about his latest project inspired by Pablo Picasso's bronze sculpture “Glass of Absinthe." Artemisia--a visually stunning vinyl box set containing musically stunning work--features Uri Caine on piano, Mark Helias on bass and Ches Smith on drums.

And, of course, more new releases!

Playlist ...

ARTICLE: INTERVIEWS

Leonardo Pavkovic: Nothing is Ordinary

Read "Leonardo Pavkovic: Nothing is Ordinary" reviewed by Chris M. Slawecki

More than any other person, Leonardo Pavkovic has made me write some crazy shit.

Pavkovic is the primal force behind the joyously eclectic MoonJune Records, which he established in 2001. “Established" may not be the right word: “I am truly an unusual and rules breaking call-it-record-company with a 'label' identity despite the fact that ...

Rudi Mahall / Alexander von Schlippenbach: So Far

Read "So Far" reviewed by Mark Corroto

The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay.

The two German ...

ARTICLE: UNDER THE RADAR

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann

The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

Evan Parker / Barry Guy / Paul Lytton: Music For David Mossman / Live At Vortex London

Read "Music For David Mossman / Live At Vortex London" reviewed by Mark Corroto

Spinning the latest release by the trio of Evan Parker, Barry Guy, and Paul Lytton brings to mind The Rolling Stones. Like the Stones, these musicians have been performing together since the 1960s, and seemingly every time they perform, they conjure a crossfire hurricane. This 2016 live performance at London's Club Vortex is no exception.

ARTICLE: CD/LP/TRACK REVIEW

Christoph Erb / Jim Baker / Frank Rosaly: ...don't buy him a parrot...

Read "...don't buy him a parrot..." reviewed by John Sharpe

Swiss reedman Christoph Erb has a thing about the Windy City. He first visited in 2011 and discovered fertile ground for collaborations, affirmed by the 14 Chicago-centric releases on his own Veto imprint. Among those hookups is the trio here with pianist Jim Baker and drummer Frank Rosaly, which is also responsible for Parrots Paradise (Veto ...