All About Jazz

Home » Tag Center » Tag: Liam Noble

Content by tag "Liam Noble"

ARTICLE: ALBUM REVIEWS

Liam Noble: The Long Game

Read "The Long Game" reviewed by Roger Farbey

For a quarter of a century, Liam Noble has been an essential participant in the British jazz scene. Educated in music at Oxford University and jazz at London's Guildhall School of Music and Drama, Noble released his first solo album Close Your Eyes (FMR Records) in 1994. Since then he's played in bands led by Stan ...

ARTICLE: LIVE REVIEWS

Bristol International Jazz and Blues Festival 2019

Read "Bristol International Jazz and Blues Festival 2019" reviewed by Mike Collins

Bristol International Jazz and Blues Festival
Bristol, UK
March 22-24, 2019

Pee Wee Ellis is an alternative spelling of 'funk' for many people, but on the last night of Bristol International Jazz and Blues Festival, we got a reminder of his roots deep in jazz. In the full to capacity St. George's ...

ARTICLE: PROFILES

Mônica Vasconcelos: Brazil Songs of Resistance

Read "Mônica Vasconcelos: Brazil Songs of Resistance" reviewed by Duncan Heining

A tanned, beautiful young woman in a skimpy bikini walks through the lapping sea waters on the edge of a sun-soaked beach. Soft music plays, its shifting beat following her footsteps. It's a cliché, of course, but a powerful one when it comes to thoughts (male, mainly) of Brazil and its music.

UK-based Brazilian ...

ARTICLE: ALBUM REVIEWS

Liam Noble: A Room Somewhere

Read "A Room Somewhere" reviewed by Bruce Lindsay

A Room Somewhere is Liam Noble's second solo album: a mix of standards and improvised pieces that showcases this fine pianist's talents to excellent effect.

Occasionally, critics refer to second albums as “difficult." The assumption is that the first album draws inspiration from 20 years of the artist's life, the second draws on one ...

ARTICLE: ALBUM REVIEWS

Ingrid Laubrock Octet: Zurich Concert

Read "Zurich Concert" reviewed by John Sharpe

Even though numbering just eight strong, Ingrid Laubrock makes such skillful use of the talented cast at her disposal on Zurich Concert that the band delivers an almost orchestral experience. She achieves that through the deployment of three chordal instruments in Mary Halvorson's guitar, Liam Noble's piano and Ted Reichman's accordion. Not that you would characterize ...

ARTICLE: LIVE REVIEWS

Live From Old York: Mark Lockheart, King Courgette, La Mer Trio & YO1 Festival

Read "Live From Old York: Mark Lockheart, King Courgette, La Mer Trio & YO1 Festival" reviewed by Martin Longley

Mark Lockheart's Ellington In Anticipation
The National Centre For Early Music
April 25, 2014

The music of Duke Ellington might represent an oft-traversed path across the jazz firmament, but the English saxophonist and composer Mark Lockheart can justify such persistent attentions. During the last decade, this tenor man has ...

ARTICLE: ALBUM REVIEWS

Musson - Noble - Sanders: Tatterdemalion

Read "Tatterdemalion" reviewed by Glenn Astarita

Tatterdemalion: the album title refers to someone who wears tattered clothing, a simile that may parallel the unadorned and rather raucous proceedings enacted by this trio's thoroughly “free" approach to jazz improvisation. You won't find pieces that intimate a sea of tranquility. It's more about an in-your-face type workout featuring saxophonist Rachel Musson's hardcore expressionism. However, ...

Babel Label: More Songs from the Tower of Sound

Read "Babel Label: More Songs from the Tower of Sound" reviewed by Jakob Baekgaard

In a time of financial crisis in the world in general and in the music business in particular, the natural thing to do would be to cut down the number of releases and concentrate on safe and palatable productions that cater to a major audience with a predefined taste. However, Oliver Weindling's Babel Label has always ...

ARTICLE: ALBUM REVIEWS

Mark Lockheart: Ellington in Anticipation

Read "Ellington  in Anticipation" reviewed by John Kelman

Ellington in Anticipation isn't Mark Lockheart's first album to employ an expanded lineup; the Polar Bear/Blue Touch Paper saxophonist collaborated with Germany's WDR Big Band on 2010's Days Like These (Fuzzy Moon) and first cut his teeth in Loose Tubes, the now-legendary large UK collective of then-up-and-comers that included pianist Django Bates, saxophonist Iain Ballamy and ...

ARTICLE: RECORD LABEL PROFILES

Babel Label: New Songs from the Tower of Sound

Read "Babel Label: New Songs from the Tower of Sound" reviewed by Jakob Baekgaard

During the last decade, British jazz has been booming and London has become, once again, one of the jazz capitals of the world. To get a feel of what's happening, the place for live music is no longer Ronnie Scott's Jazz Club, but a place called The Vortex, directed by Oliver Weindling. Weindling is also the ...