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ARTICLE: RADIO

Randy Weston Tribute & New Releases

Read "Randy Weston Tribute & New Releases" reviewed by Ludovico Granvassu

Another master has left us. Randy Weston passed away on Sept. 1st at the venerable age of 92. This week we celebrate the music of an artist that consciously built a bridge between jazz and African musical traditions and, in doing so, strongly contributed to the awareness of the African roots of jazz music.

ARTICLE: LIVE REVIEWS

Oslo Jazz Festival 2018

Read "Oslo Jazz Festival 2018" reviewed by John Sharpe

Oslo Jazz Festival
Oslo, Norway
August 15-17, 2018

Introduction The Norwegian capital Oslo bills itself as a festival city and, with around a thousand concerts each year, claims that it has the most concerts per inhabitant of any city in Europe. Included among those are the 70 plus events which made ...

ARTICLE: BAILEY'S BUNDLES

Seven Women (Plus Three) 2018 – Part VIII

Read "Seven Women (Plus Three) 2018 – Part VIII" reviewed by C. Michael Bailey

Cheryl Bentyne (and Mark Winkler)
Eastern Standard Time
Café Pacific Records

ARTICLE: RADIO

Wind, Frost & Radiation with Kari Ikonen

Read "Wind, Frost & Radiation with Kari Ikonen" reviewed by Nick Davies

This show features an interview with pianist Kari Ikonen where we discuss the strength and depth of the Finnish jazz scene as well as his recent trio's album Wind, Frost & Radiation, which is out on Ozella Music. The playlist also include lots of great new music from artists like Fred Hersch and Jessica Lauren.

ARTICLE: JAZZ JOURNAL

Summer 2018

Read "Summer 2018" reviewed by Doug Collette

Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar.

Fred Hersch Trio
Heartsong
Sunnyside Records
2018

The longer Fred Hersch plays, the ...

ARTICLE: INTERVIEWS

Nicky Schrire: Permission to Be Yourself

Read "Nicky Schrire: Permission to Be Yourself" reviewed by Seton Hawkins



To follow the recordings of Cape Town-based vocalist and composer Nicky Schrire is to watch an artist evolve right in front of your eyes. With her 2012 debut Freedom Flight, Schrire demonstrated a supple soprano vocal technique and a knack for intelligent arrangements of unusual repertoire choices. Following it up the next year with ...

Thelonious Monk Inside Out: A Fresh Perspective On His Music

Read "Thelonious Monk Inside Out: A Fresh Perspective On His Music" reviewed by Victor L. Schermer

Over the years, Thelonious Monk has resided in our collective minds and hearts like the extra-terrestrial “E.T." or Holden Caulfield from Catcher in the Rye, or some such alien figure whom we don't fully understand yet love and enjoy. His music shocks and disturbs us, yet we take great pleasure in it like a jolting ride ...

Anat Cohen - Fred Hersch: Live In Healdsburg

Read "Live In Healdsburg" reviewed by Doug Collette

Equally distinctive as they are, the respective instrumental styles of pianist Fred Hersch and clarinetist Anat Cohen are almost mirror images of each other. That is, the former is generally a formal, dignified presence on his instrument, yet he has a readily discernible playful side that comes out at regular intervals. The latter, on the other ...

ARTICLE: INTERVIEWS

Anat Cohen: Musical Zelig

Read "Anat Cohen: Musical Zelig" reviewed by R.J. DeLuke

In the 1983 Woody Allen film Zelig, the pseudo-documentary's main character is a man who, out of a desire to fit in, takes on the characteristics of the people he happens to be around, including, in chameleon-like fashion, turning up as a black jazz musician in jny: Chicago. (The character, played by Allen, is white).

Fred Hersch: Fred Hersch Trio: Live in Europe

Read "Fred Hersch Trio: Live in Europe" reviewed by Jerome Wilson

For the past few years, pianist Fred Hersch has been releasing CDs with a regularity that would make them feel routine if the music wasn't always so good. This new one is another live effort featuring his long standing trio with John Hebert and Eric McPherson, this time recorded in Brussels. As usual, it's excellent.