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Ganelin Trio

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Article: Interview

Simona Smirnova: Cultivating Timelessness

Read "Simona Smirnova: Cultivating Timelessness" reviewed by Matthew Vasiliauskas


Earl Hines once said, “I always thought jazz was like the trunk of a tree. After the tree has grown, many branches have spread out. They're all with different leaves and they all look beautiful. But at the end of the season, they fold back up and it's still the tree trunk." For the ...

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Article: Album Review

Jon Raskin: Goodheart Raskin Tarasov Trio

Read "Goodheart Raskin Tarasov Trio" reviewed by Hrayr Attarian


Saxophonist Jon Raskin thrives in collaborative settings. An intrepid improviser and originalist, Raskin is perhaps best known for his association with the innovative Rova Saxophone Quartet. He has, however, made several albums with other equally adventurous musicians. The 2021 Goodheart Raskin Tarasov Trio finds him in good company with pianist and sound artist Matthew Goodheart and ...

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Article: Album Review

Juozas Milašius / Tomas Kutavičius / Dalius Naujokaitis and Lithuanian Young Composers Orchestra: Live at Willisau, 1993

Read "Live at Willisau, 1993" reviewed by Vitalijus Gailius


Juozas Milašius, Dalius Naujokaitis-Naujo and Tomas Kutavičius were the most provocative figures on the Lithuanian scene in the 1990s. Playing bebop or following the Ganelin Trio tradition was not the their thing back then (and it is not in 2021 either). They played passionately and intensely and beyond genre boundaries. Stories about destroyed pianos and audiences ...

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Article: Album Review

Jones Jones: A Jones In Time Saves Nine

Read "A Jones In Time Saves Nine" reviewed by John Sharpe


Over a decade in existence and the free jazz trio Jones Jones has just dropped its third album. That's not exactly prolific, but may well be an accurate reflection of the challenge implicit in bringing together colleagues separated by the 5795 miles between reedman Larry Ochs and bassist Mark Dresser in California, and percussionist Vladimir Tarasov ...

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Article: Live Review

Vilnius Mama Jazz Festival 2017

Read "Vilnius Mama Jazz  Festival 2017" reviewed by John Sharpe


Vilnius Mama Jazz Festival Vilnius, Lithuania November 15-19, 2017 Introduction Although a going concern since 2002, Vilnius Mama Jazz Festival doesn't possess the high profile internationally that its longevity might suggest. Set amid the baroque beauty of the Lithuanian capital, in an assortment of venues, the festival has brought together ...

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Article: Album Review

Glasgow Improvisers Orchestra: GIO Sevens

Read "GIO Sevens" reviewed by Duncan Heining


Back in the 60s, there was a pop show on British TV called Thank Your Lucky Stars. It featured a “spin-a-disc" segment, where a DJ and three teenagers scored a clutch of 45s on a scale of one to five. One of these was a girl from the West Midlands called Janice Nicholls, who delighted audiences ...

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Article: Profile

The Ganelin Trio: Creative Tensions

Read "The Ganelin Trio: Creative Tensions" reviewed by Duncan Heining


Imagine a time, not so very long ago, when a foreign Jazz/Improvising Trio created such a stir in Britain that they made the TV news! Imagine the national newspapers queuing round the block for interviews. And imagine London's Bloomsbury Theatre filled with musicians, journalists and arts administrators--not to mention the odd, very odd, raincoated spook.

Article: Album Review

Slava Ganelin, Alexey Kruglov, Oleg Yudanov: Us

Read "Us" reviewed by Alberto Bazzurro


Con lo stesso titolo di uno dei più celebrati album di Peter Gabriel, torna un artista nel suo orticello altrettanto leggendario, quello Slava (al secolo Vyacheslav) Ganelin che a cavallo fra anni Settanta e Ottanta alla testa del ben noto Ganelin Trio fece alzare le orecchie a parecchi a proposito di quanto il nuovo jazz era ...

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Article: Building a Jazz Library

Jazz From Around the World: Europe

Read "Jazz From Around the World: Europe" reviewed by Hrayr Attarian


Jazz has had a universal appeal since its inception. As soon as the music left its cradle of jny: New Orleans in the early years of the 20th century it quickly spread to all corners of the world. Europeans were among the first non-Americans to embrace the music and place their unique twist on it. Below ...


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