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NEWS: EDUCATION

Storytellers Workshop NYC Presented By Songstress Monday Michiru And FoSn, A Series Of Lyric Writing Seminars In NYC

Storytellers Workshop NYC Presented By Songstress Monday Michiru And FoSn, A Series Of Lyric Writing Seminars In NYC

Songstress Monday Michiru and FoSn presents “Storytellers Workshop NYC,” a series of lyric writing seminars in the Big Apple, kicking off their fall session with four weekly classes (November 4th, 12th, 18th and 25th, 7:00-9:00 p.m.), and ending with a student showcase “Lyricists Lounge” at Club Bonafide on December 8th (3:00 p.m.). About Monday Michiru Born ...

ARTICLE: LIVE REVIEWS

Marcus Roberts And The Modern Jazz Generation At The Kimmel Center

Read "Marcus Roberts And The Modern Jazz Generation At The Kimmel Center" reviewed by Victor L. Schermer

Marcus Roberts and the Modern Jazz Generation Kimmel Center for the Performing Arts Perelman Theater Philadelphia, PA October 11, 2019 Marcus Roberts is one of the great jazz pianists of his generation, coming up in the 1980s in Wynton Marsalis' band and since then more ...

ARTICLE: LIVE REVIEWS

New York Japanese Jazz Festival 2019

Read "New York Japanese Jazz Festival 2019" reviewed by Peter Jurew

New York Japanese Jazz Festival Smoke Jazz & Supper Club New York, NY June 25-27, 2019 The Japanese people's love for jazz, rock, blues and other forms of music with African-American roots has been well established for decades. Working bands and musicians at all levels of fame regularly make the Land ...

ARTICLE: INTERVIEWS

Rick Lawn: The Evolution of Big Band Sounds in America

Read "Rick Lawn: The Evolution of Big Band Sounds in America" reviewed by Victor L. Schermer

From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...

I nuovi progetti di Miho Hazama

Read "I nuovi progetti di Miho Hazama" reviewed by Angelo Leonardi

È da mezzo secolo, ovvero dai tempi Toshiko Akiyoshi, che dal Giappone non emergeva una bandleader così talentuosa. A soli 33 anni Miho brucia letteralmente le tappe: presenta il terzo disco a capo del suo collettivo M_Unit Dancer in Nowhere e, quasi in contemporanea e sempre per la Sunnyside Records, la sua personale rilettura dei classici ...

ARTICLE: YEAR IN REVIEW

2018: The Year in Jazz

Read "2018: The Year in Jazz" reviewed by Ken Franckling

The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...

ARTICLE: UNDER THE RADAR

Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously

Read "Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously" reviewed by Karl Ackermann

In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...

ARTICLE: UNDER THE RADAR

Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection

Read "Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection" reviewed by Karl Ackermann

Part 1 | Part 2 In Part 1 of Big in Japan we looked at the early history of jazz music in that country--a history that dates back to the same time frame as the Jazz Age in the United States. The influence of American dance music was indisputable but it came to Japan ...

ARTICLE: UNDER THE RADAR

Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1

Read "Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1" reviewed by Karl Ackermann

Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...

Jon Irabagon Quartet with Tim Hagans: Dr. Quixotic's Traveling Exotics

Read "Dr. Quixotic's Traveling Exotics" reviewed by Karl Ackermann

Tenor saxophonist Jon Irabagon is best known for his long tenure with Mostly Other People Do the Killing (MOPDtK), beginning with This Is Our Moosic (Hot Cup Records, 2008) and through the majority of that group's releases up to 2017's Loafer's Hollow. But along the way to Dr. Quixotic's Traveling Exotics, he has accumulated an eclectic ...


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