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Jim Josselyn
Born:
Jim got his first guitar at age 11 in Nogales, Mexico on a family trip and hasn't put it down since. Shortly after he heard Jimi Hendrix and ultimately Coltrane and Wes and Pat Martino among others and was hooked on jazz. Jim has studied with Pat, Ted Dunbar, Jimmy heath, Sir Roland Hanna, Steve Khan and Rodney Jones.
He's performed with Larry Ridley, Jeb Patton, Jim Ridl, Jimmy Heath, Wynton Marsalis and at Lincoln Center, the Brooklyn Academy of Music, the NJPAC and countless clubs and festivals.
Mr. October
Album: Early Summer Evening
By Jim Josselyn
Label: Self Produced
Released: 2023
Duration: 5:40
Early Summer Evening
By Jim Josselyn
Label: Self Produced
Released: 2023
Track listing: All The People Sing; Mr. October; Big City; Early Summer Evening; Simple Samba; Freedom.
Shape Shifter
By Jim Josselyn
Label: Self Produced
Released: 2023
Track listing: Shape Shifter; Clarisse; Waltz for a Rainy Day; Heads Up; Never and Again; Iris; Equinox
Jim Josselyn: Shape Shifter
by Kyle Simpler
Keith Richards once said if you don't know the blues, there's no point in picking up the guitar." This is certainly true about rock, but it could just as easily apply to jazz. Many of the great jazz guitarists have roots in the blues, and Jim Josselyn is no exception. His album Shape Shifter offers a ...
Shape Shifter
Album: Shape Shifter
By Jim Josselyn
Label: Self Produced
Released: 2023
Duration: 5:20
Sheryl Bailey: Homage
by Jim Josselyn
Homage, Sheryl Bailey's 12th outing as a leader, is a welcome and well deserved musical love letter to the late, great Pat Martino. The opening track, with one of the great song titles in instrumental music history, The Velvet Hammer," was written for Martino, and the decision to have keyboardist Miki Hayama play the Fender Rhodes ...
Blues From The Vault (Part One)
By Jim Josselyn
Label: Interstreet Recordings
Released: 2020
Track listing: Prelude In Blue; Some Blues; Blues For Ted; Blues From The Vault; New Orleans Guitar Funeral; E.T.A..
The Nate Najar Trio: Jazz Impressions
by Jim Josselyn
On Jazz Impressions" the Nate Najar Trio takes us back to a dark, tiny, smoky, nightclub circa 1956. The question is, do we want to go there? From the opening lines of the Count Basie blues Taps Miller" we can hear where the group is going, and haven't we all been there before? Najar's solo consists ...