ADVERTISE WITH US

Content by tag "McCoy Tyner"

ARTICLE: CD/LP/TRACK REVIEW

Glenn Kostur: The Way of It

Read "The Way of It" reviewed by Jack Bowers

Glenn Kostur, a woodwind specialist who can play anything from piccolo to bass saxophone, limits himself to tenor and baritone on The Way of It, a genial session recorded in June 2017 in Greeley, CO, on which Kostur enlists faculty members from the University of Northern Colorado as his back-up team.

Kostur, who ...

ARTICLE: INTERVIEW

Pat Metheny: Driving Forces

Read "Pat Metheny: Driving Forces" reviewed by Ian Patterson

It's been five years since Pat Metheny was last interviewed by All About Jazz, a not inconsiderable period of time in any working musician's life and particularly in one quite as prolific as the Missouri guitarist/composer. At the time, Metheny was promoting his Unity Band featuring Chris Potter, Ben Williams and Antonio Sánchez. His unconcealed enthusiasm ...

ARTICLE: CD/LP/TRACK REVIEW

Mostly Other People Do The Killing: Paint

Read "Paint" reviewed by Jerome Wilson

Mostly Other People Do The Killing have released their second CD of 2017 and, in keeping with the group's unpredictability, it's a bit of a curve ball. Whereas on previous releases they've ranged in size from a quartet to a septet, this time they've cut themselves down to a simple piano trio. Other than that, it's ...

ARTICLE: SOCAL JAZZ

Ron Carter: A Clew of Worms

Read "Ron Carter: A Clew of Worms" reviewed by Jim Worsley

So the saying goes, the early bird gets the worm. Occasionally, if one is so fortunate, you can get a whole lot more.

From the beginning just knowing that I was going to have the opportunity to see and hear Ron Carter play was about seeing a legend. Of course you hope to hear some ...

ARTICLE: PROFILES

Denys Baptiste: Making the Late Trane Accessible

Read "Denys Baptiste: Making the Late Trane Accessible" reviewed by David Burke

Even the most avowed John Coltrane disciples among us would admit to grappling with some of the albums he released in the couple of years before his death--the likes of Ascension, Sun Ship and Om. And we weren't alone. His long-time drummer, Elvin Jones, told Downbeat magazine, “At times I couldn't hear what I was doing--matter ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago" reviewed by Karl Ackermann

Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...

ARTICLE: JAZZ GOES TO COLLEGE

University of the Arts “Z” Big Band: Jumpin’ at the Monterey Jazz Festival

Read "University of the Arts “Z” Big Band: Jumpin’ at the Monterey Jazz Festival" reviewed by Victor L. Schermer

Umiversity of the Arts “Z" Big Band
Monterey Jazz Festival
Monterey, CA
September 17, 2017

[This article is a follow-up to the review of the “Z" Band Reception and Kickoff Concert in Philadelphia on September 7. If you want to know a little more about the band, ...

ARTICLE: CD/LP/TRACK REVIEW

Christian McBride Big Band: Bringin' It

Read "Bringin' It" reviewed by Dan Bilawsky

Where and how does Christian McBride find the time to do what he does? His plate is full about nine times over, what with his work as bassist, composer, bandleader, educator, jazz advocate, public speaker, radio personality, DJ, and Artistic Director for the Newport Jazz Festival. It's no wonder that it took him six years to ...

ARTICLE: CD/LP/TRACK REVIEW

Philipp Gerschlauer/David Fiuczynski: Mikrojazz!: Neue Expressionistische Musik

Read "Mikrojazz!: Neue Expressionistische Musik" reviewed by Dan Bilawsky

If you've followed guitarist David Fiuczynski's work in recent years, then you should already know that he's continually intensifying his search for what exists in the spaces between the spaces. While Fuze has always registered as something of a non-conformist, he's now completely shed a layer of skin and left conventional Western musical tuning behind, evolving ...

ARTICLE: UNDER THE RADAR

Preserving the Cradle of Jazz: The New Orleans Jazz Museum

Read "Preserving the Cradle of Jazz: The New Orleans Jazz Museum" reviewed by Karl Ackermann

The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...


Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.

Please support out sponsor