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Bongwool Lee: My Singing Fingers

Read "My Singing Fingers" reviewed by Paul Rauch

Much has been written about the different creative processes engaged between classical and jazz musicians, more specifically, as applied to the collective worlds of jazz and classical piano. New York based pianist Bongwool Lee has an intimate relationship with these perceived differences. Born and raised in Seoul, Korea, she was exposed by her parents to a ...

ARTICLE: INTERVIEWS

Thandi Ntuli: On Exile

Read "Thandi Ntuli: On Exile" reviewed by Seton Hawkins



South African pianist, composer, and vocalist Thandi Ntuli entered 2018 not with a bang, but with a thermonuclear blast. At the close of 2017, she had been selected as the recipient of the 2018 Standard Bank Young Artist Award in Jazz, anointing her as the latest figure in an incredible lineage of South African ...

Anansi Trio: On The Path

Read "On The Path" reviewed by Jerome Wilson

The concept of a sax-bass-drums trio is not a new one, but Washington, DC's Anansi Trio puts a new twist on the idea through Mark Merella playing what he calls a hybrid drum kit, incorporating conga drums, cymbals and parts of a trap drum set. This adds extra measures of bounce and groove to his playing ...

ARTICLE: INTERVIEWS

Yakhal' Inkomo: A South African Masterpiece at Fifty

Read "Yakhal' Inkomo: A South African Masterpiece at Fifty" reviewed by Seton Hawkins

On July 23, 1968, a now-legendary recording session took place in Johannesburg, South Africa, one that would ultimately prove a defining moment in the country's Jazz history and development. Led by tenor saxophonist Winston Mankunku Ngozi, a quartet that included pianist Lionel Pillay, bassist Agrippa Magwaza, and drummer Early Mabuza would record the album Yakhal' Inkomo. ...

Meet Davis Wilson

Read "Meet Davis Wilson" reviewed by Tessa Souter and Andrea Wolper

Jeopardy contestant, amateur pianist, dance teacher, actor, sailor, postal worker, our July Super Fan has lived all over the place and done it all. Now based in St. Paul, Minnesota, he met “zillions of artists" as keeper of the flame at the old Artists' Quarter jazz club. But he stumbled upon one of the most memorable ...

Massimo Colombo: Powell To The People

Read "Powell To The People" reviewed by Jim Worsley

Powell To The People could certainly be heard as a tribute to jazz pianist Bud Powell. It could just as easily be heard as an introduction to the legend's iconic music. It fulfills both categories with the emotion and virtuosity Powell exuded in his playing.

Powell pioneered a new era of post swing bebop ...

ARTICLE: LIVE REVIEWS

Bergamo Jazz Festival 2018

Read "Bergamo Jazz Festival 2018" reviewed by Angelo Leonardi

Bergamo Jazz Festival 2018
Varie sedi
Bergamo
18-25.3.2018

Ha festeggiato la 40ma edizione --dal 18 al 25 marzo --, uno dei più longevi festival nazionali ed europei, confermando la sua centralità con un ricco e variopinto programma che ha spaziato in vari ambiti senza cedere sul versante della qualità. In ...

ARTICLE: BAILEY'S BUNDLES

Six on Cellar Live

Read "Six on Cellar Live" reviewed by C. Michael Bailey

Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...

George Kahn: Straight Ahead

Read "Straight Ahead" reviewed by Dan McClenaghan

Los Angeles-based pianist George Kahn likes to think of the standard piano trio format as a gateway drug into jazz. He may be right. Think of the classic trios, those of Red Garland, Nat King Cole, Bud Powell. Their sounds are addictive--and distinctively different--but they share the pared-down purity of purpose and relative simplicity of dynamic ...

ARTICLE: CATCHING UP WITH

Charles McPherson: The Man and His Muse

Read "Charles McPherson: The Man and His Muse" reviewed by Joan Gannij

Acclaimed alto saxophone wizard Charles McPherson has a new muse: his 25-year-old daughter Camille, a premier dancer with the San Diego Ballet, where he also serves as composer-in-residence these days. McPherson was a young father in his twenties, with three children from a first marriage. Thirty years up the road, after marrying the lovely Lynn, a ...