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ARTICLE: PROFILES

A Vintage Year For Jessica Felix And The Healdsburg Jazz Festival

Read "A Vintage Year For Jessica Felix And The Healdsburg Jazz Festival" reviewed by Arthur R George

It's a 20th anniversary vintage year for the Healdsburg Jazz Festival, pouring over the first ten days of this coming June, in the Sonoma County “wine country" 70 miles north of jny:San Francisco. That there is a festival at all is due to the tenacity of its artistic director Jessica Felix, who planted jazz in Healdsburg ...

ARTICLE: BAILEY'S BUNDLES

Seven Women 2018 – Part IV

Read "Seven Women 2018 – Part IV" reviewed by C. Michael Bailey

Proceeding unabated is women's conquering of jazz...

As Is: Alan & Stacey Schulman
Here's to Life
Self Produced
2017

This husband-and-wife, full-ensemble recording, Here's to Life, is the sophomore effort following Alan and Stacey Schulman's duet debut, A Love Like Ours (Night, Night The Elephant Productions, 2015). The ...

ARTICLE: INTERVIEWS

A dialogo con Giancarlo Mazzù e Luciano Troja

Read "A dialogo con Giancarlo Mazzù e Luciano Troja" reviewed by Neri Pollastri

Il chitarrista calabrese Giancarlo Mazzù e il pianista siciliano Luciano Troja formano ormai da molti anni una coppia artistica molto affiatata. Messisi in luce nell'interessante quartetto Mahanada, che realizzò tre album tra il 2004 e il 2008 (leggi la recensione di Mahanatta), i due hanno poi consolidato la loro intesa artistica pubblicando i due volumi di ...

ARTICLE: MULTIPLE REVIEWS

The Art of the Duo: Keys and Reeds

Read "The Art of the Duo: Keys and Reeds" reviewed by Geno Thackara

Two duos, both alike in dignity, though taking the approach to very different ends:

Anat Cohen and Fred Hersch
Live in Healdsburg
Anzic Records
2018

What's taken these two so long? Okay, of course they've both juggled collaborations and cross-pollinations in many different contexts, and considering the nature ...

NEWS: AWARD / GRANT

60th GRAMMY Awards: Jazz Winners

60th GRAMMY Awards: Jazz Winners

And the winners of the 2018 GRAMMY Awards are... 31. Best Improvised Jazz Solo (For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.) "Can't Remember Why" ...

ARTICLE: BEST OF / YEAR END

Matt Hooke's Best Releases of 2017

Read "Matt Hooke's Best Releases of 2017" reviewed by Matt Hooke

2017 marked the first year that I wrote for All About Jazz, and I got to experience some phenomenal music. It was a diverse year in jazz, international artists like Tony Allen and Seckou Keita brought unique perspectives to jazz. Other artists like Chris Thile, Brad Mehldau, and Dayme Arocena, released some of their best work ...

ARTICLE: INTERVIEWS

Fred Hersch: Life, Music, and the Creative Process

Read "Fred Hersch: Life, Music, and the Creative Process" reviewed by Victor L. Schermer

Since his arrival on the jazz scene in the 1970s, pianist Fred Hersch has developed from a sought after sideman to a multi-Grammy nominated jazz icon, creative force, and significant composer of songs, jazz standards, and original complete works, the latter including Leaves of Grass (Palmetto, 2005), based upon the poetry of Walt Whitman. As one ...

ARTICLE: BEST OF / YEAR END

Dan Bilawsky's Best Releases Of 2017

Read "Dan Bilawsky's Best Releases Of 2017" reviewed by Dan Bilawsky

Few things are a given, yet we can always count on a flood of new music making its way into the world over the course of a year. In 2017 some of the best jazz found its path by looking forward, doubling back, and/or branching out. In short, this music and the dedicated artists who make ...

NEWS: AWARD / GRANT

60th GRAMMY Awards: Jazz List

60th GRAMMY Awards: Jazz List

31. Best Improvised Jazz Solo (For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.) "Can't Remember Why" by Sara Caswell
Track ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York" reviewed by Karl Ackermann

Jazz didn't abandon jny: Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York ...