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ARTICLE: CD/LP/TRACK REVIEW

Orrin Evans: Presence

Read "Presence" reviewed by Mike Jurkovic

You have to wonder how many outlets a restless creative like hard bopping pianist Orrin Evans needs to fully express himself. Twenty-five or so albums into a legacy that finds him as the newest member of The Bad Plus after years of riffing and ripping it up with The Mingus Big Band, experimenting with soul/jazz Luv ...

ARTICLE: LIVE REVIEWS

Ai Confini tra Sardegna e Jazz - XXXIII Edizione

Read "Ai Confini tra Sardegna e Jazz - XXXIII Edizione" reviewed by Paolo Peviani

Ai Confini tra Sardegna e Jazz Sant'Anna Arresi 1-9.9.2018

Mettendo insieme una buona dose di ironia e di amara verità, il direttore artistico del festival Ai Confini tra Sardegna e Jazz, Basilio Sulis, ama definire Sant'Anna Arresi come Periferia dell'Impero. Da trentatré anni, tuttavia, nella prima settimana di settembre questo lembo di Sardegna ...

ARTICLE: THE JAZZ LIFE

Growing Older Jazzfully

Read "Growing Older Jazzfully" reviewed by Peter Rubie

So there I was the other day, taking a yoga lesson, trying to loosen my aching muscles. I'm at that age where it aches if I do exercise, and I stiffen if I don't. The instructor was a young woman with the flexibility of a baby who can suck her own toes. She asked us to ...

Troy Roberts: Nu-Jive Perspective

Read "Nu-Jive Perspective" reviewed by Mike Jurkovic

Though still a pup age-wise, Australian-born saxophonist Troy Roberts has two Grammy nominations under his belt and has shared the stage and studio with luminaries that have defined the musical spectrum, including Aretha Franklin, Van Morrison, Joey DeFrancesco, Christian McBride, Orrin Evans, and Dee Dee Bridgewater. Nu-Jive Perspective, his eighth disc as leader and third with ...

Origin Records: Creating Opportunities and Community

Read "Origin Records: Creating Opportunities and Community" reviewed by Jakob Baekgaard

Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on “labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...

ARTICLE: LIVE REVIEWS

Jazzkaar 2018

Read "Jazzkaar 2018" reviewed by Martin Longley

Jazzkaar 2018
Tallinn, Estonia
April 20-29, 2018

In the year of Estonia's celebrations, having attained a full century as a Republic, its Jazzkaar festival continues to be amongst the very best of the European range. Held annually in Tallinn, and primarily centred around the Telliskivi Creative City, the festival continued ...

Bongwool Lee: My Singing Fingers

Read "My Singing Fingers" reviewed by Paul Rauch

Much has been written about the different creative processes engaged between classical and jazz musicians, more specifically, as applied to the collective worlds of jazz and classical piano. New York based pianist Bongwool Lee has an intimate relationship with these perceived differences. Born and raised in Seoul, Korea, she was exposed by her parents to a ...

A Six-String Travelogue

Read "A Six-String Travelogue" reviewed by Geno Thackara

Leni Stern
3
Leni Stern Recordings
2018

If it's an exaggeration to say that Leni Stern's gone native after her life-shaping time in Senegal, it's probably not by much. 3 isn't the result of merely studying and and learning a few new forms, but an unrestrained immersion in the life and ...

Stafford Hunter: Continuum

Read "Continuum" reviewed by Paul Rauch

Stafford Hunter is known as a trombonist who grew out of the modern paradigm set by Steve Turre. He also shares a unique quality with Turre, in that he is an expert player of conch shells in the jazz idiom, joining him in the ensemble, Steve Turre and Sanctified Shells.

While this tie with ...

Josh Lawrence: Contrast

Read "Contrast" reviewed by Thad Aerts

On Contrast, Josh Lawrence and Color Theory's second recording for Posi-Tone, the group executes a classic framework held together with tight chemistry. Lawrence may be the leader, but the gist of the end product is a very democratic arrangement where no one musician or group of musicians takes precedence. Each shine at various times throughout Contrast. ...