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ARTICLE: ALBUM REVIEWS

Jim Snidero & Jeremy Pelt: Jubilation!

Read "Jubilation!" reviewed by Jack Bowers

The complete title of this splendid album by alto saxophonist Jim Snidero and trumpeter Jeremy Pelt's New York-based quintet is Jubilation! Celebrating Cannonball Adderley. In other words, honoring the life and music of one of the jazz world's most illustrious altos, a consummate artist (and showman) who ranks alongside Bird, Stitt, Pepper, Konitz, Desmond, Woods, McLean ...

ARTICLE: INTERVIEWS

Mark Morganelli: Adds Club Owner To His Resume

Read "Mark Morganelli: Adds Club Owner To His Resume" reviewed by R.J. DeLuke

Mark Morganelli has long been known as a fine trumpet player and a promoter with years of experience in the jny: New York City area dating back to a jazz loft 39 years ago, through booking at the Village Gate, Birdland, morphing into his nonprofit Jazz Forum Arts organization known for the summer concert series he ...

ARTICLE: INTERVIEWS

Nick Brignola: Big Horn, Strong Words

Read "Nick Brignola: Big Horn, Strong Words" reviewed by Rob Rosenblum

This article first appeared in Coda Magazine in 1978. With the possible exception of torture, there has never been an art form more maligned than jazz. So, it is inevitable that every once in a while there is an exceptional musician who finds that the financial rewards of being a jazz musician are too ...

Jazz Quanta April – Five Women II: Sarah Vaughan, Barb Jungr, marty Elkins, Phyllis Blanford, and Tina Phillips

Read "Jazz Quanta April – Five Women II:  Sarah Vaughan, Barb Jungr, marty Elkins, Phyllis Blanford, and Tina Phillips" reviewed by C. Michael Bailey

There is never too much of a good thing... Sarah Vaughan Live at Rosy's Resonance Records 2016 The most important and popular female jazz vocalists all had nick names. Lady Day, The First Lady of Song, The Devine One..."The President" Lester Young gave Billie Holiday her ...

ARTICLE: INTERVIEWS

Nat Adderley: A Player's Player

Read "Nat Adderley: A Player's Player" reviewed by Joan Gannij

This interview was originally conducted in 1997. I met Nat Adderley in jny: San Diego, California in 1986 when I was working as a disc jockey at a jazz radio station and doing the PR for La Jolla Playhouse. We did an interview about a new production of a musical being revived at the ...

ARTICLE: ALBUM REVIEWS

Roberto Magris: Cannonball Funk 'n Friends / One Night in with Hope . . . Vol. 2

Read "Cannonball Funk 'n Friends / One Night in with Hope . . . Vol. 2" reviewed by Jack Bowers

Pianist Roberto Magris, who logs so much time in studios that he should be awarded Frequent Recording points, is back with two more albums, the first by a quintet with alto Jim Mair sitting in for Julian “Cannonball" Adderley and trumpeter Hermon Mehari for Cannonball's brother, Nat, the second a trio session billed as Vol. 2 ...

More Fresh Sounds From Fresh Sound

Read "More Fresh Sounds From Fresh Sound" reviewed by Bruce Klauber

The Fresh Sound record label has released another superb batch of late 1950s and early 1960s recordings by jazz legends, greats, near-greats and now obscure artists who, then and now, deserve wider recognition. As detailed in previous pieces, Fresh Sound is the only organization out there issuing these essential works, which otherwise would remain lost.

ARTICLE: TALKIN' BLUES

Talkin' Blues with the Groovemaster, Jerry Jemmott

Read "Talkin' Blues with the Groovemaster, Jerry Jemmott" reviewed by Alan Bryson

Jerry Jemmott's groove is the bedrock of guitarist B.B. King's career defining hit, “The Thrill is Gone." He was in the studio with Duane Allman and singer Wilson Pickett recording “Hey Jude," a track that was instrumental in launching the late Allman Brothers Band guitarist's musical career; and they were together again for flautist Herbie Mann's ...

ARTICLE: INTERVIEWS

Myron Walden: Eclectic Reedman

Read "Myron Walden: Eclectic Reedman" reviewed by Edward Bride

In words often used to describe the music of Duke Ellington, Myron Walden is a saxophonist beyond category. More so than many other musicians, Walden himself eschews reliance on any one instrument, not tenor or alto nor soprano nor bass nor... well, you get the idea. The voice that he is striving to use in any ...


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