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Content by tag "Herbie Nichols"

ARTICLE: MULTIPLE REVIEWS

Duck Baker, un chitarrista tra passato e presente

Read "Duck Baker, un chitarrista tra passato e presente" reviewed by Mario Calvitti

Duck Baker è un chitarrista abbastanza difficile da inquadrare; mentre la tecnica che usa è rigorosamente fingerstyle, la musica che compone e interpreta spazia lungo tutta la storia del jazz, dai vecchi standard al modale, dal blues al bebop, dallo swing al free. I suoi interessi si estendono inoltre a tutta la American Music, che interpreta ...

Meet Jacob Cartwright

Read "Meet Jacob Cartwright" reviewed by Tessa Souter and Andrea Wolper

Our August Super Fan is a visual artist with a special affinity for improvisational music, which has spilled over into his jazz-themed painting series. In jazz, as in art, Jacob Cartwright values the past while embracing the forward momentum of the new. Plus he's really “down with the jazz cats"--read on to see what we mean! ...

ARTICLE: INTERVIEWS

Pasquale Mirra: la rinascita del vibrafono

Read "Pasquale Mirra: la rinascita del vibrafono" reviewed by Libero Farnè

Dopo un paio di decenni di ricerca, di importanti collaborazioni e incisioni che lo hanno portato anche all'estero, il vibrafonista Pasquale Mirra sembra aver raggiunto la piena maturità espressiva ed anche il meritato riconoscimento. Questa estate è presente in un gran numero di festival italiani: dopo essersi esibito a Umbria Jazz in duo con Gianluca Petrella, ...

McClenty Hunter: The Groove Hunter

Read "The Groove Hunter" reviewed by C. Andrew Hovan



Drummer-led recordings are a rare item in most genres, yet there have been many memorable ones over the years. And what comes as a surprise to the uninitiated is how musically rewarding these efforts can be. Fact is that the best drummers are not only masters of manipulating rhythms, but are also highly skilled ...

Thumbscrew: Theirs

Read "Theirs" reviewed by Mark Corroto

The trio Thumbscrew is releasing simultaneously two recordings from a single session, Theirs and Ours. The first is an album of cover songs and the latter originals by the band. While these reductionist tags might describe the music in its fundamental aspects, these two recordings are the product of one intricate process and trio language.

Thumbscrew: Theirs

Read "Theirs" reviewed by Karl Ackermann

It has been four years since Thumbscrew, the trio of guitarist Mary Halvorson, bassist Michael Formanek and drummer Tomas Fujiwara, released their self-titled debut (Cuneiform Records, 2014). The trio is simultaneously releasing two albums--their third and fourth--Ours and Theirs on the same label. As the titles indicate, one album consists of original compositions and the other, ...

ARTICLE: LIVE REVIEWS

JazzNorway in a Nutshell 2018

Read "JazzNorway in a Nutshell 2018" reviewed by Jakob Baekgaard

JazzNorway in a Nutshell
Bergen, Norway
May 23-27, 2018

If anyone should be in doubt, Norwegian jazz is thriving. Through many years, the musicians in Norway have continued to refine what might be called a particularly Norwegian approach to the jazz tradition. It is not about repeating any preconceived ideas ...

McClenty Hunter Jr.: The Groove Hunter

Read "The Groove Hunter" reviewed by Dan Bilawsky

Drummer McClenty Hunter Jr. has left an indelible mark on the scene in the years since his move from the Washington D.C. area to the New York proving grounds. Whether taking to the studio with Jim Snidero, tearing it up on stage with icons like Curtis Fuller and Lou Donaldson, or holding down the fort during ...

Martin Blume / Tobias Delius / Achim Kaufmann / Dieter Manderscheid: Frames & Terrains

Read "Frames & Terrains" reviewed by John Sharpe

Previous collaborations between British-born (though to an Argentinean father and a German mother) reedman Tobias Delius and German pianist Achim Kaufmann include appearances in drummer Christian Lillinger's Grund and in the European version of NYC singer Fay Victor's Herbie Nichols project, so their pairing as part of a co-operative quartet on Frames & Terrains is not ...

Rudi Mahall / Alexander von Schlippenbach: So Far

Read "So Far" reviewed by Mark Corroto

The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay.

The two German ...