Home » Search Center » Results: Charlie Mariano

Results for "Charlie Mariano"

Advanced search options

Results for pages tagged "Charlie Mariano"...

Musician

Charlie Mariano

Born:

Charlie Mariano is an American jazz alto saxophonist. He played with one of the Stan Kenton big bands, Toshiko Akiyoshi (his then wife), Charles Mingus, Eberhard Weber, the United Jazz and Rock Ensemble and numerous other notable musicians. His career can easliy be divided into two. Early on he was a fixture in Boston, playing with Shorty Sherock (1948), Nat Pierce (1949-50) and his own groups. After gigging with a band co-led by Chubby Jackson and Bill Harris, Mariano toured with Stan Kenton's Orchestra (1953-55) which gave him a strong reputation. He moved to Los Angeles in 1956 (working with Shelly Manne and other West Coast jazz stars), returned to Boston to teach in 1958 at Berklee and the following year had a return stint with Kenton. After marrying Toshiko Akiyoshi, Mariano co-led a group with the pianist on and off up to 1967, living in Japan during part of the time and also working with Charles Mingus (1962-63). The second career began with the formation of his early fusion group Osmosis in 1967. Known at the time as a strong bop altoist with a sound of his own developed out of the Charlie Parker style, Mariano began to open his music up to the influences of folk music from other cultures, pop and rock. He taught again at Berklee, traveled to India and the Far East and in the early '70s settled in Europe. Among the groups Mariano has worked with have been Pork Pie (which also featured Philip Catherine), the United Jazz and Rock Ensemble and Eberhard Weber's Colours. Charlie Mariano's airy tones on soprano and the nagaswaram (an Indian instrument a little like an oboe) fit right in on some new agey ECM sessions and he also recorded as a leader through the years for Imperial, Prestige, Bethlehem, World Pacific, Candid (with Toshiko Akiyoshi in 1960), Regina, Atlantic, Catalyst, MPS, CMP, Leo and Calig among others.

8

Article: Album Review

Shelly Manne & His Men: Jazz From The Pacific Northwest

Read "Jazz From The Pacific Northwest" reviewed by Pierre Giroux


Shelly Manne & His Men are presented in two iterations in never-before-released live recordings from the 1958 Monterey Jazz Festival and from a 1966 date at The Penthouse in Seattle entitled Jazz From The Pacific Northwest. In this deluxe limited edition 180-gram 2LP set, co-produced for release by the estimable Zev Feldman and Cory Weeds, the ...

Album

Salute!

Label: Sounds of Yesteryear
Released: 2023
Track listing: My Funny Valentine; The Opener; Sam Meets the Mambo; Take the “A” Train; When Your Lover Has Gone; Nightingale; The Wind; Jersey Bounce; Captain Obu; Prelude to a Kiss; Tico Tico; A Lot of Livin’ to Do; Tuxedo Junction; Beeline East; The Shadow of Your Smile; Just Bones; Street of Dreams.

35

Article: 72 Jazz Thrillers

The Most Exciting Jazz Albums Since 1969: 1983-1994

Read "The Most Exciting Jazz Albums Since 1969: 1983-1994" reviewed by Robert Middleton


In the first installment of Jazz Thrillers, I reviewed six albums from 1969 to 1983, one of which, Bitches Brew, has been thrilling millions for more than a half century. This week, I'll showcase six more jazz thrillers recorded between 1983 to 1994. One thing about this collection, spanning eleven years, is its amazing diversity of ...

2

Article: Radio & Podcasts

Matt Mitchell, Anti-Rubber Brain Factory & Nite Bjuti

Read "Matt Mitchell, Anti-Rubber Brain Factory & Nite Bjuti" reviewed by Maurice Hogue


Not much to say about Matt Mitchell, a true force in creative music. He continues to astound. He's returned to two earlier albums with different drummers on Oblong Aplomb, out on Out Of Your Head Records. It's a double, with Mitchell and Kate Gentile on one and Ches Smith on the second. French ensemble, Anti-Rubber Brain ...

35

Article: Album Review

Stan Kenton: Salute!

Read "Salute!" reviewed by Jack Bowers


Stan Kenton, one of the most renowned and influential bandleaders of the twentieth century, died on August 25, 1979. Fortunately—for the sake of history in general and creative music in particular—Kenton's remarkable legacy lives on, and in a perceptive and open-minded world would endure forever. Even to this day, small but devoted groups of enthusiasts share ...

232

Article: Interview

Joe Lovano: Cleveland's Ultimate Jazz Titan

Read "Joe Lovano: Cleveland's Ultimate Jazz Titan" reviewed by Matthew Alec


Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo ...

14

Article: Book Review

The Sam Rivers Sessionography: A Work in Progress

Read "The Sam Rivers Sessionography: A Work in Progress" reviewed by Mike Chamberlain


The Sam Rivers Sessionography: A Work in Progress Rick Lopez 768 Pages ISBN: # 9 780578 948713 The Vortex2022 Twenty-five years in the making, Rick Lopez's 768-page opus The Sam Rivers Sessionography: A Work in Progress is a dizzying, stunning achievement of research and scholarship that stands as a ...

10

Article: Take Five With...

Take Five with Monday Michiru

Read "Take Five with Monday Michiru" reviewed by AAJ Staff


Meet Monday Michiru Since her solo album debut in 1991, songstress-flutist Monday Michiru has released albums on an annual basis both as a soloist and collaborator. Known as one of the pioneers of the Japanese acid jazz movement and boasting countless dance floor and radio hits worldwide, Monday's compositional style and repertoire has evolved to that ...

2

News: Recording

Songstress Monday Michiru's Acoustic Passion Project 'Enso' Album Release

Songstress Monday Michiru's Acoustic Passion Project 'Enso' Album Release

Japanese-American songstress/flutist/producer Monday Michiru entitled the album ENSO to have two meanings: 円相 = a calligraphy illustration of a circle depicting the Zen Buddhist concept of an expression of the moment as well as the cycle of life. The other meaning 演奏 = means performance. “I wanted to revisit my roots which started in classical music ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Musicians Performance Trust Fund
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.