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ARTICLE: ALBUM REVIEWS

The Art Ensemble of Chicago: We Are on the Edge: A 50th Anniversary Celebration

Read "We Are on the Edge: A 50th Anniversary Celebration" reviewed by Giuseppe Segala

Quanta storia. Nel 1969 Roscoe Mitchell, Joseph Jarman e il più riluttante Malachi Favors, spinti dalla lungimiranza avventurosa di Lester Bowie, si trasferirono a Parigi, accolti dalla comunità degli artisti e degli appassionati con grande attenzione. Tra questi, c'era il batterista e promotore parigino Claude Delcloo, particolarmente attivo e in contatto fin dal 1968 con l'AACM ...

ARTICLE: RADIO

Art Ensemble of Chicago, William Tatge & Hans Ludemann

Read "Art Ensemble of Chicago, William Tatge & Hans Ludemann" reviewed by Maurice Hogue

This episode evokes special memories of my first exposure to the Art Ensemble of Chicago many years ago. I was left in awe at the spectacle, let alone the originality and power of the music. We Are on the Edge: A 50th Anniversary Celebration, the new release from Pi Recordings brings that concert and much more ...

ARTICLE: IN PICTURES
ARTICLE: ALBUM REVIEWS

The Art Ensemble of Chicago: We Are On The Edge: A 50th Anniversary Celebration

Read "We Are On The Edge: A 50th Anniversary Celebration" reviewed by Mark Corroto

Seventy plus recordings and fifty years since the inception of The Art Ensemble Of Chicago. I mean the Roscoe Mitchell Art Ensemble, its original name. Born of Chicago's Association for the Advancement of Creative Musicians (AACM), the band sojourned to Paris and soon changed its name to The Art Ensemble Of Chicago to reflect the corroborative ...

ARTICLE: LIVE REVIEWS

Edgefest 2018: The Chicago Connection

Read "Edgefest 2018: The Chicago Connection" reviewed by Troy Dostert

Edgefest
Ann Arbor, MI
October 17-20, 2018

This year, Ann Arbor, Michigan's Edgefest Festival turned to Chicago for inspiration. An astonishing array of talented musicians, most with roots in Chicago's storied past or its vibrant present, made appearances at the Kerrytown Concert House for four days of exceptional music that could generally ...

ARTICLE: ALBUM REVIEWS

Mars Williams / Tollef Østvang: Painted Pillars

Read "Painted Pillars" reviewed by Mark Corroto

If you only know saxophonist Mars Williams from his gigs with the post-punk band The Psychedelic Furs or the hip-hop/funk band Liquid Soul, you're missing out on a talented and dedicated free-jazz improviser. He scatters himself in many directions, from collaborations with Chicago's Ken Vandermark, Tim Daisy, Jim Baker and Michael Zerang, to work in Europe ...

ARTICLE: LIVE REVIEWS

October Revolution in Jazz & Contemporary Music 2017

Read "October Revolution in Jazz & Contemporary Music 2017" reviewed by Mark Corroto

October Revolution In Jazz & Contemporary Music
FringeArts
Philadelphia, PA
October 5-8, 2017

The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 ...

ARTICLE: IN PICTURES

The Art Ensemble of Chicago at the 2017 Time In Jazz Festival

Read "The Art Ensemble of Chicago at the 2017 Time In Jazz Festival" reviewed by Roberto Cifarelli

The Art Ensemble of Chicago were, as expected, one of the main attractions at Time in Jazz, the Festival organized for the thirtieth consecutive year by Italian trumpet player Paolo Fresu in his native city of Berchidda, in Sardinia.

The line-up of the AEoC, which played a fiery set, featured the founding members Roscoe ...

ARTICLE: LIVE REVIEWS

Time in Jazz compie trent'anni

Read "Time in Jazz compie trent'anni" reviewed by Libero Farnè

Time in Jazz 2017
Berchidda e altri comuni
8-16.8.2017

Il testo scritto quest'anno da Paolo Fresu sul programma del Festival non voleva essere tanto una presentazione delle scelte artistiche della trentesima edizione di Time in Jazz, quanto piuttosto un riepilogo in tono estremamente poetico degli obiettivi e criteri in ...

ARTICLE: ALBUM REVIEWS

Insufficient Funs: Insufficient Funs

Read "Insufficient Funs" reviewed by Ian Patterson

An original name, if not quite such an original concept. Saxophone and drum duets used to be as rare as the proverbial hen's teeth, with John Coltrane and Rashied Ali's 1960s collaboration always the benchmark. In recent years, however, this striking duo combination has seen something of a boom. Charles Lloyd and Billy Higgins; Dave Rempis ...